Author: Ronald Rand
Publisher: Brown Posey Press
ISBN: 9781620065716
Category :
Languages : en
Pages : 246
Book Description
SOLO PERFORMANCE ON STAGE by Ronald Rand, Goodwill Cultural Ambassador and world-acclaimed solo performer in 25 countries takes the reader on an intimate journey into the organic process of creating your own solo performance on stage through the 'Art of Transformation' using Stanislavsky's "Method of Physical Actions." The theater is a transcendent communication of the human spirit, flowing from the passion of all those creating in collaboration with each other. Transformation is the embodiment of our joy of being alive. Christopher Plummer calls SOLO TRANSFORMATION ON STAGE "An unforgettable journey of passion, insight and discovery!" Stephen Lang writes in his Foreword "An astonishing outpouring of energy and experience. Ronald Rand brings a way to seek out a greater realization of what life means to you, putting into words what every actor feels in their heart; that what we do is as crucial to life as bread, fire, or salt. A noble and useful book." Step inside Ronald Rand's two-hour transformation into Harold Clurman - how a solo performance is born, takes off and literally changes the face of the world! Experience his insightful experiences with Stella Adler, Harold Clurman, and Jerzy Grotowski, and life-changing 'moments of depth' from some of the world's memorable performers including Cicely Tyson, Paul Robeson, Ira Aldridge, James Earl Jones, Sidney Poitier, Laurette Taylor, and Marlon Brando. SOLO TRANSFORMATION ON STAGE offers over twenty inspiring interviews by performers who have created their own solo plays including Adrienne Barbeau, Billy Crudup, Olympia Dukakis, Eve Ensler, Hershey Felder, Marga Gomez, Julie Harris, Stephen Lang, Tony Lo Bianco, Laurence Luckinbill, Angelica Page, Christopher Plummer, Elizabeth van Dyke, and Ben Vereen. SOLO TRANSFORMATION ON STAGE will speak passionately to experienced actors and students alike, and become an invaluable resource for postgraduate students of theatre and performance, acting lecturers and teachers, and all lovers of theater.
Solo Transformation on Stage
Author: Ronald Rand
Publisher: Brown Posey Press
ISBN: 9781620065716
Category :
Languages : en
Pages : 246
Book Description
SOLO PERFORMANCE ON STAGE by Ronald Rand, Goodwill Cultural Ambassador and world-acclaimed solo performer in 25 countries takes the reader on an intimate journey into the organic process of creating your own solo performance on stage through the 'Art of Transformation' using Stanislavsky's "Method of Physical Actions." The theater is a transcendent communication of the human spirit, flowing from the passion of all those creating in collaboration with each other. Transformation is the embodiment of our joy of being alive. Christopher Plummer calls SOLO TRANSFORMATION ON STAGE "An unforgettable journey of passion, insight and discovery!" Stephen Lang writes in his Foreword "An astonishing outpouring of energy and experience. Ronald Rand brings a way to seek out a greater realization of what life means to you, putting into words what every actor feels in their heart; that what we do is as crucial to life as bread, fire, or salt. A noble and useful book." Step inside Ronald Rand's two-hour transformation into Harold Clurman - how a solo performance is born, takes off and literally changes the face of the world! Experience his insightful experiences with Stella Adler, Harold Clurman, and Jerzy Grotowski, and life-changing 'moments of depth' from some of the world's memorable performers including Cicely Tyson, Paul Robeson, Ira Aldridge, James Earl Jones, Sidney Poitier, Laurette Taylor, and Marlon Brando. SOLO TRANSFORMATION ON STAGE offers over twenty inspiring interviews by performers who have created their own solo plays including Adrienne Barbeau, Billy Crudup, Olympia Dukakis, Eve Ensler, Hershey Felder, Marga Gomez, Julie Harris, Stephen Lang, Tony Lo Bianco, Laurence Luckinbill, Angelica Page, Christopher Plummer, Elizabeth van Dyke, and Ben Vereen. SOLO TRANSFORMATION ON STAGE will speak passionately to experienced actors and students alike, and become an invaluable resource for postgraduate students of theatre and performance, acting lecturers and teachers, and all lovers of theater.
