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Author: Christopher Riopelle
Publisher: National Gallery London
ISBN:
Category : Art
Languages : en
Pages : 60
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Book Description
In 1874, after his participation in the first Impressionist Exhibition in Paris, Alfred Sisley enjoyed a summer break in London, where he painted studies of life & leisure along the River Thames. When he returned to Britain in 1897, he toured along the South Wales coastline & painted some of the most free & bold works he ever produced.
Author: Christopher Riopelle
Publisher: National Gallery London
ISBN:
Category : Art
Languages : en
Pages : 60
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Book Description
In 1874, after his participation in the first Impressionist Exhibition in Paris, Alfred Sisley enjoyed a summer break in London, where he painted studies of life & leisure along the River Thames. When he returned to Britain in 1897, he toured along the South Wales coastline & painted some of the most free & bold works he ever produced.
Author: Stephen Bury
Publisher: Oxford University Press, USA
ISBN: 0199923051
Category : Art
Languages : en
Pages : 1341
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Book Description
This dictionary consists of over 3000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.
Author: Great Britain. Local Government Board
Publisher:
ISBN:
Category : Real property
Languages : en
Pages : 974
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Book Description
Author: Jeremy Wallis
Publisher: Heinemann-Raintree Library
ISBN: 9781588106421
Category : Juvenile Nonfiction
Languages : en
Pages : 68
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Book Description
Discusses the characteristics of the Impressionism movement which began in the 1860s and presents biographies of fourteen Impressionist artists.
Author: David Haigron
Publisher: Springer
ISBN: 3319532731
Category : Social Science
Languages : en
Pages : 272
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Book Description
This collection of essays examines representations of the English countryside and its mutations, and what they reveal about a nation’s, communities’ or individuals’ search for identity – and fear of losing it. Based on a pluridisciplinary approach and a variety of media, this book challenges the view that the English countryside is an apolitical space characterised by permanence and lack of conflict. It analyses how the pastoral motif is actually subverted to explore liminal spaces and temporalities. The authors deconstruct the “rural idyll” myth to show how it plays a distinctive and yet ambiguous part in defining Englishness/Britishness. A must read for both scholars and students interested in British rural and cultural history, media and literature.
Author: Kenneth McConkey
Publisher: Yale University Press
ISBN: 9780300063349
Category : Art
Languages : en
Pages : 232
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Book Description
Late in his career, Claude Monet returned to London to paint the fog that had entranced him years before. The resulting sequence of pictures represents some of the fascination that French painters felt for Britain. Similarly, many British collectors and young painters embraced and were influenced by the work of the French Impressionists. This book describes the activities of the French Impressionist painters on their visits to Britain, considers the dissemination of Impressionist painting through British dealers and collectors, explores the response of artists from Britain and Ireland to the Impressionist movement, and sets all of these against the backdrop of late Victorian and Edwardian Britain. McConkey and Robins describe the work of Monet, Pissarro, Sisley, and other Impressionists working in London, showing how this art influenced the community of young British painters disenchanted with British art schools and art exhibiting standards. The authors investigate the role played by two innovative painters who were American expatriates, James McNeill Whistler and John Singer Sargent. And they explain how such artists as William Orpen, George Clausen, Stanhope Forbes, Henry La Thangue, Walter Sickert, and Philip Wilson Steer sought out new and radical approaches to picture making, formed new secessionist art societies, and articulated new concepts of the role of art, rejecting historical pageants and fashionable aestheticism and focusing on modern rural and urban conditions. The book is the catalogue of an exhibition that will be at the Barbican Art Gallery in London from January to March 1995, and then move to Dublin.
Author:
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 528
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Book Description
Author: Mary Anne Stevens
Publisher: Editions Hazan, Paris
ISBN: 9780300215571
Category : Impressionism (Art)
Languages : en
Pages : 0
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Book Description
"This catalogue is published in conjunction with the exhibition 'Alfred Sisley (1839-1899) : Impressionist Master', organized by the Bruce Museum, Greenwich, Connecticut (January 21, 2017 to May 21, 2017) and [Hotel de Caumont Centre d'Art] Culturespaces (June 10, 2017 to October 8, 2017)" -- Watson Library.
Author: Robert Katz
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781586637521
Category : Art
Languages : en
Pages : 264
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Book Description
The two authors, who are both knowledgable writers with extensive background in the study of art and art history, write engagingly about the history of impressionism and the life and works of Pissarro, Manet, Degas, Monet, Renoir, and Sisley. At 7x8.5", the book is compact, but the format is large enough to accommodate decent reproductions of many of the paintings under consideration. This is a thoughtfully prepared, well written treatment of the subject, with none of the ponderousness that "handbook" might imply. It was originally published in 1991 by Bookmart Ltd., UK. Annotation copyrighted by Book News, Inc., Portland, OR.
Author: Joyce Raimondo
Publisher:
ISBN: 9780823025053
Category : Art appreciation
Languages : en
Pages : 0
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Book Description
