Silver Gelatin in the Digital Age

Silver Gelatin in the Digital Age PDF Author: Douglas Ethridge
Publisher: Contemporary Practices in Alternative Process Photography
ISBN: 9781032381787
Category :
Languages : en
Pages : 0

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Book Description
Providing photographers of all skill levels with a concise guide to combining analog and digital tools with the goal of making silver gelatin prints in the traditional darkroom, this book offers the most comprehensive treatment of lith printing, focusing on materials which are currently available.

Silver Gelatin in the Digital Age

Silver Gelatin in the Digital Age PDF Author: Douglas Ethridge
Publisher: Contemporary Practices in Alternative Process Photography
ISBN: 9781032381787
Category :
Languages : en
Pages : 0

Get Book Here

Book Description
Providing photographers of all skill levels with a concise guide to combining analog and digital tools with the goal of making silver gelatin prints in the traditional darkroom, this book offers the most comprehensive treatment of lith printing, focusing on materials which are currently available.

Silver Gelatin In the Digital Age

Silver Gelatin In the Digital Age PDF Author: Douglas Ethridge
Publisher: Taylor & Francis
ISBN: 1003806546
Category : Photography
Languages : en
Pages : 533

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Book Description
This book provides photographers of all skill levels with a concise step-by-step guide to combining analog and digital tools with the goal of making silver gelatin prints in the traditional darkroom. It offers the most comprehensive treatment of lith printing published in many years, focusing on materials which are currently available. Key topics include traditional silver gelatin printing, direct and second-pass lith printing, film to digital image conversion, bleaching, toning and other post-production practices. Readers will learn how to use specific Photoshop tools to carry out the time-honored techniques of overall tonal control, contrast, and burning and dodging. This also features Photoshop basics for black and white, image shaping in Photoshop, and digital negative creation. Through exploring these skills, readers will gain an understanding of how to prepare images and create negatives that can be used in other historical processes including cyanotype, platinum/palladium, and many others. Author Douglas Ethridge details a systematic approach to combining analog and digital working methods, making the text ideal for both digital photographers looking to creatively edit their images with traditional darkroom aesthetics, and film photographers looking to incorporate digital capabilities into their practice

The Museum in the Digital Age

The Museum in the Digital Age PDF Author: Régine Bonnefoit
Publisher: Cambridge Scholars Publishing
ISBN: 1527510425
Category : Art
Languages : en
Pages : 129

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Book Description
The current “digital revolution” or “digital era” has affected most of the realms of today’s world, particularly the domains of communication and the creation, safeguarding and transmission of knowledge. Museums, whose mission is to be open to the public and to acquire, conserve, research, communicate and exhibit the heritage of humanity, are thus directly concerned by this revolution. This collection highlights the manner in which museums and curators tackle the challenges of digital technology. The contributions are divided into four groups that illustrate the extent of the impact of digital technologies on museums: namely, exhibitions devoted to new media or mounted with the use of new media; the hidden face of the museum and the conservation of digital works of art; cultural mediation and the communication and promotion of museums using digital tools; and the legal aspects of the digitalisation of content, whether for creative purposes or preservation.

The Sculptural in the (Post-)Digital Age

The Sculptural in the (Post-)Digital Age PDF Author: Mara-Johanna Kölmel
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311077514X
Category : Art
Languages : en
Pages : 242

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Book Description
Digital technologies have profoundly impacted the arts and expanded the field of sculpture since the 1950s. Art history, however, continues to pay little attention to sculptural works that are conceived and ‘materialized’ using digital technologies. How can we rethink the artistic medium in relation to our technological present and its historical precursors? A number of theoretical approaches discuss the implications of the so-called ‘Aesthetics of the Digital’, referring, above all, to screen-based phenomena. For the first time, this publication brings together international and trans-historical research perspectives to explore how digital technologies re-configure the understanding of sculpture and the sculptural leading into the (post-)digital age. Up-to-date research on digital technologies’ expansion of the concept of sculpture Linking historical sculptural debates with discourse on the new media and (post-)digital culture

The Handmade Silver Gelatin Emulsion Print

The Handmade Silver Gelatin Emulsion Print PDF Author: Denise Ross
Publisher: Routledge
ISBN: 1351163981
Category : Photography
Languages : en
Pages : 568

