Spider-Man: No Way Home: Spider-Man's Very Strange Day!

Spider-Man: No Way Home: Spider-Man's Very Strange Day! PDF Author: Calliope Glass
Publisher: Disney Electronic Content
ISBN: 1368074588
Category : Juvenile Fiction
Languages : en
Pages : 36

Get Book Here

Book Description
A picture book to release ahead of the third Spider-Man film, in theaters summer 2021.

Spider-Man: No Way Home: Spider-Man's Very Strange Day!

Spider-Man: No Way Home: Spider-Man's Very Strange Day! PDF Author: Calliope Glass
Publisher: Disney Electronic Content
ISBN: 1368074588
Category : Juvenile Fiction
Languages : en
Pages : 36

Get Book Here

Book Description
A picture book to release ahead of the third Spider-Man film, in theaters summer 2021.

Forever

Forever PDF Author: Bobby Angel
Publisher: Pauline Books and Media
ISBN: 0819827444
Category : Religion
Languages : en
Pages : 166

Get Book Here

Book Description
Get your marriage off to a great start--or renew the marriage you've shared for years--with this six-week devotional for couples, which takes inspiration from Pope John Paul II's Theology of the Body. Experts Jackie François Angel and Bobby Angel will teach you how to pray together as a couple, opening you up to the wonders that God bestows on your marriage.

Love and Responsibility

Love and Responsibility PDF Author: Pope John Paul II
Publisher: Ignatius Press
ISBN: 9780898704457
Category : Family & Relationships
Languages : en
Pages : 324

Get Book Here

Book Description
Pope John Paul II's discussion of family life and sexual morality, first published in 1960, which defends Catholic tradition and draws upon physiological and psychological research regarding the sexual urge, love, chastity, and sexology and ethics.

Chronophage

Chronophage PDF Author: Tim Seeley
Publisher: Humanoids, Inc.
ISBN: 1643377396
Category : Comics & Graphic Novels
Languages : en
Pages : 138

Get Book Here

Book Description
A single mother becomes involved with a mysterious man who consumes moments of her life, leading her to question her choices, and whether they can—or should—be undone.

The Night Gwen Stacy Died

The Night Gwen Stacy Died PDF Author: Sarah Bruni
Publisher: Houghton Mifflin Harcourt
ISBN: 0547898169
Category : Fiction
Languages : en
Pages : 291

Get Book Here

Book Description
A debut novel and quirky love story about the adventures and mutual rescue of an Iowan girl and a mysterious stranger who begins to cast her in the image of Spider-Man's first love.

Theology and Spider-Man

Theology and Spider-Man PDF Author: George Tsakiridis
Publisher: Rowman & Littlefield
ISBN: 1978710909
Category : Religion
Languages : en
Pages : 309

Get Book Here

Book Description
Theology and Spider-Man provides a look at the religious themes present in one of the most popular heroes of the past half-century, Spider-Man. In order to create a systematic theology of Spider-Man, the contributors delve into themes of sin, salvation, and creedal theology, while also addressing liberation theology, Black theology, bioethics, and hermeneutics. This volume balances theological depth with discussion of the comics and films, which makes it a perfect collection for those interested in theology, Spider-Man, or both.

Spider-man

Spider-man PDF Author: J. Michael Straczynski
Publisher:
ISBN: 9780785134312
Category : Graphic novels
Languages : en
Pages :

Get Book Here

Book Description


The Dogs of Babel

The Dogs of Babel PDF Author: Carolyn Parkhurst
Publisher: Little, Brown
ISBN: 0759528063
Category : Fiction
Languages : en
Pages : 166

Get Book Here

Book Description
A poignant and beautiful debut novel explores a man's quest to unravel the mystery of his wife's death with the help of the only witness -- their Rhodesian ridgeback, Lorelei.

