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Author: Colin McInnes
Publisher: Lynne Rienner Pub
ISBN: 9781588260475
Category : Political Science
Languages : en
Pages : 187
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Book Description
At the end of a century dominated by global conflict - and despite the unchanging nature of the human suffering it causes - the nature of war itself, argues Colin McInnes, has been transformed.
Author: Colin McInnes
Publisher: Lynne Rienner Pub
ISBN: 9781588260475
Category : Political Science
Languages : en
Pages : 187
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Book Description
At the end of a century dominated by global conflict - and despite the unchanging nature of the human suffering it causes - the nature of war itself, argues Colin McInnes, has been transformed.
Author: Arthur Blaustein
Publisher: Skyhorse Publishing Inc.
ISBN: 1616080620
Category : Political Science
Languages : en
Pages : 273
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Book Description
A blueprint and a guidebook to help us all get involved.Senator John...
Author: Matthew Algeo
Publisher: Chicago Review Press
ISBN: 1613744005
Category : History
Languages : en
Pages : 276
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Book Description
Strange as it sounds, during the 1870s and 1880s, America’s most popular spectator sport wasn’t baseball, football, or horseracing—it was competitive walking. Inside sold-out arenas, competitors walked around dirt tracks almost nonstop for six straight days (never on Sunday), risking their health and sanity to see who could walk the farthest—more than 500 miles. These walking matches were as talked about as the weather, the details reported in newspapers and telegraphed to fans from coast to coast. This long-forgotten sport, known as pedestrianism, spawned America’s first celebrity athletes and opened doors for immigrants, African Americans, and women. But along with the excitement came the inevitable scandals, charges of doping and insider gambling, and even a riot in 1879. Pedestrianism chronicles competitive walking’s peculiar appeal and popularity, its rapid demise, and its enduring influence.
Author: Jan Mieszkowski
Publisher: Stanford University Press
ISBN: 0804785015
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
What does it mean to be a spectator to war in an era when the boundaries between witnessing and perpetrating violence have become profoundly blurred? Arguing that the contemporary dynamics of military spectatorship took shape in Napoleonic Europe, Watching War explores the status of warfare as a spectacle unfolding before a mass audience. By showing that the battlefield was a virtual phenomenon long before the invention of photography, film, or the Internet, this book proposes that the unique character of modern conflicts has been a product of imaginary as much as material forces. Warfare first became total in the Napoleonic era, when battles became too large and violent to be observed firsthand and could only be grasped in the imagination. Thenceforth, fantasies of what war was or should be proved critical for how wars were fought and experienced. As war's reach came to be limited only by the creativity of the mind's eye, its campaigns gave rise to expectations that could not be fulfilled. As a result, war's modern audiences have often found themselves bored more than enthralled by their encounters with combat. Mieszkowski takes an interdisciplinary approach to this major ethical and political concern of our time, bringing literary and philosophical texts into dialogue with artworks, historical documents, and classics of photojournalism.
Author: Eric Dunning
Publisher: Routledge
ISBN: 1134942931
Category : Social Science
Languages : en
Pages : 246
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Book Description
Examines the causes of football hooliganism as a world phenomenon, considering the links between player violence and crowd violence, and the role of the media. It looks ahead to the 1994 World Cup in Los Angeles and asks why soccer hooliganism has not been a problem in the USA.
Author: Peter Donaldson
Publisher: Routledge
ISBN: 1000048365
Category : History
Languages : en
Pages : 285
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Book Description
Spanning the colonial campaigns of the Victorian age to the War on Terror after 9/11, this study explores the role sport was perceived to have played in the lives and work of military personnel, and examines how sporting language and imagery were deployed to shape and reconfigure civilian society’s understanding of conflict. From 1850 onwards war reportage – complemented and reinforced by a glut of campaign histories, memoirs, novels and films – helped create an imagined community in which sporting attributes and qualities were employed to give meaning and order to the chaos and misery of warfare. This work explores the evolution of the Victorian notion that playing-field and battlefield were connected and then moves on to investigate the challenges this belief faced in the twentieth century, as combat became, initially, industrialised in the age of total warfare and, subsequently, professionalised in the post-nuclear world. Such a longitudinal study allows, for the first time, new light to be shed on the continuities and shifts in the way the ‘reality’ of war was captured in the British popular imagination. Drawing together the disparate fields of sport and warfare, this book serves as a vital point of reference for anyone with an interest in the cultural, social or military history of modern Britain.
Author: Stuart Croft
Publisher: Routledge
ISBN: 1136328041
Category : History
Languages : en
Pages : 273
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Book Description
The contributors reflect critically on security studies since the 1980s. They conclude that analysts and policy-makers have not been able to respond well to the changes that have occurred and that they must revise their approach if they are to meet the challenges of the future.
Author: Roger Stahl
Publisher: Routledge
ISBN: 1135837503
Category : Games & Activities
Languages : en
Pages : 220
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Book Description
Militainment, Inc. offers provocative, sometimes disturbing insight into the ways that war is presented and viewed as entertainment—or "militainment"—in contemporary American popular culture. War has been the subject of entertainment for centuries, but Roger Stahl argues that a new interactive mode of militarized entertainment is recruiting its audience as virtual-citizen soldiers. The author examines a wide range of historical and contemporary media examples to demonstrate the ways that war now invites audiences to enter the spectacle as an interactive participant through a variety of channels—from news coverage to online video games to reality television. Simply put, rather than presenting war as something to be watched, the new interactive militainment presents war as something to be played and experienced vicariously. Stahl examines the challenges that this new mode of militarized entertainment poses for democracy, and explores the controversies and resistant practices that it has inspired. This volume is essential reading for anyone interested in the relationship between war and media, and it sheds surprising light on the connections between virtual battlefields and the international conflicts unfolding in Iraq and Afghanistan today.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 140
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Book Description
A collection of black-and-white photographs showing fans taking in America's sporting events, and represents the social landscape at the height of the Vietnam War.
Author: John Tulloch
Publisher: Routledge
ISBN: 1136285431
Category : Social Science
Languages : en
Pages : 234
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Book Description
This book explores the ideas of key thinkers and media practitioners who have examined images and icons of war and terror. Icons of War and Terror explores theories of iconic images of war and terror, not as received pieties but as challenging uncertainties; in doing so, it engages with both critical discourse and conventional image-making. The authors draw on these theories to re-investigate the media/global context of some of the most iconic representations of war and terror in the international ‘risk society’. Among these photojournalistic images are: Nick Ut’s Pulitzer Prize winning photograph of a naked girl, Kim Phuc, running burned from a napalm attack in Vietnam in June 1972; a quintessential ‘ethnic cleansing’ image of massacred Kosovar Albanian villagers at Racak on January 15, 1999, which finally propelled a hesitant Western alliance into the first of the ‘new humanitarian wars’; Luis Simco’s photograph of marine James Blake Miller, ‘the Marlboro Man’, at Fallujah, Iraq, 2004; the iconic toppling of the World Trade Centre towers in New York by planes on September 11, 2001; and the ‘Falling Man’ icon – one of the most controversial images of 9/11; the image of one of the authors of this book, as close-up victim of the 7/7 terrorist attack on London, which the media quickly labelled iconic. This book will be of great interest to students of media and war, sociology, communications studies, cultural studies, terrorism studies and security studies in general.
