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Languages : en
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Author: Drew Sawyer
Publisher: Miriam and IRA D. Wallach Art Gallery
ISBN: 9781884919282
Category : Documentary photography
Languages : en
Pages : 63
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Through essays, plates, and reproductions, the accompanying catalogue presents the range of photographs and other materials in the Community Service Society records. In the foreword, Maren Stange revisits her foundational study "Symbols of Ideal Life: Social Documentary Photography in America, 1890-1950" in which she wrote extensively about the photographic practices of the Charity Organization Society and addressed the ongoing significance of the collection to the history of photography. Huffa Frobes-Cross provides a review of the extensive literature regarding the limitations of a progressive documentary tradition, including critiques during the 1970s and 1980s by Susan Sontag, Martha Rosler, and Allan Sekula, among others. This essay historicizes these arguments while taking into consideration the growing field of scholarship that has developed on photography of suffering, violence and poverty. Drew Sawyer's essay focuses on the visual culture of housing reform to highlight the heterogeneous and changing visual strategies of these two organizations at the turn of the twentieth century. More specifically, the essay deals with abundance of overlooked photographs of architecture in the archive. In doing so, it provides a corrective to scholarship and criticism that has focused on images of people and suffering rather than the built environment.
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Category : Social problems
Languages : en
Pages : 812
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Category : Electronic journals
Languages : en
Pages : 680
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Author: Robert Freestone
Publisher: Routledge
ISBN: 1351937847
Category : Political Science
Languages : en
Pages : 365
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The evolution of city planning theory and practice in the first half of the twentieth century was captured and driven by a range of exhibitionary practices in a variety of settings globally, from international expos to local public halls. The agendas of the promoters varied, but exhibitions generally drew their social legitimacy from their status as ’appropriate educative agencies of citizenship’. Bringing together a range of international case studies, this volume explores the highly visual genre of public planning exhibitions worldwide. In doing so, it provides a unique lens on the development of modern urban planning and design from the late 19th century to the present day. Focussing mainly on the first half of the 20th century, it looks in particular at historic exhibitions which sought to transform urban society’s understanding of the possibilities of planning as a force for social betterment. The visuality of presentation, contemporary reactions, and outcomes for the planning profession and the community are explored to make for a unique, innovative and attractive approach to the history of planning ideas. The five major themes are the visual representation of ideas and ideologies; institutions and individuals involved; the broader context of display; and the impacts and implications for the development planning culture. With contributors including Karl Fischer, John Gold, Carola Hein, Peter Larkham, Javier Monclus, and Mark Tewdwr-Jones, the dominant intellectual paradigm further unifying the collection is planning history.
Author: Kathryn Smith
Publisher: Princeton University Press
ISBN: 0691246416
Category : Architecture
Languages : en
Pages : 292
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The first history of Frank Lloyd Wright's exhibitions of his own work—a practice central to his career More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect’s influential career. Drawing extensively from Wright’s unpublished correspondence, Kathryn Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design as technology evolved, and a social activist driven to revolutionize society through design. While Wright’s earliest exhibitions were largely for other architects, by the 1930s he was creating public installations intended to inspire debate and change public perceptions about architecture. The nature of his exhibitions expanded with the times beyond models, drawings, and photographs to include more immersive tools such as slides, film, and even a full-scale structure built especially for his 1953 retrospective at the Guggenheim Museum. Placing Wright’s exhibitions side by side with his writings, Smith shows how integral these exhibitions were to his vision and sheds light on the broader discourse concerning architecture and modernism during the first half of the twentieth century. Wright on Exhibit features color renderings, photos, and plans, as well as a checklist of exhibitions and an illustrated catalog of extant and lost models made under Wright’s supervision.
Author: Christina Johansson
Publisher: StudienVerlag
ISBN: 3706557428
Category : Art
Languages : en
Pages : 188
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Historically, an important role of museums has been to contribute to national homogenization. The book specifically deals with how the Swedish museum sector of culture and history addresses new demands from a society that is profoundly characterized by migration and cultural diversity. Besides the museums' representations of migration and cultural diversity, the book also examines how changes in the museum sector relate to general policy developments in the fields of culture, integration and minorities. The book also discusses whether and how museums are open for dialogue and collaboration with migrants and ethnic minorities and the kinds of problems museums encounter in their efforts to be more inclusive.
Author: Kristin L. Huffman
Publisher: Routledge
ISBN: 1351586831
Category : History
Languages : en
Pages : 259
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Book Description
Visualizing Venice presents the ways in which the use of innovative technology can provide new and fascinating stories about places and times within history. Written by those behind the Visualizing Venice project, this book explores the variety of disciplines and analytical methods generated by technologies such as 3D images and interoperable models, GIS mapping and historical cartography, databases, video animations, and applications for mobile devices and the web. The volume is one of the first collections of essays to integrate the theory and practice of visualization technologies with art, architectural, and urban history. The chapters demonstrate how new methodologies generated by technology can change and inform the way historians think and work, and the potential that such methods have to revolutionize research, teaching, and public-facing communication. With over 30 images to support and illustrate the project’s work, Visualizing Venice is ideal for academics, and postgraduates of digital history, digital humanities, and early modern Italy.
Author: Marta Filipová
Publisher: Routledge
ISBN: 135157034X
Category : Art
Languages : en
Pages : 377
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Book Description
Beyond the great exhibitions, expositions universelles and world fairs in London, Paris or Chicago, numerous smaller, yet ambitious exhibitions took place in provincial cities and towns across the world. Focusing on the period between 1840 and 1940, this volume takes a novel look at the exhibitionary cultures of this period and examines the motivations, scope, and impact of lesser-known exhibitions in, for example, Australia, Japan, Brazil, as well as a number of European countries. The individual case studies included explore the role of these exhibitions in the global exhibitionary network and consider their ?marginality? related to their location and omission by academic research so far. The chapters also highlight a number of important issues from regional or national identities, the role of modernisation and tradition, to the relationship between capital cities and provincial towns present in these exhibitions. They also address the key topic of colonial exhibitions as well as the displays of arts and design in the context of the so-called marginal fairs. Cultures of International Exhibitions 1840-1940: Great Exhibitions in the Margins therefore opens up new angles in the way the global phenomenon of a great exhibition can be examined through the prism of the regional, and will make a vital contribution to those interested in exhibition studies and related fields.
