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Author: Luigi De Simone
Publisher: Lulu.com
ISBN: 1326011847
Category : Poetry
Languages : it
Pages : 130
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Book Description
Sono presentate poesie ermetiche piene di sentimenti e di passioni forti che escono dal profondo del cuore e lo mettono a nudo facendolo palpitare. I versi, quando raggiungono l'ermetismo totale, riescono a scatenare in noi i piu alti sentimenti avvolti da un mistero afrodisiaco, parole semplici che ci toccano sul serio e ci danno illusioni in cui la nostra mente vaga anche con il rischio di perdersi, perdersi in una passione incalzante, dentro un piacevole tornado, perdersi in quei respiri profondi ove si ascoltano i brividi piacevoli dell'amore. Decantano l'amore descrivendone le sensazioni che ognuno fa nascere dentro di noi associando in modo profondo parole al sentimento rendendo tutto cosi reale quasi a poterlo toccare o sfiorare. Poesie semplici che vengono fuori in un flusso che a volte non da spazio nemmeno alla punteggiatura, ma sono tante le vibrazioni che ci invadono leggendole; le parole scendono senza intoppi ne titubanze con immagini vigorose e piene che ci prendono e ci catturano con mani fort
Author: Luigi De Simone
Publisher: Lulu.com
ISBN: 1326011847
Category : Poetry
Languages : it
Pages : 130
Get Book Here
Book Description
Sono presentate poesie ermetiche piene di sentimenti e di passioni forti che escono dal profondo del cuore e lo mettono a nudo facendolo palpitare. I versi, quando raggiungono l'ermetismo totale, riescono a scatenare in noi i piu alti sentimenti avvolti da un mistero afrodisiaco, parole semplici che ci toccano sul serio e ci danno illusioni in cui la nostra mente vaga anche con il rischio di perdersi, perdersi in una passione incalzante, dentro un piacevole tornado, perdersi in quei respiri profondi ove si ascoltano i brividi piacevoli dell'amore. Decantano l'amore descrivendone le sensazioni che ognuno fa nascere dentro di noi associando in modo profondo parole al sentimento rendendo tutto cosi reale quasi a poterlo toccare o sfiorare. Poesie semplici che vengono fuori in un flusso che a volte non da spazio nemmeno alla punteggiatura, ma sono tante le vibrazioni che ci invadono leggendole; le parole scendono senza intoppi ne titubanze con immagini vigorose e piene che ci prendono e ci catturano con mani fort
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1732
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Book Description
Author: giulio credazzi
Publisher: Lulu.com
ISBN: 1291945687
Category :
Languages : en
Pages : 164
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Ann Caesar
Publisher: Oxford University Press
ISBN: 9780198151760
Category : Drama
Languages : en
Pages : 298
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Book Description
Luigi Pirandello is best known in the English-speaking world for his radical challenge to traditional Western theatre with plays such as Six Characters in Search of an Author. But theatre is just one manifestation of his experiments with language which led to a remarkable collection of novels,short stories, and essays as well as his work for a film industry then in its infancy. This study, which is based on the view that Pirandello's writings are most fruitfully discussed in a European context, takes as its starting-point the author's belief in the primacy of the literary character in acreative process which is necessarily conflictual.The book argues that all Pirandello's characters are engaged in a continual performance which transcends the genre distinction between narrative and dramatic forms. In this performance it is the spoken word in which the characters invest most heavily as they struggle to sustain an identity of theirown, tell their life-stories, and assert themselves before their most prominent antagonist, the author himself.
