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Author:
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Category : Art
Languages : en
Pages :
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Author:
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ISBN:
Category : Art
Languages : en
Pages :
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Author: Giulio Carlo Argan
Publisher: Bonsignori
ISBN:
Category : Art
Languages : it
Pages : 468
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Author: Giulio Carlo Argan
Publisher: Bonsignori
ISBN:
Category : Art
Languages : en
Pages : 464
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Author:
Publisher:
ISBN:
Category : Art
Languages : it
Pages : 228
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Author:
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Category :
Languages : en
Pages : 422
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Author:
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Category :
Languages : it
Pages :
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Author: Marcia B. Hall
Publisher: Cambridge University Press
ISBN: 9780521624459
Category : Art
Languages : en
Pages : 424
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Author: Terry Kirk
Publisher: Princeton Architectural Press
ISBN: 9781568984360
Category : Architecture
Languages : en
Pages : 288
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Book Description
“Modern Italy”may sound like an oxymoron. For Western civilization,Italian culture represents the classical past and the continuity of canonical tradition,while modernity is understood in contrary terms of rupture and rapid innovation. Charting the evolution of a culture renowned for its historical past into the 10 modern era challenges our understanding of both the resilience of tradition and the elasticity of modernity. We have a tendency when imagining Italy to look to a rather distant and definitely premodern setting. The ancient forum, medieval cloisters,baroque piazzas,and papal palaces constitute our ideal itinerary of Italian civilization. The Campo of Siena,Saint Peter’s,all of Venice and San Gimignano satisfy us with their seemingly unbroken panoramas onto historical moments untouched by time;but elsewhere modern intrusions alter and obstruct the view to the landscapes of our expectations. As seasonal tourist or seasoned historian,we edit the encroachments time and change have wrought on our image of Italy. The learning of history is always a complex task,one that in the Italian environment is complicated by the changes wrought everywhere over the past 250 years. Culture on the peninsula continues to evolve with characteristic vibrancy. Italy is not a museum. To think of it as such—as a disorganized yet phenomenally rich museum unchanging in its exhibits—is to misunderstand the nature of the Italian cultural condition and the writing of history itself.
Author: Patrizia Cavazzini
Publisher: Penn State Press
ISBN: 0271032154
Category : Art
Languages : en
Pages : 258
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Book Description
Painting as Business in Early Seventeenth-Century Rome offers a new perspective on the world of painting in Rome at the beginning of the Baroque, from both an artistic and a socioeconomic point of view. Biased by the accounts of seventeenth-century biographers, who were often academic painters concerned about elevating the status of their profession, art historians have long believed that in Italy, and in Rome in particular, paintings were largely produced by major artists working on commission for the most important patrons of the time. Patrizia Cavazzini&’s extensive archival research reveals a substantially different situation. Cavazzini presents lively and colorful accounts of Roman artists&’ daily lives and apprenticeships and investigates the vast popular art market that served the aesthetic, devotional, and economic needs of artisans and professionals and of the laboring class. Painting as Business reconstructs the complex universe of painters, collectors, and merchants and irrevocably alters our understanding of the production, collecting, and merchandising of painting during a key period in Italian art history.
Author: Renato Barilli
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773587993
Category : Philosophy
Languages : en
Pages : 191
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Book Description
In The Science of Culture and the Phenomenology of Styles, Renato Barilli examines the history of artistic style in relation to scientific discovery. Applying an innovative analysis, he illustrates the subtle, yet intrinsic, connection between paradigm shifts in the sciences and in the arts. Barilli argues that there are "homologies," or equivalences, between specific discoveries or inventions and revolutionary advances in artistic techniques. He draws upon the pioneering work of Lucien Goldman, who provides the fundamental definition of "homology," as well as the theories of Luciano Anceschi and Marshall McLuhan in order to reassess conventional modes of dividing art history into such periods as modern, contemporary, and postmodern. By correlating moments like the invention of the printing press and the internal combustion engine with canonical periods in the evolution of art, Barilli unearths conceptual links across domains and disciplines. An insightful reflection on the historic perspectives of cultural production, The Science of Culture and the Phenomenology of Styles sheds new light on the relationship between visual culture, art, and language.
