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Author: Janet Beard
Publisher: Simon and Schuster
ISBN: 1982151579
Category : Fiction
Languages : en
Pages : 288
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Book Description
"A provocative new novel by the nationally bestelling author of THE ATOMIC CITY GIRLS, about nine generations of one family in Eastern Tennessee whose women, in eerie echoes of the notorious Appalachian murder ballads made famous by singers, over more than a century, have been traumatized by acts of violence"--
Author: Janet Beard
Publisher: Simon and Schuster
ISBN: 1982151579
Category : Fiction
Languages : en
Pages : 288
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Book Description
"A provocative new novel by the nationally bestelling author of THE ATOMIC CITY GIRLS, about nine generations of one family in Eastern Tennessee whose women, in eerie echoes of the notorious Appalachian murder ballads made famous by singers, over more than a century, have been traumatized by acts of violence"--
Author: John A. Lomax
Publisher: Courier Corporation
ISBN: 048631992X
Category : Music
Languages : en
Pages : 719
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Book Description
Music and lyrics for over 200 songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Black Betty, The Hammer Song, Jesse James, Down in the Valley, The Ballad of Davy Crockett, and many more.
Author: Paul Slade
Publisher: Soundcheck Books
ISBN: 099294807X
Category : Music
Languages : en
Pages : 151
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Book Description
The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.
Author: Olive Woolley Burt
Publisher:
ISBN:
Category : American ballads and songs
Languages : en
Pages : 296
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Book Description
Author: Vasileios Yfantis
Publisher:
ISBN: 9781546723400
Category :
Languages : en
Pages : 204
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Book Description
Power Ballads is a term that derives from the 1970s and especially from an era when Led Zeppelin, Lynyrd Skynyrd and other associated acts conquered the airwaves with their electrified ballads. Millions of listeners were attracted to the songs that were a mix of slow tempo and electric guitar outbreaks to satisfy the fans. This book features exclusive interviews with rock artists that composed or performed in the recordings of popular Power Ballads. The artists discuss the stories behind the songs that were recorded in 1970s, 1980s, 1990s and beyond... You can read interviews with current or former members of: ALIEN, ARC ANGEL, ARGENT, ASIA, AXE, AXXIS, BRIGHTON ROCK, EVERY MOTHER'S NIGHTMARE, FIONA, GOTTHARD, GREAT WHITE, HARDLINE, HOOTERS, JEAN BEAUVOIR, LETCHEN GREY, LIONHEART, LITA FORD, MARTIN BRILEY, MR. BIG, PINK CREAM 69, PRAYING MANTIS, Q5, ROBERT TEPPER, ROBIN BECK, KEEL, STAGE DOLLS, STAN BUSH, STARZ, TALISMAN, TOUCH, TRIXTER, TYKETTO, WARRIOR SOUL, WHITE LION, Y&T and many more!
Author: Will Boast
Publisher: University of Iowa Press
ISBN: 1609380436
Category : Fiction
Languages : en
Pages : 176
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Book Description
Real musicians don’t sign autographs, date models, or fly in private jets. They spend their lives in practice rooms and basement clubs or toiling in the obscurity of coffee-shop gigs, casino jobs, and the European festival circuit. The ten linked stories in Power Ballads are devoted to this unheard virtuoso: the working musician. From the wings of sold-out arenas to hip-hop studios to polka bars, these stories are born out of a nocturnal world where music is often simply work, but also where it can, in rare moments, become a source of grace and transcendence, speaking about the things we never seem to say to each other. A skilled but snobby jazz drummer joins a costumed heavy metal band to pay his rent. A country singer tries to turn her brutal past into a successful career. A vengeful rock critic reenters the life of an emerging singer-songwriter, bent on wreaking havoc. The characters in Power Ballads—aging head-bangers, jobbers, techno DJs, groupies, and the occasional rock star (and those who have to live with them)—need music to survive, yet find themselves lost when the last note is played, the lights go up, and it’s time to return to regular life. By turns melancholy and hilarious, Power Ballads is not only a deeply felt look at the lives of musicians but also an exploration of the secret music that plays inside us all.
Author: Francis James Child
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 690
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Book Description
Author: Charles Vess
Publisher: Macmillan
ISBN: 9780765312150
Category : Comics & Graphic Novels
Languages : en
Pages : 198
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Book Description
Now in trade paperback, a unique collection of ballads, folktales, and magical sagas, retold in graphic-novel form by an all-star cast of modern fantasists
Author: Richard Polenberg
Publisher: Cornell University Press
ISBN: 1501701487
Category : Music
Languages : en
Pages : 304
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Book Description
In 2015, Bob Dylan said, "I learned lyrics and how to write them from listening to folk songs. And I played them, and I met other people that played them, back when nobody was doing it. Sang nothing but these folk songs, and they gave me the code for everything that's fair game, that everything belongs to everyone." In Hear My Sad Story, Richard Polenberg describes the historical events that led to the writing of many famous American folk songs that served as touchstones for generations of American musicians, lyricists, and folklorists. Those events, which took place from the early nineteenth to the mid-twentieth centuries, often involved tragic occurrences: murders, sometimes resulting from love affairs gone wrong; desperate acts borne out of poverty and unbearable working conditions; and calamities such as railroad crashes, shipwrecks, and natural disasters. All of Polenberg’s account of the songs in the book are grounded in historical fact and illuminate the social history of the times. Reading these tales of sorrow, misfortune, and regret puts us in touch with the dark but terribly familiar side of American history. On Christmas 1895 in St. Louis, an African American man named Lee Shelton, whose nickname was "Stack Lee," shot and killed William Lyons in a dispute over seventy-five cents and a hat. Shelton was sent to prison until 1911, committed another murder upon his release, and died in a prison hospital in 1912. Even during his lifetime, songs were being written about Shelton, and eventually 450 versions of his story would be recorded. As the song—you may know Shelton as Stagolee or Stagger Lee—was shared and adapted, the emotions of the time were preserved, but the fact that the songs described real people, real lives, often fell by the wayside. Polenberg returns us to the men and women who, in song, became legends. The lyrics serve as valuable historical sources, providing important information about what had happened, why, and what it all meant. More important, they reflect the character of American life and the pathos elicited by the musical memory of these common and troubled lives.
Author: C.M. Jackson-Houlston
Publisher: Routledge
ISBN: 1351956051
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
As a book on allusion, this has interest for both the traditional literary or cultural historian and for the modern student of textuality and readership positions. It focuses on allusion to folksong, and, more tangentially, to popular culture, areas which have so far been slighted by literary critics. In the nineteenth century many authors attempted to mediate the culture(s) of the working classes for the enjoyment of their predominantly middle-class audiences. In so doing they took songs out of their original social and musical contexts and employed a variety of strategies which - consciously or unconsciously - romanticised, falsified or denigrated what the novels or stories claimed to represent. In addition, some writers who were well-informed about the cultures they described used allusion to song as a covert system of reference to topics such as sexuality and the criticism of class and gender relations which it was difficult to discuss directly.