Publisher: Brown Posey Press
ISBN: 9781620065716
Category :
Languages : en
Pages : 246
Book Description
SOLO PERFORMANCE ON STAGE by Ronald Rand, Goodwill Cultural Ambassador and world-acclaimed solo performer in 25 countries takes the reader on an intimate journey into the organic process of creating your own solo performance on stage through the 'Art of Transformation' using Stanislavsky's "Method of Physical Actions." The theater is a transcendent communication of the human spirit, flowing from the passion of all those creating in collaboration with each other. Transformation is the embodiment of our joy of being alive. Christopher Plummer calls SOLO TRANSFORMATION ON STAGE "An unforgettable journey of passion, insight and discovery!" Stephen Lang writes in his Foreword "An astonishing outpouring of energy and experience. Ronald Rand brings a way to seek out a greater realization of what life means to you, putting into words what every actor feels in their heart; that what we do is as crucial to life as bread, fire, or salt. A noble and useful book." Step inside Ronald Rand's two-hour transformation into Harold Clurman - how a solo performance is born, takes off and literally changes the face of the world! Experience his insightful experiences with Stella Adler, Harold Clurman, and Jerzy Grotowski, and life-changing 'moments of depth' from some of the world's memorable performers including Cicely Tyson, Paul Robeson, Ira Aldridge, James Earl Jones, Sidney Poitier, Laurette Taylor, and Marlon Brando. SOLO TRANSFORMATION ON STAGE offers over twenty inspiring interviews by performers who have created their own solo plays including Adrienne Barbeau, Billy Crudup, Olympia Dukakis, Eve Ensler, Hershey Felder, Marga Gomez, Julie Harris, Stephen Lang, Tony Lo Bianco, Laurence Luckinbill, Angelica Page, Christopher Plummer, Elizabeth van Dyke, and Ben Vereen. SOLO TRANSFORMATION ON STAGE will speak passionately to experienced actors and students alike, and become an invaluable resource for postgraduate students of theatre and performance, acting lecturers and teachers, and all lovers of theater.
Robert Lepage
Author: Aleksandar Saša Dundjerović
Publisher: Routledge
ISBN: 0429940890
Category : Performing Arts
Languages : en
Pages : 178
Book Description
Robert Lepage is one of Canada’s foremost theatre authors and directors. His company, Ex Machina, has toured to international acclaim and he has lent his talents to areas as diverse as opera, film, solo performance and installation art. His most celebrated work blends acute personal narratives with bold global themes through collaborative and multimedia theatricality. This book is the first to combine: • An overview of the key phases in Lepage’s life and career • An examination of the issues and questions pertinent to his work • A discussion of The Dragons’ Trilogy as a paradigm of his working methods • A variety of practical exercises designed to give an insight into Lepage’s creative process. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are of unbeatable value for today’s student.
Publisher: Routledge
ISBN: 0429940890
Category : Performing Arts
Languages : en
Pages : 178
Book Description
Robert Lepage is one of Canada’s foremost theatre authors and directors. His company, Ex Machina, has toured to international acclaim and he has lent his talents to areas as diverse as opera, film, solo performance and installation art. His most celebrated work blends acute personal narratives with bold global themes through collaborative and multimedia theatricality. This book is the first to combine: • An overview of the key phases in Lepage’s life and career • An examination of the issues and questions pertinent to his work • A discussion of The Dragons’ Trilogy as a paradigm of his working methods • A variety of practical exercises designed to give an insight into Lepage’s creative process. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are of unbeatable value for today’s student.
The Routledge Companion to Performance Practitioners
Author: Franc Chamberlain
Publisher: Routledge
ISBN: 131735740X
Category : Performing Arts
Languages : en
Pages : 636
Book Description
The Routledge Companion to Performance Practitioners collects the outstanding biographical and production overviews of key theatre practitioners first featured in the popular Routledge Performance Practitioners series of guidebooks. Each of the chapters is written by an expert on a particular figure, from Stanislavsky and Brecht to Laban and Decroux, and places their work in its social and historical context. Summaries and analyses of their key productions indicate how each practitioner's theoretical approaches to performance and the performer were manifested in practice. All 22 practitioners from the original series are represented, with this volume covering those born after 1915. This is the definitive first step for students, scholars and practitioners hoping to acquaint themselves with the leading names in performance, or deepen their knowledge of these seminal figures.
Publisher: Routledge
ISBN: 131735740X
Category : Performing Arts
Languages : en
Pages : 636
Book Description
The Routledge Companion to Performance Practitioners collects the outstanding biographical and production overviews of key theatre practitioners first featured in the popular Routledge Performance Practitioners series of guidebooks. Each of the chapters is written by an expert on a particular figure, from Stanislavsky and Brecht to Laban and Decroux, and places their work in its social and historical context. Summaries and analyses of their key productions indicate how each practitioner's theoretical approaches to performance and the performer were manifested in practice. All 22 practitioners from the original series are represented, with this volume covering those born after 1915. This is the definitive first step for students, scholars and practitioners hoping to acquaint themselves with the leading names in performance, or deepen their knowledge of these seminal figures.