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Book Description
The Handmade Silver Gelatin Emulsion Print is a cookbook of simple, basic recipes for making black and white printing paper and paper negatives, along with creative options for printing, toning, and coloring. Author Denise Ross draws from photographic literature from the last 135 years, adapting old recipes to fit modern tools, materials, and work spaces and modern twists have been applied to traditional techniques. The book is divided into three sections: Section One lays the groundwork for this unique alternative process; Section Two provides the recipes; Section Three highlights contemporary silver gelatin artists. The book features over 200 full-color images and covers key topics including: Vocabulary: a list of terms used by traditional photographers and emulsion makers Creating work spaces with the right tools and materials Basic emulsion chemistry and paper coating techniques Working with various negative options, analog and digital Gaslight chloride contact printing paper Kodabromide-type chlorobromide all-purpose paper Bromide enlarging paper Warm tone paper and developers Making and toning your own printing-out paper (POP) Matte surface and baryta coating surface paper Paper negatives and making hand-drawn and digital masks Toning handmade paper Gum printing over handmade paper Troubleshooting handmade paper Artists working with handmade paper The Handmade Silver Gelatin Emulsion Print is for photographers who love the look and creative potential of black and white traditional photography but who want more control over the process and the end product. It is written for the beginner to experienced photographer, with processes initially explained in such a way that anyone will feel comfortable getting started, as well as information in increasing levels of complexity so that experienced photographers who enjoy a challenge will also find one.

Digital Negatives

Digital Negatives PDF Author: Ron Reeder
Publisher: Taylor & Francis
ISBN: 0240808541
Category : Computers
Languages : en
Pages : 222

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Book Description
Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing bridges the world of traditional photographic printing with digital technology. A digital negative, prepared in Photoshop, allows you to skip the dark room time developing the negatives-getting straight to a variety of printing processes including silver, platinum, and a host of other "alternative" processes. You will see this as an opportunity to mix technology with traditional photo processes resulting in more time for your art! In the recent past, photographers that wanted digital negatives had to take their business to labs. Now all of you Photoshop users can incorporate this practice into your workflow of choice.

The End of Cinema?

The End of Cinema? PDF Author: André Gaudreault
Publisher: Columbia University Press
ISBN: 023153938X
Category : Performing Arts
Languages : en
Pages : 257

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Book Description
Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.

College & Research Libraries News

College & Research Libraries News PDF Author:
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 388

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Book Description


Process Cinema

Process Cinema PDF Author: Scott MacKenzie
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773558101
Category : Performing Arts
Languages : en
Pages : 569

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Book Description
Handmade films stretch back to cinema's beginnings, yet until now their rich history has been neglected. Process Cinema is the first book to trace the development of handmade and hand-processed film in its historical and contemporary contexts, and from a global perspective. Mapping the genealogy of handmade film, and uncovering confluences, influences, and interstices between various international movements, sites, and practices, Process Cinema positions the resurgence of handmade and process cinema as a counter-practice to the rise of digital filmmaking. This volume brings together a range of renowned academics and artists to examine contemporary artisanal films, DIY labs, and filmmakers typically left out of the avant-garde canon, addressing the convergence between the analog and the digital in contemporary process cinema. Contributors investigate the history of process cinema – unscripted, improvisatory manipulation of the physicality of film – with chapters on pioneering filmmakers such as Len Lye and Marie Menken, while others discuss an international array of collectives devoted to processing films in artist-run labs from South Korea to Finland, Australia to Austria, and Greenland to Morocco, along with historical and contemporary practices in Canada and the United States. Addressing the turn to a new, sustainable creative ecology that is central to handmade films in the twenty-first century, and that defines today's reinvigorated film cultures, Process Cinema features some of the most beautiful handcrafted films and the most forward-thinking filmmakers within a global context.

Imaging Identity

Imaging Identity PDF Author: Melinda Hinkson
Publisher: ANU Press
ISBN: 1760460419
Category : Art
Languages : en
Pages : 165

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Book Description
Imaging Identity presents potent reflections on the human condition through the prism of portraiture. Taking digital imaging technologies and the dynamic and precarious dimensions of contemporary identity as critical reference points, these essays consider why portraits continue to have such galvanising appeal and perform fundamental work across so many social settings. This multidisciplinary enquiry brings together artists, art historians, art theorists and anthropologists working with a variety of media. Authors look beyond conventional ideas of the portrait to the wider cultural contexts, governmental practices and intimate experiences that shape relationships between persons and pictures. Their shared purpose centres on a commitment to understanding the power of images to draw people into their worlds. Imaging Identity tracks a fundamental symbiosis — to grapple with the workings of images is to understand something vital of what it is to be human.