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Author: Marina Gržinić
Publisher: Založba ZRC
ISBN: 9616500538
Category : Art
Languages : en
Pages : 158
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Book Description
Knjigo sestavljajo nekatera novejša pregledana ali znova napisana besedila slovenske filozofinje, umetnice in teoretičarke Marine Gržinić. V knjigi so zbrane teoretsko-politične razlage umetnosti, kulture in politike z območja bivše Jugoslavije in bivše Vzhodne Evrope ter kapitalističnega prostora novih medijev in tehnologij z njemu lastno novo ekonomijo, politiko globalizacije, multikulturno ideologijo in novimi oblikami hegemonij. Avtorica v knjigi med drugim razpravlja o umetniških projektih IRWIN-a, Tanje Ostojić, Emila Hrvatina, skupine Laibach, Dragana Živadinova, Ilye Kabakova, Oliverja Resslerja, Walida Ra’ada in drugih.
Author: Marina Gržinić
Publisher: Založba ZRC
ISBN: 9616500538
Category : Art
Languages : en
Pages : 158
Get Book Here
Book Description
Knjigo sestavljajo nekatera novejša pregledana ali znova napisana besedila slovenske filozofinje, umetnice in teoretičarke Marine Gržinić. V knjigi so zbrane teoretsko-politične razlage umetnosti, kulture in politike z območja bivše Jugoslavije in bivše Vzhodne Evrope ter kapitalističnega prostora novih medijev in tehnologij z njemu lastno novo ekonomijo, politiko globalizacije, multikulturno ideologijo in novimi oblikami hegemonij. Avtorica v knjigi med drugim razpravlja o umetniških projektih IRWIN-a, Tanje Ostojić, Emila Hrvatina, skupine Laibach, Dragana Živadinova, Ilye Kabakova, Oliverja Resslerja, Walida Ra’ada in drugih.
Author: Marina Gržinić
Publisher:
ISBN:
Category : Umetnost
Languages : en
Pages : 155
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Book Description
Author: Loraine Leeson
Publisher:
ISBN: 9780367330446
Category :
Languages : en
Pages : 154
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Book Description
This book brings a practitioner's insight to bear on socially situated art practice through a first-hand glimpse into the development, organisation and delivery of art projects with social agendas. Issues examined include the artist's role in building creative frameworks, the relationship of collaboration to participation, management of collective input, and wider repercussions of the ways that projects are instigated, negotiated and funded. The book contributes to ongoing debates on ethics/aesthetics for art initiatives where process, product and social relations are integral to the mix, and addresses issues of practical functionality in relation to social outcome.
Author: Terry Smith
Publisher: University of Chicago Press
ISBN: 022613167X
Category : Art
Languages : en
Pages : 345
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Book Description
Who gets to say what counts as contemporary art? Artists, critics, curators, gallerists, auctioneers, collectors, or the public? Revealing how all of these groups have shaped today’s multifaceted definition, Terry Smith brilliantly shows that an historical approach offers the best answer to the question: What is Contemporary Art? Smith argues that the most recognizable kind is characterized by a return to mainstream modernism in the work of such artists as Richard Serra and Gerhard Richter, as well as the retro-sensationalism of figures like Damien Hirst and Takashi Murakami. At the same time, Smith reveals, postcolonial artists are engaged in a different kind of practice: one that builds on local concerns and tackles questions of identity, history, and globalization. A younger generation embodies yet a third approach to contemporaneity by investigating time, place, mediation, and ethics through small-scale, closely connective art making. Inviting readers into these diverse yet overlapping art worlds, Smith offers a behind-the-scenes introduction to the institutions, the personalities, the biennials, and of course the works that together are defining the contemporary. The resulting map of where art is now illuminates not only where it has been but also where it is going.
Author: Christian Mieves
Publisher: Routledge
ISBN: 131751792X
Category : Art
Languages : en
Pages : 378
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Book Description
Wonder has an established link to the history and philosophy of science. However, there is little acknowledgement of the relationship between the visual arts and wonder. This book presents a new perspective on this overlooked connection, allowing a unique insight into the role of wonder in contemporary visual practice. Artists, curators and art theorists give accounts of their approach to wonder through the use of materials, objects and ways of exhibiting. These accounts not only raise issues of a particular relevance to the way in which we encounter our reality today but ask to what extent artists utilize the function of wonder purposely in their work.
Author: Bryant Jan Bryant
Publisher: Edinburgh University Press
ISBN: 1474456960
Category : Art
Languages : en
Pages : 272
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Book Description
Jan Bryant looks at the strategies visual artists and filmmakers are using to criticise the social and economic conditions shaping our historical moment. She then assesses how the world is being positively re-imagined through their work today. Located at the intersection of practice and theory, Bryant argues that an effective contemporary political aesthetics encompasses more than just analysis of a work's conceptual or aesthetic reality. It should also consider the impact the artwork has at the point of reception, the methods adopted by the artists and the relationships they engender with communities.