Robert Lepage
Author: Aleksandar Saša Dundjerovic
Publisher: Routledge
ISBN: 1134187645
Category : Art
Languages : en
Pages : 179
Book Description
'Routledge Performance Practitioners' is a series of introductory guides to the key theatre-makers of the last century. This text looks at Robert Lepage, one of Canada's most foremost playwrights and directors.
Publisher: Routledge
ISBN: 1134187645
Category : Art
Languages : en
Pages : 179
Book Description
'Routledge Performance Practitioners' is a series of introductory guides to the key theatre-makers of the last century. This text looks at Robert Lepage, one of Canada's most foremost playwrights and directors.
Creating Improvised Theatre
Author: Mark Jane
Publisher: Routledge
ISBN: 1000415155
Category : Performing Arts
Languages : en
Pages : 572
Book Description
Creating Improvised Theatre: Tools, Techniques, and Theories for Short Form and Narrative Improvisation is a complete guide to improvised theatre for performers and instructors. This book provides a modern view of improvised theatre based on the rapid evolution of this art form, shedding new light on classic theories as well as developing lesser known and emerging techniques, such as the Trance Mask. Instead of simply referencing classic theories, the book revisits them and places them in the context of contemporary improvisation techniques. Designed as a practical support, this guide contains over 130 exercises that allow its theories to come alive in workshops, rehearsals, and performance. The book is divided into four sections: Nuts and bolts: The fundamental tools of improvisation to explore how to be spontaneously creative, build with your partner, and learn from masks to discover your scene instant by instant. Short form: Techniques for scene work and short form performance, including how to get the most out of a scene, remain connected to the relational stakes, provoke change (physical, status, and emotional), and maintain a playful attitude. Narrative improvisation: Theories to help navigate long form narrative-based shows with "narrative waypoints," generate variety, develop protagonists, work on genres, and manipulate creative transitions. The bits box: Advice for warming-up before a rehearsal or a show with a collection of useful games. Written to inspire creativity and provide the tools to develop innovative improvised shows and experiences, Creating Improvised Theatre is an invaluable source book for anyone interested in the art of improvised theatre, whether a beginning student or experienced performer.
Publisher: Routledge
ISBN: 1000415155
Category : Performing Arts
Languages : en
Pages : 572
Book Description
Creating Improvised Theatre: Tools, Techniques, and Theories for Short Form and Narrative Improvisation is a complete guide to improvised theatre for performers and instructors. This book provides a modern view of improvised theatre based on the rapid evolution of this art form, shedding new light on classic theories as well as developing lesser known and emerging techniques, such as the Trance Mask. Instead of simply referencing classic theories, the book revisits them and places them in the context of contemporary improvisation techniques. Designed as a practical support, this guide contains over 130 exercises that allow its theories to come alive in workshops, rehearsals, and performance. The book is divided into four sections: Nuts and bolts: The fundamental tools of improvisation to explore how to be spontaneously creative, build with your partner, and learn from masks to discover your scene instant by instant. Short form: Techniques for scene work and short form performance, including how to get the most out of a scene, remain connected to the relational stakes, provoke change (physical, status, and emotional), and maintain a playful attitude. Narrative improvisation: Theories to help navigate long form narrative-based shows with "narrative waypoints," generate variety, develop protagonists, work on genres, and manipulate creative transitions. The bits box: Advice for warming-up before a rehearsal or a show with a collection of useful games. Written to inspire creativity and provide the tools to develop innovative improvised shows and experiences, Creating Improvised Theatre is an invaluable source book for anyone interested in the art of improvised theatre, whether a beginning student or experienced performer.
Air Service Information Circular
Author:
Publisher:
ISBN:
Category : Aeronautics, Military
Languages : en
Pages : 1340
Book Description
Publisher:
ISBN:
Category : Aeronautics, Military
Languages : en
Pages : 1340
Book Description
A History of Asian American Theatre
Author: Esther Kim Lee
Publisher: Cambridge University Press
ISBN: 0521850517
Category : Drama
Languages : en
Pages : 219
Book Description
This book surveys the history of Asian American theatre from 1965 to 2005.
Publisher: Cambridge University Press
ISBN: 0521850517
Category : Drama
Languages : en
Pages : 219
Book Description
This book surveys the history of Asian American theatre from 1965 to 2005.