Form As Harmony in Rock Music

Form As Harmony in Rock Music PDF Author: Drew Nobile
Publisher: Oxford University Press, USA
ISBN: 0190948353
Category : Music
Languages : en
Pages : 297

Get Book Here

Book Description
"There's a moment in Janis Joplin's rendition of "Piece of My Heart" that anyone who has heard the song even once will recall vividly. I'm referring of course to Joplin's explosive cry of "take it!" about a minute in, right at the beginning of the chorus. This moment seems to embody all of rock's essential elements: freedom, power, personal expression, heartache, rebellion, etc. But that moment, iconic as it is, is more than a moment. Its strength is completely lost if we remove it from its musical context. Imagine playing someone just that second or two of music and expecting an emotional reaction you will more likely be met with bewilderment than excitement. The powerful effect of Joplin's cry derives as much from the material surrounding it as from what happens at that particular point in time. To understand that moment we must therefore consider it in relation to the song's organization as a whole. That central question how a song is organized in time underlies the concept of musical form. Form is often presented in opposition to content, the latter referring to more tangible musical elements such as notes and rhythms. The two are not so easily separated, though; as the "Piece of My Heart" example attests, we perceive content through the lens of form, each moment's meaning dependent on its role within the song's temporal organization. Music builds its communicative capacity upon its formal foundation; studying form is thus not a matter of zooming in on one particular musical aspect, but rather sets the stage for understanding all of a song's various expressive elements. Form, in other words, is the gateway to interpretation. This book offers a comprehensive theory of form in rock music. My basic premise is that rock songs are cohesive entities, gradually unfolding through time a unified musical structure. Their formal components are not merely discrete elements arranged in succession but interdependent, dialogic utterances, each fulfilling a particular role in relation to the whole. Seen this way, rock form is inherently a process, an active, temporal journey, not a series of musical containers; "a self-realizing verb, unspooling itself through time, not a static noun," as James Hepokoski and Warren Darcy put it (2006, 616). In other words, form is something a song does, not something it is. A conception of form as process underlies much contemporary discussion of classical form (Schmalfeldt 2011, Hepokoski and Darcy 2006, Caplin 1998); discussions of form in rock, though, tend toward an object-oriented approach, focusing on dividing a song into labeled sections rather than describing its temporal development.1 Rock-oriented studies that reflect a more processual approach, such as Robin Attas's 2015 article on buildup introductions and Allan Moore's 2012 monograph Song Means, generally eschew large-scale thinking in favour of moment-to-moment interpretations; Moore specifically states that he \see[s] little to be gained from [discussing more global formal terms] . . . it implies a `god's-eye perspective,' which does not seem to be part of the popular song experience, where what matters is exactly where one is at a particular point in time" (84). I do not believe a focus on process is incompatible with large-scale thinking, though. My aim in this book is to bring a process-based approach to the study of rock's large-scale structures"--

Spider-Man

Spider-Man PDF Author: Tom Defalco
Publisher: Marvel Entertainment
ISBN: 0785171053
Category : Comics & Graphic Novels
Languages : en
Pages : 345

Get Book Here

Book Description
Carnage, the spawn of Venom, has assembled an army of Spider-Man's criminally insane adversaries to spread his message of hostility, chaos and wholesale slaughter: Carrion, Demogoblin, Shriek and the Spider-Man Doppelganger! Outmanned and overpowered, the wall-crawler must recruit his own band of super-beings to combat the rising tide of evil: Black Cat, Cloak & Dagger, Firestar, Captain America, Deathlok and ... Venom?! Spider-Man's worst enemy becomes his uneasy ally in the battle to halt Carnage's mad rampage. But when he finds himself at odds with a number of his allies, who want to finish Carnage and his cronies once and for all, Spider-Man must decide whether to violate his personal code of honor to rid the world of pure evil. Can the web-slinger find an alternative before it's too late? Either choice carries dire consequences! Collects Amazing Spider-Man (1963) #378-380, Spider-Man: Unlimited (1993) #1-2, Spectacular Spider-Man (1976) #201-203, Web of Spider-Man (1985) #101-103, Spider-Man (1990) #35-37.