Author: Charles Capper
Publisher: Univ of Wisconsin Press
ISBN: 0299223434
Category : Biography & Autobiography
Languages : en
Pages : 301
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Book Description
Margaret Fuller (1810–1850), a pioneering gender theorist, transcendentalist, journalist, and literary critic, was one of the most well-known and highly regarded feminist intellectuals of nineteenth-century America. With her contemporaries Ralph Waldo Emerson and Henry David Thoreau, she was one of the predominant writers of the Transcendentalist movement, and she aligned herself in both her public and private life with the European revolutionary fervor of the 1840s. She traveled to Italy as a foreign correspondent for the New York Tribune to cover the nascent revolutions, pursuing the transnational ideal awakened in her youth by a classical education in European languages and a Romantic curiosity about other cultures, traditions, and identities. This volume is a collaboration of international scholars who, from varied fields and approaches, assess Fuller’s genius and character. Treating the last several years of Margaret Fuller’s short life, these essays offer a truly international discussion of Fuller’s unique cultural, political, and personal achievements. From the origins and articulations of Fuller’s cosmopolitanism to her examination of “the woman question,” and from her fascination with the European “other” to her candid perception of imperial America from abroad, they ponder what such an extraordinary woman meant to America, and also to Italy and Europe, during her lifetime and continuing to the present.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Wilma Newberry
Publisher: State University of New York Press
ISBN: 1438414625
Category : Biography & Autobiography
Languages : en
Pages : 246
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Book Description
This volume is a vision of Spanish literature seen through Pirandellian eyes. Those themes and techniques which Pirandello stamped with his name have actually characterized a segment of Spanish writing from the time of Cervantes. Professor Newberry first examines those writers who preceded Pirandello or could not have felt his influence and then those who acknowledged the Italian's mastery or who wrote in the ambience he created. She emphasizes how old are the Spanish themes that illusion and reality intermingle, that life is fiction and fiction life, that madness is often saner or preferable to sanity. Meticulously she chronicles the Spaniards' use of techniques associated with these themes—the play-within-a-play, the theater that mingles fiction and life, the breakdown of barriers between audience and stage, the autonomous character. Beginning with Cervantes's Don Quijote, where madness and sanity change the very nature of reality and illusion, she moves forward to Calderón's El gran teatro del mundo and other relevant works between Lope de Vega and Galdós. The author devotes a special chapter to the género chico and particularly the sainetes of Ramón de la Cruz, for these works kept Pirandellian concepts alive during the somewhat infertile eighteenth century. After examining Echegaray, whose romantic works she shows to be only part of his contribution, Professor Newberry turns to Ramón, whom she skillfully links to the cubist school of painting. There follows an extended discussion of Unamuno, particularly his novel Niebla with its famous autonomous character, Augusto Pérez. The second part of this book deals with those authors aware of Pirandello and his work. Professor Newberry begins with Azorín, whose enthusiasm for and understanding of Pirandello and the tendencies associated with him are greater than those of any other Spanish writer. Her brief examination of the Machado brothers shows how they have taken Pirandello's investigation into being and seeming and translated it into their own terms. Because his most popular work is not Pirandellian, few people have ever observed Pirandellian aspects in García Lorca's writing, but El Público and other works certainly contribute to this book. Casona, on the other hand, is enveloped by what Azorín described as the Pirandellian mist, although Casona's treatment of how reality and illusion intermingle is uniquely his own. Not limiting herself to discussing Grau's El señor de Pigmalion, a play often considered in relation to Pirandello, Professor Newberry brings up three other works that clearly indicate Grau's involvement in these themes and techniques. Indeed, one of his plays even incorporates a character Pirandello rejected, and rarely have Spanish playwrights broken down the barriers between stage and audience so completely as Grau does in Tabarín. Luca de Tena is shown to raise most Pirandellian problems in his plays, but unlike the Italian he systemically rules in favor of life, his conflicts are lighter, and their resolution is happier. Pedro Salinas, the last author Professor Newberry considers at length, is rarely studied as a playwright, but his plays show the characteristic imprint of Pirandello—fiction and reality are confused, there are problems of identity, he uses the autonomous character. Nonetheless, Salinas's basic view of life is diametrically opposed to Pirandello's, for he is filled with love, joy, optimism, and faith in the possibility of clarifying reality. Finally, the author looks at the Arte Nuevo group, particularly Sastre and Palacio, and she also considers Sotelo, who, like the other two, was influenced not only by Pirandello, but also by Thornton Wilder. Professor Newberry provides a consistently interesting picture of how Spanish literature has always shown great interest in those themes and techniques we have come to call Pirandellian and how it has given them a stamp uniquely its own. In an appendix the author includes a brief discussion of the Spanish works found in Pirandello's study.
