Stern's Guide to Contemporary African Music PDF Download
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Author: Ronnie Graham
Publisher: Pluto Press (UK)
ISBN:
Category : Music
Languages : en
Pages : 360
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Book Description
No
Author: Ronnie Graham
Publisher: Pluto Press (UK)
ISBN:
Category : Music
Languages : en
Pages : 360
Get Book Here
Book Description
No
Author: Ronnie Graham
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Don Michael Randel
Publisher: Harvard University Press
ISBN: 9780674011632
Category : Music
Languages : en
Pages : 1020
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Book Description
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
Author: Annemette Kirkegaard
Publisher: Nordic Africa Institute
ISBN: 9789171064967
Category : Music
Languages : en
Pages : 188
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Book Description
The musics of Africa play a particularly important role in expressing and forming identities. This book brings together African and Nordic scholars from both musicology and other disciplines in an attempt to analyse various aspects of the complex playing with volatile identities in music in Africa today. Taken together the papers put new light on the assumed or real dichotomies between countryside and city, collective and individual, tradition and modernity, authentic and alien. The papers are based on contributions for a conference organized by the research project “Cultural Images in and of Africa†of the Nordic Africa Institute together with the Sibelius Museum/Department of Musicology and the Centre for Continuing Education at Ã...bo Akademi University in Ã...bo (Turku), Finland in October 2000. The book includes a keynote speech by Christopher Waterman (UCLA), and an introduction by Annemette Kirkegaard, Copenhagen University. Southern, West and East Africa are represented in the studies, which cover a great variety of musics.
Author: John Collins
Publisher: Wesleyan University Press
ISBN: 0819575402
Category : Biography & Autobiography
Languages : en
Pages : 345
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Book Description
“A vibrant and multifaceted portrait of Afrobeat legend Fela Anikulapo-Kuti . . . and his role as a giant of modern African music.” —Michael E. Veal, author of Dub Fela: Kalakuta Notes is an evocative account of Fela Kuti—the Afrobeat superstar who took African music into the arena of direct action. With his antiestablishment songs, he dedicated himself to Pan-Africanism and the down-trodden Nigerian masses, or “sufferheads.” In the 1970s, the British/Ghanaian musician and author John Collins met and worked with Fela in Ghana and Nigeria. Kalakuta Notes includes a diary that Collins kept in 1977 when he acted in Fela’s autobiographical film, Black President. The book offers revealing interviews with Fela by the author, as well as with band members, friends, and colleagues. For this second edition, Collins has expanded the original introduction by providing needed context for popular music in Africa in the 1960s and the influences on the artist’s music and politics. In a new concluding chapter, Collins reflects on the legacy of Fela: the spread of Afrobeat, Fela’s musical children, Fela’s Shrine and Kalakuta House, and the annual Felabration. As the dust settles over Fela’s fiery, creative, and controversial career, his Afrobeat groove and political message live on in Kalakuta Notes. A new foreword by Banning Eyre, an up-to-date discography by Ronnie Graham, a timeline, historical photographs, and snapshots by the author are also featured. “As multilayered and significant a document as the singer’s musical contributions. It is a crucial testament about one of the world’s most outspoken and radical artists, and gives deep insight into his life, music and struggles against oppression and mediocrity.” —Journal of World Popular Music
Author: Michael Veal
Publisher: Temple University Press
ISBN: 9781439907689
Category : Music
Languages : en
Pages : 354
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Book Description
Musician, political critic, and hedonist, international superstar Fela Anikulapo-Kuti created a sensation throughout his career. In his own country of Nigeria he was simultaneously adulated and loathed, often by the same people at the same time. His outspoken political views and advocacy of marijuana smoking and sexual promiscuity offended many, even as his musical brilliance enthralled them. In his creation of afrobeat, he melded African traditions with African American and Afro-Caribbean influences to revolutionize world music. Although harassed, beaten, and jailed by Nigerian authorities, he continued his outspoken and derisive criticism of political corruption at home and economic exploitation from abroad. A volatile mixture of personal characteristics -- charisma, musical talent, maverick lifestyle, populist ideology, and persistence in the face of persecution -- made him a legend throughout Africa and the world. Celebrated during the 1970s as a musical innovator and spokesman for the continent's oppressed masses, he enjoyed worldwide celebrity during the 1980s and was recognized in the 1990s as a major pioneer and elder statesman of African music. By the time of his death in 1997 from AIDS-related complications, Fela had become something of a Nigerian institution. In Africa, the idea of transnational alliance, once thought to be outmoded, has gained new currency. In African America, during a period of increasing social conservatism and ethnic polarization, Africa has re-emerged as a symbol of cultural affirmation. At such an historical moment, Fela's music offers a perspective on race, class, and nation on both sides of the Atlantic. As Professor Veal demonstrates, over three decades Fela synthesized a unique musical language while also clearing -- if only temporarily -- a space for popular political dissent and a type of counter-cultural expression rarely seen in West Africa. In the midst of political turmoil in Africa, as well as renewal of pro-African cultural nationalism throughout the diaspora, Fela's political music functions as a post-colonial art form that uses cross-cultural exchange to voice a unique and powerful African essentialism.
Author: Manuh, Takyiwaa
Publisher: Sub-Saharan Publishers
ISBN: 9988647379
Category : Social Science
Languages : en
Pages : 532
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Book Description
An important feature of Ghanaian tertiary education is the foundational African Studies Programme which was initiated in the early 1960s. Unfortunately hardly any readers exist which bring together a body of knowledge on the themes, issues and debates which inform and animate research and teaching in African Studies particularly on the African continent. This becomes even more important when we consider the need for knowledge on Africa that is not Eurocentric or sensationalised, but driven from internal understandings of life and prospects in Africa. Dominant representations and perceptions of Africa usually depict a continent in crisis. Rather than buying into external representations of Africa, with its 'lacks' and aspirations for Western modernities, we insist that African scholars in particular should be in the forefront of promoting understanding of the pluri-lingual, overlapping, and dense reality of life and developments on the continent, to produce relevant and usable knowledge. Continuing and renewed interest in Africa's resources, including the land mass, economy, minerals, visual arts and performance cultures, as well as bio-medical knowledge and products, by old and new geopolitical players, obliges African scholars to transcend disciplinary boundaries and to work with each other to advance knowledge and uses of those resources in the interests of Africa's people.
Author: Kofi Agawu
Publisher: Routledge
ISBN: 1317794052
Category : Music
Languages : en
Pages : 292
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Book Description
The aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumptions and prejudices influence the presentation of ethnographic data? Even the term "African music" suggests there is an agreed-upon meaning, but African music signifies differently to different people. This book also poses the question then, "What is African music?" Agawu offers a new and provocative look at the history of African music scholarship that will resonate with students of ethnomusicology and post-colonial studies. He offers an alternative "Afro-centric" means of understanding African music, and in doing so, illuminates a different mode of creativity beyond the usual provenance of Western criticism. This book will undoubtedly inspire heated debate--and new thinking--among musicologists, cultural theorists, and post-colonial thinkers. Also includes 15 musical examples.
Author: Carol Ann Muller
Publisher: Taylor & Francis
ISBN: 041596069X
Category : Isicathamiya
Languages : en
Pages : 359
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Book Description
First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Kariamu Welsh-Asante
Publisher: Africa World Press
ISBN: 9780865431973
Category : Dance
Languages : en
Pages : 276
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Book Description
A collection of essays by distinguished writers, critics and artists which addresses the discipline of African dance both on the continent and in the wider Diaspora. Includes a contribution from the distinguished Jamaican choreographer Sir Rex Nettleford.
