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Author: Patton Oswalt
Publisher: Simon and Schuster
ISBN: 1451673221
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
"Between 1995 and 1999, Patton Oswalt lived with an unshakable addiction. It wasn't drugs, alcohol or sex: it was film. After moving to L.A., Oswalt became a huge film buff (or as he calls it, a sprocket fiend), absorbing classics, cult hits, and new releases at the New Beverly Cinema. Silver screen celluloid became Patton's life schoolbook, informing his notion of acting, writing, comedy, and relationships. Set in the nascent days of L.A.'s alternative comedy scene, Oswalt's memoir chronicles his journey from fledgling stand-up comedian to self-assured sitcom actor, with the colorful New Beverly collective and a cast of now-notable young comedians supporting him all along the way"--
Author: Patton Oswalt
Publisher: Simon and Schuster
ISBN: 1451673221
Category : Biography & Autobiography
Languages : en
Pages : 288
Get Book Here
Book Description
"Between 1995 and 1999, Patton Oswalt lived with an unshakable addiction. It wasn't drugs, alcohol or sex: it was film. After moving to L.A., Oswalt became a huge film buff (or as he calls it, a sprocket fiend), absorbing classics, cult hits, and new releases at the New Beverly Cinema. Silver screen celluloid became Patton's life schoolbook, informing his notion of acting, writing, comedy, and relationships. Set in the nascent days of L.A.'s alternative comedy scene, Oswalt's memoir chronicles his journey from fledgling stand-up comedian to self-assured sitcom actor, with the colorful New Beverly collective and a cast of now-notable young comedians supporting him all along the way"--
Author: Thomas C. Foster
Publisher: Harper Collins
ISBN: 0062113402
Category : Performing Arts
Languages : en
Pages : 361
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Book Description
From the New York Times bestselling author of How to Read Literature Like a Professor comes an indispensable analysis of our most celebrated medium, film. No art form is as instantly and continuously gratifying as film. When the house lights go down and the lion roars, we settle in to be shocked, frightened, elated, moved, and thrilled. We expect magic. While we’re being exhilarated and terrified, our minds are also processing data of all sorts—visual, linguistic, auditory, spatial—to collaborate in the construction of meaning. Thomas C. Foster’s Reading the Silver Screen will show movie buffs, students of film, and even aspiring screenwriters and directors how to transition from merely being viewers to becoming accomplished readers of this great medium. Beginning with the grammar of film, Foster demonstrates how every art form has a grammar, a set of practices and if-then propositions that amount to rules. He goes on to explain how the language of film enables movies to communicate the purpose behind their stories and the messages they are striving to convey to audiences by following and occasionally breaking these rules. Using the investigative approach readers love in How to Read Literature Like a Professor, Foster examines this grammar of film through various classic and current movies both foreign and domestic, with special recourse to the “AFI 100 Years-100 Movies” lists. The categories are idiosyncratic yet revealing. In Reading the Silver Screen, readers will gain the expertise and confidence to glean all they can from the movies they love.
Author:
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages : 738
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Book Description
Author: David Holly
Publisher: Bold Strokes Books Inc
ISBN: 1626394210
Category : Fiction
Languages : en
Pages : 326
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Book Description
Seaton French and Dustin Marley strive to hold on to each other and preserve their bond of love against an array of terrifying enemies. Faced with devastating threats, Sea and Dusty struggle to unravel the conspiracy and expose the conspirators. While dire events unfold, shock and terror trigger Dusty’s personality shifts, and Sea must cope with his beloved’s multiple personalities. Dusty and Sea descend through dissociative psychological states as the conspiracies against them grow stranger and appear to make less and less sense. During their attempts to unravel the threads of the conspiracy, the lovers explore bizarre religions and secret societies that could have ominous consequences. In the end, Dusty and Sea discover the appalling source of their problems and learn that they must survive minute by minute in the grip of soul-shuddering conditions they are powerless to change while they seek redemption in the heart’s eternal desire.
Author: Andrew J. Owens
Publisher: Indiana University Press
ISBN: 0253053846
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
Since the 1960s, the occult in film and television has responded to and reflected society's crises surrounding gender and sexuality. In Desire After Dark, Andrew J. Owens explores media where figures such as vampires and witches make use of their supernatural knowledge in order to queer what otherwise appears to be a normative world. Beginning with the global sexual revolutions of the '60s and moving decade by decade through "Euro-sleaze" cinema and theatrical hardcore pornography, the HIV/AIDS crisis, the popularity of New Age religions and witchcraft, and finally the increasingly explicit sexualization of American cable television, Owens contends that occult media has risen to prominence during the past 60 years as a way of exposing and working through cultural crises about queerness. Through the use of historiography and textual analyses of media from Bewitched to The Hunger, Owens reveals that the various players in occult media have always been well aware that non-normative sexuality constitutes the heart of horror's enduring appeal. By investigating vampirism, witchcraft, and other manifestations of the supernatural in media, Desire After Dark confirms how the queer has been integral to the evolution of the horror genre and its persistent popularity as both a subcultural and mainstream media form.
