Sonata in D major, op. 22 no. 2 for 2 treble recorders (flutes), oboe and basso continuo PDF Download
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Author: Johann Christian Schickhard
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
Author: Johann Christian Schickhard
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
Author: Deborah Rambo Sinn
Publisher: Oxford University Press
ISBN: 0199985081
Category : Music
Languages : en
Pages : 160
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Book Description
Playing Beyond the Notes: A Pianist's Guide to Musical Interpretation demystifies the complex concepts of musical interpretation in Western tonal piano music by boiling it down to basic principles in an accessible writing style. Author and veteran piano instructor Deborah Rambo Sinn tackles a different interpretive principle, explaining clearly, for example, how to play effective ornaments and rubatos. As a whole, the book helps pianists understand concrete ways to apply interpretive concepts to their own playing and gives teachers practical ways to teach interpretation to their students. The book is illustrated with over 200 repertoire excerpts and supplemented by a companion website with over 100 audio recordings. Playing Beyond the Notes is essential reading for all performing pianists, independent piano teachers, and piano pedagogy students.
Author: Robert Doran
Publisher: Boydell & Brewer
ISBN: 1580469396
Category : Biography & Autobiography
Languages : en
Pages : 447
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Book Description
A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.
Author: Alberto Bachmann
Publisher:
ISBN:
Category : Cellists
Languages : en
Pages : 508
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Book Description
Author: Danuta Mirka
Publisher: Oxford University Press
ISBN: 0197548911
Category : Music
Languages : en
Pages : 409
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Book Description
For the past four decades, the concept of hypermeter has been routinely applied to eighteenth-century music. But was this concept familiar in the eighteenth century? If so, how is it reflected in writings of eighteenth-century music theorists? And how does it relate to their discussion of phrase structure? In this book, a follow-up to the award-winning Metric Manipulations in Haydn and Mozart, author Danuta Mirka unearthes a number of cues that point to eighteenth-century recognition of what today is called hypermeter, and retraces the line of tradition that led from eighteenth-century music theory to the emergence of the modern concept of hypermeter in the twentieth century. Mirka describes the proto-theory of hypermeter developed by German music theorists, recounts the recent history of this concept in American music theory, evaluates contributions made to it by authors working within different theoretical traditions, and introduces a dynamic model of hypermeter which allows the analyst to trace the effect of hypermetric manipulations in real time. This model is applied in analyses of Haydn's and Mozart's chamber music for strings, which shed a new light upon this celebrated repertoire, but the aim of this book goes far beyond an analytical survey of specific compositions. Rather, it is to offer a systematic classification of hypermetrical irregularities in relation to phrase structure and to give a comprehensive account of the ways in which phrase structure and hypermeter were described by eighteenth-century music theorists, conceived by eighteenth-century composers, and perceived by eighteenth-century listeners.
Author: David Damschroder
Publisher: Cambridge University Press
ISBN: 1316477924
Category : Music
Languages : en
Pages :
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Book Description
David Damschroder's ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book's introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual considerations of the tonal system's key features illustrated by easy-to-comprehend block-chord examples derived from Beethoven's piano sonatas. In the masterworks section that follows, Damschroder presents detailed analyses of movements from the symphonies, piano and violin sonatas, and string quartets, and compares his outcomes with those of other analysts, including William E. Caplin, Robert Gauldin, Nicholas Marston, William J. Mitchell, Frank Samarotto, and Janet Schmalfeldt. Expanding upon analytical practices from the eighteenth and nineteenth centuries and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis – both in terms of how Roman numerals are deployed and how musical processes are described in words.
Author: Felix Salzer
Publisher: Courier Corporation
ISBN: 0486222756
Category : Music
Languages : en
Pages : 687
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Book Description
Written by a pupil of Heinrich Schenker, this outstanding work develops and extends Schenker's approach. More than 500 examples of music from the Middle Ages to the 20th century complement the detailed discussions and analyses.
Author: Charles Rosen
Publisher: W. W. Norton & Company
ISBN: 9780393006537
Category : Music
Languages : en
Pages : 484
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Book Description
The National Book Award-winning masterpiece by a world-class pianist and writer on music.
Author: William Kinderman
Publisher: Univ of California Press
ISBN: 9780520087965
Category : Biography & Autobiography
Languages : en
Pages : 416
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Book Description
Combining musical insight and the most recent research, Kinderman's biography of Beethoven is both a richly drawn portrait of the man and a guide to his music. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. 30 illustrations.
Author: Michael Spitzer
Publisher: Indiana University Press
ISBN: 0253060877
Category : Music
Languages : en
Pages : 388
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Book Description
Beethoven's late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary. Spitzer's book examines these late works in light of the musical and philosophical writings of the German intellectual Theodor Adorno, and in so doing, attempts to reconcile the conflicting approaches of musical semiotics and critical theory. He draws from various approaches to musical, linguistic, and aesthetic meaning, relating Adorno to such writers as Derrida, Benjamin, and Habermas, as well as contemporary music theorists. Through analyses of Beethoven's use of specific musical techniques (including neo-Baroque fugues and counterpoint), Spitzer suggests that the composer's last works offer a philosophical and musical critique of the Enlightenment, and in doing so created the musical language of premodernism.
