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Author: Bert Olivier
Publisher: Peter Lang
ISBN: 9783039119035
Category : Architecture
Languages : en
Pages : 260
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Book Description
This collection of philosophical essays addresses important issues in the arts, encompassing painting, sculpture, photography, film and architecture. The author's point of departure is the conviction that art in all its manifestations is an extremely significant cultural practice because it embodies a creative, reflective appropriation of social, political, economic, religious, historical and ecological developments, and as such merits close philosophical scrutiny, reflection and interpretation. The question of whether painting is still a viable artistic practice in our technocratic society is considered here, and it is no accident that both this issue and that of artificial intelligence are approached from the perspective of the phenomenological thought of Maurice Merleau-Ponty, among other thinkers. Equally important is the consideration of the relationship between art and the ethical, as highlighted by significant recent artistic events, as well as discussion of the transformational influence of ecological art and the culturally symptomatic meaning of kitsch. Other themes discussed include play and artistic tradition, formulating a suitable model for art 'beyond' Kierkegaard's aesthetic and ethical models, the meaning of 9/11 for architecture, and Lyotard's claim that today only an aesthetic of the sublime, instead of the beautiful, can help us make sense of art.
Author: Bert Olivier
Publisher: Peter Lang
ISBN: 9783039119035
Category : Architecture
Languages : en
Pages : 260
Get Book Here
Book Description
This collection of philosophical essays addresses important issues in the arts, encompassing painting, sculpture, photography, film and architecture. The author's point of departure is the conviction that art in all its manifestations is an extremely significant cultural practice because it embodies a creative, reflective appropriation of social, political, economic, religious, historical and ecological developments, and as such merits close philosophical scrutiny, reflection and interpretation. The question of whether painting is still a viable artistic practice in our technocratic society is considered here, and it is no accident that both this issue and that of artificial intelligence are approached from the perspective of the phenomenological thought of Maurice Merleau-Ponty, among other thinkers. Equally important is the consideration of the relationship between art and the ethical, as highlighted by significant recent artistic events, as well as discussion of the transformational influence of ecological art and the culturally symptomatic meaning of kitsch. Other themes discussed include play and artistic tradition, formulating a suitable model for art 'beyond' Kierkegaard's aesthetic and ethical models, the meaning of 9/11 for architecture, and Lyotard's claim that today only an aesthetic of the sublime, instead of the beautiful, can help us make sense of art.
Author: Elizabeth Rankin
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110669021
Category : Art
Languages : en
Pages : 930
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Book Description
For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book. The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the 'Great Trek' (1835-52) represents a crucial period of South Africa’s past. Conceptualising the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The book considers the active role the Monument played in the rise of Afrikaner nationalism and the development of apartheid, as well as its place in post-apartheid heritage. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument. Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze, through all the stages of its design, to its shipping to post-war Italy to be copied into marble from Monte Altissimo, up to its final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it is depicted. The second volume expands on the first, by investigating each of the twenty-seven scenes of the frieze in depth, providing new insights into not only the frieze, but also South Africa’s history. François van Schalkwyk of African Minds, co-publisher with De Gruyter writes: From Memory to Marble is an open access monograph in the true sense of the word. Both volumes of the digital version of the book are available in full and free of charge from the date of publication. This approach to publishing democratises access to the latest scholarly publications across the globe. At the same time, a book such as From Memory to Marble, with its unique and exquisite photographs of the frieze as well as its wealth of reproduced archival materials, demands reception of a more traditional kind, that is, on the printed page. For this reason, the book is likewise available in print as two separate volumes. The printed and digital books should not be seen as separate incarnations; each brings its own advantages, working together to extend the reach and utility of From Memory to Marble to a range of interested readers. For more material you can browse at Stanford's database "Voortrekker Monumentality: a digital archive".
Author: Bert Olivier
Publisher: Peter Lang
ISBN: 9783039119028
Category : Education
Languages : en
Pages : 256
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Book Description
The essays assembled in this volume focus on philosophical questions regarding various aspects of communication. They are predicated on the author's conviction that communication between human beings, regardless of the many difficulties involved, is something of sufficient importance to justify a patient philosophical exploration such as that embarked upon here. Interwoven with philosophical considerations readers will find insights gained from psychoanalytical thinkers such as Jacques Lacan and Julia Kristeva. The essays address a wide range of themes. Sometimes they concern fundamental things, such as the question of the very possibility of communication or the indispensable function of communication in sexual relations. The communicational significance of a certain kind of architecture is scrutinized, as well as that of images in our media-saturated, postmodern world, together with the connection between the latter and the experience of identity today. Other essays concentrate on communicational phenomena such as seduction and Kristeva's notion of 'revolt', the difficulties surrounding communication in the age of 'Empire', and the reappearance of communicational sophistry as a theme in contemporary cinema.
