Author: Robert S. Gottlieb
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120810945
Category : Hindustani music
Languages : en
Pages : 238
Book Description
2 cassettes available at Library counter.
Solo Tabla Drumming of North India
Author: Robert S. Gottlieb
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120810945
Category : Hindustani music
Languages : en
Pages : 238
Book Description
2 cassettes available at Library counter.
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120810945
Category : Hindustani music
Languages : en
Pages : 238
Book Description
2 cassettes available at Library counter.
Solo Tabla Drumming of North India: Inam Ali Khan, Keramatullah Khan, and Wajid Hussain
Author: Robert S. Gottlieb
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120810938
Category : Hindustani music
Languages : en
Pages : 166
Book Description
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120810938
Category : Hindustani music
Languages : en
Pages : 166
Book Description
Solo Tabla Drumming of North India: Kishan Maharaj ; Habibuddin ; Alla Rakha
Author: Robert S. Gottlieb
Publisher:
ISBN:
Category : Hindustani music
Languages : en
Pages : 236
Book Description
Publisher:
ISBN:
Category : Hindustani music
Languages : en
Pages : 236
Book Description
The Major Traditions of North Indian Tabla Drumming: Transcriptions
Author:
Publisher:
ISBN:
Category : Hindustani music
Languages : en
Pages : 258
Book Description
Non-Aboriginal material.
Publisher:
ISBN:
Category : Hindustani music
Languages : en
Pages : 258
Book Description
Non-Aboriginal material.
The Major Traditions of North Indian Tabla Drumming
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 252
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 252
Book Description
Swinglines
Author: Fernando Benadon
Publisher: Oxford University Press
ISBN: 0197659977
Category : Music
Languages : en
Pages : 321
Book Description
The way rhythm is taught in Western classrooms and music lessons is rooted in a centuries-old European approach that favors metric levels within a grand symmetrical grid. Swinglines encourages readers to experience rhythms, even gridded ones, as freewheeling affairs irrespective of the metric hierarchy. It shows that rhythms traditionally framed as "deviations" and "non-isochronous" have their own identities. They are coherent products of precise musical thought and action. Rather than situating them in the neither-here-nor-there, author Fernando Benadon takes a more inclusive view, one where isochrony and metric grids are shown as particular cases within the universe of musical time.
Publisher: Oxford University Press
ISBN: 0197659977
Category : Music
Languages : en
Pages : 321
Book Description
The way rhythm is taught in Western classrooms and music lessons is rooted in a centuries-old European approach that favors metric levels within a grand symmetrical grid. Swinglines encourages readers to experience rhythms, even gridded ones, as freewheeling affairs irrespective of the metric hierarchy. It shows that rhythms traditionally framed as "deviations" and "non-isochronous" have their own identities. They are coherent products of precise musical thought and action. Rather than situating them in the neither-here-nor-there, author Fernando Benadon takes a more inclusive view, one where isochrony and metric grids are shown as particular cases within the universe of musical time.
Journal of the Indian Musicological Society
Author: Indian Musicological Society
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 186
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 186
Book Description
Asian Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 256
Book Description
Glory of India
Author:
Publisher:
ISBN:
Category : India
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : India
Languages : en
Pages : 248
Book Description
Gurudev's Drumming Legacy
Author: James Kippen
Publisher: Routledge
ISBN: 1351564722
Category : Music
Languages : en
Pages : 284
Book Description
The 1903 Mrdang aur Tabla Vadanpaddhati is a revelatory text that has never been translated or analysed. It is a manual for playing the two most important drums of North Indian (Hindustani) music, the pakhavaj (mrdang) and the tabla. Owing to its relative obscurity, it is a source that has never been discussed in the literature on Hindustani music. Its author, Gurudev Patwardhan, was Vice Principal of V.D. Paluskar's first music school in Lahore from its inception in 1901 to 1908. Professor James Kippen provides the first translation of this immensely important text and examines its startling implications for rhythmic and metric theory. It is the earliest work on Indian drumming to contain a notation sufficiently precise to allow definitive reconstruction. The compositions are of considerable musical interest, for they can be readily realized on the tabla or pakhavaj. Kippen sets the work and objectives of the original author in the context of a rich historical, social and political background. By also discussing radical differences in the second edition of 1938, published by Gurudev's nephew, the vocalist Vinayakrao Patwardhan, Kippen illuminates the process by which 'tabla theory' was being created in the early 20th century. Both Patwardhans were enthusiastic supporters of Paluskar's nationalist imperatives, and active participants in his drive to institutionalize music, codify and publish notations of it, and promote a modern, Hindu vision of India wherein its identity could once again be linked to a glorious golden age in distant antiquity.
Publisher: Routledge
ISBN: 1351564722
Category : Music
Languages : en
Pages : 284
Book Description
The 1903 Mrdang aur Tabla Vadanpaddhati is a revelatory text that has never been translated or analysed. It is a manual for playing the two most important drums of North Indian (Hindustani) music, the pakhavaj (mrdang) and the tabla. Owing to its relative obscurity, it is a source that has never been discussed in the literature on Hindustani music. Its author, Gurudev Patwardhan, was Vice Principal of V.D. Paluskar's first music school in Lahore from its inception in 1901 to 1908. Professor James Kippen provides the first translation of this immensely important text and examines its startling implications for rhythmic and metric theory. It is the earliest work on Indian drumming to contain a notation sufficiently precise to allow definitive reconstruction. The compositions are of considerable musical interest, for they can be readily realized on the tabla or pakhavaj. Kippen sets the work and objectives of the original author in the context of a rich historical, social and political background. By also discussing radical differences in the second edition of 1938, published by Gurudev's nephew, the vocalist Vinayakrao Patwardhan, Kippen illuminates the process by which 'tabla theory' was being created in the early 20th century. Both Patwardhans were enthusiastic supporters of Paluskar's nationalist imperatives, and active participants in his drive to institutionalize music, codify and publish notations of it, and promote a modern, Hindu vision of India wherein its identity could once again be linked to a glorious golden age in distant antiquity.