The Influence of Room Acoustics on Solo Music Performances
Author: Zora Schärer Kalkandjiev
Publisher: Logos Verlag Berlin GmbH
ISBN: 3832541454
Category : Music
Languages : en
Pages : 228
Book Description
This book addresses the question of how musicians are influenced by their room acoustical environment when playing on a concert hall stage. Even though the concept of adapting a music performance to room acoustics is often taken for granted by musicians, it is unclear if and how such adjustments take place in practice and which aspects of room acoustics play a role in this context. Empirical investigations in both real-world and simulated concert halls are presented in the book to shed light on the question. A case study with a cellist performing in European concert halls as well as a laboratory study with musicians playing in virtual room acoustical environments simulated by means of dynamic binaural synthesis were conducted. Both investigations make use of room acoustical computer models to determine the room acoustical conditions typically encountered by musicians on stage. Software-based performance analysis is employed to quantify musically and perceptually relevant aspects of performance. The influence of diverse room acoustical parameters on numerous performance characteristics is investigated with the statistical methods of multilevel regression models.
Publisher: Logos Verlag Berlin GmbH
ISBN: 3832541454
Category : Music
Languages : en
Pages : 228
Book Description
This book addresses the question of how musicians are influenced by their room acoustical environment when playing on a concert hall stage. Even though the concept of adapting a music performance to room acoustics is often taken for granted by musicians, it is unclear if and how such adjustments take place in practice and which aspects of room acoustics play a role in this context. Empirical investigations in both real-world and simulated concert halls are presented in the book to shed light on the question. A case study with a cellist performing in European concert halls as well as a laboratory study with musicians playing in virtual room acoustical environments simulated by means of dynamic binaural synthesis were conducted. Both investigations make use of room acoustical computer models to determine the room acoustical conditions typically encountered by musicians on stage. Software-based performance analysis is employed to quantify musically and perceptually relevant aspects of performance. The influence of diverse room acoustical parameters on numerous performance characteristics is investigated with the statistical methods of multilevel regression models.
Why the Theatre
Author: Sidney Homan
Publisher: Routledge
ISBN: 1000316467
Category : Performing Arts
Languages : en
Pages : 210
Book Description
Why the Theatre is a collection of 26 personal essays by college teachers, actors, directors, and playwrights about the magnetic pull of the theatre and its changing place in society. The book is divided into four parts, examining the creative role of the audience, the life of the actor, director, and playwright in performance, ways the theatre moves beyond the playhouse and into the real world, and theories and thoughts on what the theatre can do when given form onstage. Based on concrete, highly personal examples, experiences, and memories, this collection offers unique perspectives on the meaning of the theatre and the beauty of weaving the world of the play into the fabric of our lives. Covering a range of practices and plays, from the Greeks to Japanese Butoh theatre, from Shakespeare to modern experiments, this book is written by and for the theatre instructor and theatre appreciation student.
Publisher: Routledge
ISBN: 1000316467
Category : Performing Arts
Languages : en
Pages : 210
Book Description
Why the Theatre is a collection of 26 personal essays by college teachers, actors, directors, and playwrights about the magnetic pull of the theatre and its changing place in society. The book is divided into four parts, examining the creative role of the audience, the life of the actor, director, and playwright in performance, ways the theatre moves beyond the playhouse and into the real world, and theories and thoughts on what the theatre can do when given form onstage. Based on concrete, highly personal examples, experiences, and memories, this collection offers unique perspectives on the meaning of the theatre and the beauty of weaving the world of the play into the fabric of our lives. Covering a range of practices and plays, from the Greeks to Japanese Butoh theatre, from Shakespeare to modern experiments, this book is written by and for the theatre instructor and theatre appreciation student.
Playing with Theory in Theatre Practice
Author: Megan Alrutz
Publisher: Bloomsbury Publishing
ISBN: 0230364101
Category : Performing Arts
Languages : en
Pages : 328
Book Description
Through a collection of original essays and case studies, this innovative book explores theory as an accessible, although complex, tool for theatre practitioners and students. These chapters invite readers to (re)imagine theory as a site of possibility or framework that can shape theatre making, emerge from practice, and foster new ways of seeing, creating, and reflecting. Focusing on the productive tensions and issues that surround creative practice and intellectual processes, the contributing authors present central concepts and questions that frame the role of theory in the theatre. Ultimately, this diverse and exciting collection offers inspiring ideas, raises new questions, and introduces ways to build theoretically-minded, dynamic production work.
Publisher: Bloomsbury Publishing
ISBN: 0230364101
Category : Performing Arts
Languages : en
Pages : 328
Book Description
Through a collection of original essays and case studies, this innovative book explores theory as an accessible, although complex, tool for theatre practitioners and students. These chapters invite readers to (re)imagine theory as a site of possibility or framework that can shape theatre making, emerge from practice, and foster new ways of seeing, creating, and reflecting. Focusing on the productive tensions and issues that surround creative practice and intellectual processes, the contributing authors present central concepts and questions that frame the role of theory in the theatre. Ultimately, this diverse and exciting collection offers inspiring ideas, raises new questions, and introduces ways to build theoretically-minded, dynamic production work.