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Author: Peter Watson
Publisher: Random House (NY)
ISBN: 9780679414032
Category : Art dealers
Languages : en
Pages : 0
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Book Description
alist Peter Watson exposes smuggling and the evasion of customs and national laws--and questions certain practices within and around the venerable art auction house. Using leads provided by the tip, and a huge cache of stolen documents, Watson details genuine experts, tomb robbers, as well as false names and claims, evaluations, despoilation of national treasures, and more. photos.
Author: Peter Watson
Publisher: Random House (NY)
ISBN: 9780679414032
Category : Art dealers
Languages : en
Pages : 0
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Book Description
alist Peter Watson exposes smuggling and the evasion of customs and national laws--and questions certain practices within and around the venerable art auction house. Using leads provided by the tip, and a huge cache of stolen documents, Watson details genuine experts, tomb robbers, as well as false names and claims, evaluations, despoilation of national treasures, and more. photos.
Author: Philip Hook
Publisher: Abrams
ISBN: 1468310305
Category : Art
Languages : en
Pages : 227
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Book Description
“A witty journey through the wonderfully tumultuous world of art dealers and markets—organized in the style of a dictionary, complete with a glossary.” —Interview Two questions are key to experiencing a work of art in a museum or exhibition: 1.) Do I like it? 2.) Who’s it by? You need quite a few more questions if you’re in an auction room or dealer’s gallery, however. You’ll find yourself asking, How much is it worth? How much will it be worth in five or ten years? And finally, what will people think of me if they see it hanging on my wall? Breakfast at Sotheby’s is not only a guide to finding the answers to such questions, but also a glimpse into the rarely discussed financial side of the art world. Based on author Philip Hook’s thirty-five years of experience in the art market, the book explores various shades of artist (including -isms, Gericault, and suicides), subject and style (from abstract art and banality through surrealism and war), “wall-power,” provenance, and market weather. Comic, revealing, piquant, splendid, and occasionally absurd, Breakfast at Sotheby’s is a book of pleasure and intelligent observation, as engaged with art as it is with the world that surrounds it. “A breezy, whimsical and often wry compendium, chock-full of hard-won wisdom about what makes someone spend millions of dollars to buy an artwork at auction.” —The New York Times “A winner. Readers will learn more about the modern art market in this simple book than in any college course.” —Kirkus Reviews (starred review
Author: University of California, Berkeley
Publisher:
ISBN:
Category : Wine and wine making
Languages : en
Pages : 660
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Book Description
A compilation of fifty-three articles on the history and making of California wine by forty-four authors.
Author: Samuel Leigh SOTHEBY
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Book Description
Author: Robert Lacey
Publisher: Sphere
ISBN: 9780751523621
Category : Design
Languages : en
Pages : 354
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Book Description
This volume explores the history of Sotheby's auction house, tracing its beginnings back to 1744. It was in the latter half of the 19th century, when economic instability forced the aristocrats to sell off many of their treasures, that Sotheby's began to lay the foundations of the modern art market. The Sotheby's-Christie's rivalry intensified in the early-1900s and they have been battling it out ever since over the likes of Cezanne, Picasso, Van Gogh and Monet. Lacey takes the reader through the unprecedented boom of the 1980s, when Van Gogh's Irises went for $53.9 million, and examines the catastrophic effects of an inflation still being felt today.
Author: Frank Herrmann
Publisher: London : Chatto & Windus
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 544
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Book Description
Author: David G. Alexander
Publisher: Metropolitan Museum of Art
ISBN: 1588395707
Category : Social Science
Languages : en
Pages : 350
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Book Description
Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. The collection includes rare early works, among them the oldest documented Islamic sword, and is rich in helmets and body armor, decorated with calligraphy and arabesques, that were worn in Iran and Anatolia in the late fifteenth century. Other masterpieces include a jeweled short sword (yatagan) with a blade of "watered" steel that comes from the court of Süleyman the Magnificent, a seventeenth-century gold-inlaid armor associated with Shah Jahan, and two gold-inlaid flintlock firearms belonging to the guard of Tipu Sultan of Mysore. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description and discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor.
Author: Christopher Payne
Publisher: Antique Collectors Club Limited
ISBN: 9781850296492
Category : Furniture
Languages : en
Pages : 208
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Book Description
Author: Dr Enrique Mallen
Publisher: Liverpool University Press
ISBN: 1782847952
Category : Art
Languages : en
Pages : 419
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Book Description
Exactly when Matisse and Picasso first met is open to debate. Their earliest encounter may have taken place during the Matisse retrospective at Galerie Druet right before the 1906 Salon des Indépendants. The latter marked the first time all the Fauves exhibited together. The centerpiece was Matisse’s monumental Le bonheur de vivre. Leo Stein bought the painting while the Salon was still running, regarding it as “the most important work of our time.” This opinion undoubtedly annoyed Picasso. Jealousy of the other man’s success goaded him to greater innovations. In his view, the new art would have to match the sense of endless discovery that science and technology were offering. The 1900 “Exposition Universelle” had already shown the latest marvels in engineering. If painting wanted to keep the public’s attention, instead of merely reproducing what the eye saw, it had to generate its own reality on the surface of the canvas, a reality more vivid than, and bearing only the most cursory resemblance to, anything found in nature. Matisse was also a catalyst in that he was the one who introduced Picasso to African sculptures. Max Jacob recalls: “Matisse took a black, wooden statuette from a table and showed it to Picasso. It was the first piece of Negro wooden art. Picasso held onto it all evening. The next morning, when I arrived at the studio, the floor was strewn with sheets of paper, and on each sheet was drawn the head of a woman; all of them were more or less the same: one eye, an oversized nose attached to the mouth, and a lock of hair on the shoulders. Cubism was thus born” (cited in Janine Warnod, Washboat Days [New York: Grossman Publishers Warnod, 1972, p. 128]).
Author: Tom Stevenson
Publisher: DK Publishing (Dorling Kindersley)
ISBN: 9780756631642
Category : Cooking
Languages : en
Pages : 0
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Book Description
A guide to wine and wine making presents information about wine-growing regions, factors that affect the taste and quality of each region's wine, an overview of the producers and their vintages, and starred reviews.