Author: Octavian Esanu
Publisher: Routledge
ISBN: 1000180239
Category : Art
Languages : en
Pages : 299
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Book Description
This book addresses the art historical category of "contemporary art" from a transregional perspective, but unlike other volumes of its kind, it focuses in on non-Western instantiations of "the contemporary." The book concerns itself with the historical conditions in which a radically new mode of artistic production, distribution, and consumption – called "contemporary art" – emerged in some countries of Eastern Europe, the post-Soviet republics of the USSR, India, Latin America, and the Middle East, following both local and broader sociopolitical processes of modernization and neoliberalization. Its main argument is that one cannot fully engage with the idea of the "global contemporary" without also paying careful attention to the particular, local, and/or national symptoms of the contemporary condition. Part I is methodological and theoretical in scope, while Part II is historical and documentary. For the latter, a number of case studies address the emergence of the category "contemporary art" in the context of Lebanon, Egypt, India, Hungary, Slovenia, Croatia, Bosnia and Herzegovina, Armenia, and Moldova. The book will be of interest to scholars working in art history, globalism, cultural studies, and postcolonial studies.
Author: Jill Flanders Crosby
Publisher: University Press of Florida
ISBN: 1683403797
Category : Social Science
Languages : en
Pages : 274
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Book Description
Using storytelling and performance to explore shared religious expression across continents Through a revolutionary ethnographic approach that foregrounds storytelling and performance as alternative means of knowledge, Situated Narratives and Sacred Dance explores shared ritual traditions between the Anlo-Ewe people of West Africa and their descendants, the Arará of Cuba, who were brought to the island in the transatlantic slave trade. The volume draws on two decades of research in four communities: Dzodze, Ghana; Adjodogou, Togo; and Perico and Agramonte, Cuba. In the ceremonies, oral narratives, and daily lives of individuals at each fieldsite, the authors not only identify shared attributes in religious expression across continents, but also reveal lasting emotional, spiritual, and personal impacts in the communities whose ancestors were ripped from their homeland and enslaved. The authors layer historiographic data, interviews, and fieldnotes with artistic modes such as true fiction, memoir, and choreographed narrative, challenging the conventional nature of scholarship with insights gained from sensorial experience. Including reflections on the making of an art installation based on this research project, the volume challenges readers to imagine the potential of approaching fieldwork as artists. The authors argue that creative methods can convey truths deeper than facts, pointing to new possibilities for collaboration between scientists and artists with relevance to any discipline. Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Author: Philippe Sormani
Publisher: Routledge
ISBN: 1351708074
Category : Social Science
Languages : en
Pages : 312
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Book Description
Over the last two decades, multiple initiatives of transdisciplinary collaboration across art, science, and technology have seen the light of day. Why, by whom, and under what circumstances are such initiatives promoted? What does their experimental character look like - and what can be learned, epistemologically and institutionally, from probing the multiple practices of "art/science" at work? In answer to the questions raised, Practicing Art/Science contrasts topical positions and insightful case studies, ranging from the detailed investigation of "art at the nanoscale" to the material analysis of Leonardo’s Mona Lisa and its cracked smile. In so doing, this volume brings to bear the "practice turn" in science and technology studies on the empirical investigation of multifaceted experimentation across contemporary art, science, and technology in situ. Against the background of current discourse on "artistic research," the introduction not only explains the particular relevance of the "practice turn" in STS to tackle the interdisciplinary task at hand, but offers also a timely survey of varying strands of artistic experimentation. In bringing together ground-breaking studies from internationally renowned scholars and upcoming researchers in sociology, art theory and artistic practice, as well as history and philosophy of science, Practicing Art/Science will be essential reading for practitioners and professionals in said fields, as well as postgraduate students and representatives of higher education and research policy more broadly.
Author: Simone Douglas
Publisher: Routledge
ISBN: 1000608085
Category : Art
Languages : en
Pages : 309
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Book Description
Featuring chapters by a diverse range of leading international artists and theorists, this book suggests that contemporary art is increasingly characterized by the problem of where and when it is situated. While much advanced artistic speculation of the twentieth-century was aligned with the question “what is art?,” a key question for many artists and thinkers in the twenty-first century has become “where is art?” Contributors explore the challenge of meaningfully identifying and evaluating works located across multiple versions and locations in space and time. In doing so, they also seek to find appropriate language and criteria for evaluating forms of art that often straddle other realms of knowledge and activity. The book will be of interest to scholars working in art history, contemporary art, art criticism, and philosophy of art.