Author: Martin J. Murray
Publisher: U of Minnesota Press
ISBN: 1452939578
Category : Architecture
Languages : en
Pages : 312
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Book Description
When the past is painful, as riddled with violence and injustice as it is in postapartheid South Africa, remembrance presents a problem at once practical and ethical: how much of the past to preserve and recollect and how much to erase and forget if the new nation is to ever unify and move forward? The new South Africa’s confrontation of this dilemma is Martin J. Murray’s subject in Commemorating and Forgetting. More broadly, this book explores how collective memory works—how framing events, persons, and places worthy of recognition and honor entails a selective appropriation of the past, not a mastery of history. How is the historical past made to appear in the present? In addressing these questions, Murray reveals how collective memory is stored and disseminated in architecture, statuary, monuments and memorials, literature, and art—“landscapes of remembrance” that selectively recall and even fabricate history in the service of nation-building. He examines such vehicles of memory in postapartheid South Africa and parses the stories they tell—stories by turn sanitized, distorted, embellished, and compressed. In this analysis, Commemorating and Forgetting marks a critical move toward recognizing how the legacies and impositions of white minority rule, far from being truly past, remain embedded in, intertwined with, and imprinted on the new nation’s here and now.
Author: Grant Parker
Publisher: Cambridge University Press
ISBN: 1108210481
Category : History
Languages : en
Pages : 579
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Book Description
How have ancient Greece and Rome intersected with South African histories? This book canvasses architecture, literature, visual arts and historical memory. Some of the most telling manifestations of classical reception in South Africa have been indirect, for example neo-classical architecture or retellings of mythical stories. Far from being the mere handmaiden of colonialism (and later apartheid), classical antiquity has enabled challenges to the South African establishment, and provided a template for making sense of cross-cultural encounters. Though access to classical education has been limited, many South Africans, black and white, have used classical frames of reference and drawn inspiration from the ancient Greeks and Romans. While classical antiquity may seem antithetical to post-apartheid notions of heritage, it deserves to be seen in this light. Museums, historical sites and artworks, up to the present day, reveal juxtapositions in which classical themes are integrated into South African pasts.
Author: Johan Swart
Publisher: Penguin Random House South Africa
ISBN: 1432310194
Category : Photography
Languages : en
Pages : 397
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Book Description
Despite being South Africa’s capital city, Pretoria has often played a supporting role to bold and brash Johannesburg and Cape Town’s cosmopolitan charms. However, when it comes to architectural heritage, the Jacaranda City is well-endowed. From the skyline-dominating Union Buildings and Voortrekker Monument, to the imposing edifices of its administrative precincts, Pretoria might be deserving of a second moniker: the city of sandstone, brick and granite. But when you look beyond the impressive façades, soaring columns and linear planes of buildings that were intended to convey power and authority, you’ll find light-filled interiors embellished with decorative touches that are only hinted at from the outside. Murals, mosaics, domes, galleries, stained-glass windows, gleaming brass and impressive woodwork are often hidden from view behind doors that are closed to the public. And even those museums, buildings and places of worship that are open to all have noteworthy architectural and design features that are easily overlooked. The history of the city, and of the country, has been played out in many of the buildings featured in Hidden Pretoria. This book captures facets of our diverse heritage, historic and contemporary, so that a new generation might recognise the need to embrace the past in order to build our common future.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 448
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Book Description
Author: Bert Olivier
Publisher: Peter Lang
ISBN: 9783039119011
Category : Philosophy
Languages : en
Pages : 262
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Book Description
The essays brought together in this volume are written from the dual perspectives of philosophy and psychoanalytic theory. Sometimes more weight is given to the one perspective than to the other and vice versa, but always with the conviction that the rational, argumentative and hermeneutic-interpretive approach of philosophy requires the sobering influence of psychoanalytic theory's conception of the human being as a split subject, prone to the laws of the unconscious, no less than to those of reason. Topics range from the question concerning the relation between discourse, evil and the agency of the subject to that of the non-relativistic ethical positioning of the psychotherapist; from the problem of overcoming relativism by way of a poststructuralist understanding of language to that of a cogent (Derridean) philosophical response to global 'terrorism'; and from a Lacanian understanding of narrative identity, of human knowledge as 'paranoiac', and of 'trauma literature' to a Kristevan perspective on nature as 'abject' in the light of the degradation of ecosystems globally.
Author: Courtnay Micots
Publisher: Rowman & Littlefield
ISBN: 1793643105
Category : Social Science
Languages : en
Pages : 313
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Book Description
Kakaamotobe, meaning to scare, is known across southern Ghana, West Africa, as Fancy Dress performance. Masqueraders dress in colorful costumes and wear fancy and fierce masks; they dance energetically to drums or brass band music through the main streets of town during holidays, especially during Christmastime. Competitions held in two towns are intense annual events. This lively secular masquerade is a carnival form that has been practiced for well over a century primarily by coastal Fante people, and many additional ethnicities participate today. Kakaamotobe: Fancy Dress Carnival in Ghana explores the fascinating history, aesthetics, performance, and underlying messages of this masquerade with ties to other carnivalesque practices in the Black Atlantic. While Fancy Dress may engage with global cultures through some of its aesthetics, the practice is profoundly African. The utilization of elaborate costumes, masks, and brass bands expresses not a desire to imitate outside cultures, but rather the impulse of youth to adapt traditional culture to the contemporary environment. Courtnay Micots argues that the outward impression of folly belies the more serious refashioning of power, identity, and modernity in the community.
Author: Gary Waller
Publisher: Routledge
ISBN: 1317316665
Category : History
Languages : en
Pages : 232
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Book Description
This book traces the history of the Annunciation, exploring the deep and lasting impact of the event on the Western imagination. Waller explores the Annunciation from its appearance in Luke’s Gospel, to its rise to prominence in religious doctrine and popular culture, and its gradual decline in importance during the Enlightenment.