Author: Bruce Fink
Publisher: Routledge
ISBN: 1134515995
Category : Psychology
Languages : en
Pages : 275
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Book Description
2014 American Board & Academy of Psychoanalysis Book Prize winner for Best Anthology Against Understanding, Volume 1, explores how the process of understanding (which can be seen to be part and parcel of the Lacanian dimension of the imaginary) reduces the unfamiliar to the familiar, transforms the radically other into the same, and renders practitioners deaf to what is actually being said in the analytic setting. Running counter to the received view in virtually all of contemporary psychotherapy and psychoanalysis, Bruce Fink argues that the current obsession with understanding – on the patient’s part as well as on the clinician’s – is excessive insofar as the most essential aim of psychoanalytic treatment is change. Using numerous case studies and clinical vignettes, Fink illustrates that the ability of clinicians to detect the unconscious through slips of the tongue, slurred speech, mixed metaphors, and other instances of "misspeaking" is compromised by an emphasis on understanding the why and wherefore of patients’ symptoms and behavior patterns. He shows that the dogged search for conscious knowledge about those symptoms and patterns, by patients and practitioners alike, often thwart rather than foster change, which requires ongoing access to the unconscious and extensive work with it. In this first part of a two-volume collection of papers, many of which have never before appeared in print, Bruce Fink provides ample evidence of the curative powers of speech that operate without the need for any sort of explicit, articulated knowledge. Against Understanding, Volume 1 brings Lacanian theory alive in a way that is unique, demonstrating the therapeutic force of a technique that relies far more on the virtues of speech in the analytic setting than on a conscious realization about anything whatsoever on patients’ parts. This volume will be of interest to psychoanalysts, psychotherapists, psychiatrists, psychologists, social workers, and counselors.
Author: Ashis Nandy
Publisher: Palgrave Macmillan
ISBN: 9781856495165
Category : Performing Arts
Languages : en
Pages : 276
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Book Description
This book examines the enormous industry of Indian popular cinema. It provokes a thinking of cinema as political in the widest sense - from its importance in ideas of nation and national cultural formation to class and gender.
Author: Aneek Chaudhuri
Publisher: BookCountry
ISBN: 1463007590
Category : Performing Arts
Languages : en
Pages :
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Book Description
The book Bazin: who is he? is all about Andre Bazin as a theorist and his contribution to Film Studies. Here, in this book, the subject's objectivity has also been presented that too in the layman's approach. André Bazin (French: [baz?~]; 18 April 1918 – 11 November 1958) was an eminent and persuasive French film faultfinder and film scholar. Bazin began to expound on film in 1943 and was a prime supporter of the famous film magazine Cahiers du cinéma in 1951, alongside Jacques Doniol-Valcroze and Joseph-Marie Lo Duca. Bazin's call for target reality, profound center, and absence of montage are connected to his conviction that the understanding of a film or scene ought to be left to the onlooker. This put him contrary to film hypothesis of the 1920s and 1930s, which underscored how the silver screen could control reality. He is also the co-fonder of Cahiers du Cinema which is indeed the pathbreaking journal till date.
Author: Brian Hu
Publisher: Edinburgh University Press
ISBN: 1474428479
Category : History
Languages : en
Pages : 265
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Book Description
Explores how internet use empowers Arab citizens.
Author: Maureen Sabine
Publisher: Fordham Univ Press
ISBN: 0823252116
Category : Performing Arts
Languages : en
Pages : 307
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Book Description
Ingrid Bergman’s engaging screen performance as Sister Mary Benedict in The Bells of St. Mary’s made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a “complete understanding” of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and naïve? Why have she and her cinematic sisters in postwar popular film so often been stereotyped or selectively analyzed, so seldom been seen as women and religious? In Veiled Desires—a unique full-length, in-depth look at nuns in film—Maureen Sabine explores these questions in a groundbreaking interdisciplinary study covering more than sixty years of cinema. She looks at an impressive breadth of films in which the nun features as an ardent lead character, including The Bells of St. Mary’s (1945), Black Narcissus (1947), Heaven Knows, Mr. Allison (1957), Sea Wife (1957), The Nun’s Story (1959), The Sound of Music (1965), Change of Habit (1969), In This House of Brede (1975), Agnes of God (1985), Dead Man Walking (1995), and Doubt (2008). Veiled Desires considers how the beautiful and charismatic stars who play chaste nuns, from Ingrid Bergman and Audrey Hepburn to Susan Sarandon and Meryl Streep, call attention to desires that the veil concealed and the habit was thought to stifle. In a theologically and psychoanalytically informed argument, Sabine responds to the critics who have pigeonholed the film nun as the obedient daughter and religious handmaiden of a patriarchal church, and the respectful audience who revered her as an icon of spiritual perfection. Sabine provides a framework for a more complex and holistic picture of nuns onscreen by showing how the films dramatize these women’s Christian call to serve, sacrifice, and dedicate themselves to God, and their erotic desire for intimacy, agency, achievement, and fulfillment.
