Author: Stephen T. Sohmer
Publisher: Manchester University Press
ISBN: 9780719055669
Category : Drama
Languages : en
Pages : 308
Book Description
Through considerable detective work, this work sets out to show that Julius Caeser was the first play performed at the new Globe Theatre on 12 June 1599. Drawing on many areas of expertise, which are rarely allied in Shakespeare scholarship to such an extent, including biblical, liturgical, social and theatrical history, the author sheds new light not only on Julius Caeser but on a variety of accepted beliefs. These include: why Hamlet was not crowned king when his father died; why Brutus would not swear to murder Caeser; why the Elizabethan authorities retained the Julian calender; and why the orthodox dates of the first composition of both Twelfth Night and Hamlet can be called into question.
Shakespeare's Mystery Play
Author: Stephen T. Sohmer
Publisher: Manchester University Press
ISBN: 9780719055669
Category : Drama
Languages : en
Pages : 308
Book Description
Through considerable detective work, this work sets out to show that Julius Caeser was the first play performed at the new Globe Theatre on 12 June 1599. Drawing on many areas of expertise, which are rarely allied in Shakespeare scholarship to such an extent, including biblical, liturgical, social and theatrical history, the author sheds new light not only on Julius Caeser but on a variety of accepted beliefs. These include: why Hamlet was not crowned king when his father died; why Brutus would not swear to murder Caeser; why the Elizabethan authorities retained the Julian calender; and why the orthodox dates of the first composition of both Twelfth Night and Hamlet can be called into question.
Publisher: Manchester University Press
ISBN: 9780719055669
Category : Drama
Languages : en
Pages : 308
Book Description
Through considerable detective work, this work sets out to show that Julius Caeser was the first play performed at the new Globe Theatre on 12 June 1599. Drawing on many areas of expertise, which are rarely allied in Shakespeare scholarship to such an extent, including biblical, liturgical, social and theatrical history, the author sheds new light not only on Julius Caeser but on a variety of accepted beliefs. These include: why Hamlet was not crowned king when his father died; why Brutus would not swear to murder Caeser; why the Elizabethan authorities retained the Julian calender; and why the orthodox dates of the first composition of both Twelfth Night and Hamlet can be called into question.
Shakespeare's Medieval Craft
Author: Kurt A. Schreyer
Publisher: Cornell University Press
ISBN: 080145509X
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
In Shakespeare's Medieval Craft, Kurt A. Schreyer explores the relationship between Shakespeare’s plays and a tradition of late medieval English biblical drama known as mystery plays. Scholars of English theater have long debated Shakespeare’s connection to the mystery play tradition, but Schreyer provides new perspective on the subject by focusing on the Chester Banns, a sixteenth-century proclamation announcing the annual performance of that city’s cycle of mystery plays. Through close study of the Banns, Schreyer demonstrates the central importance of medieval stage objects—as vital and direct agents and not merely as precursors—to the Shakespearean stage.As Schreyer shows, the Chester Banns serve as a paradigm for how Shakespeare’s theater might have reflected on and incorporated the mystery play tradition, yet distinguished itself from it. For instance, he demonstrates that certain material features of Shakespeare’s stage—including the ass’s head of A Midsummer Night’s Dream, the theatrical space of Purgatory in Hamlet, and the knocking at the gate in the Porter scene of Macbeth—were in fact remnants of the earlier mysteries transformed to meet the exigencies of the commercial London playhouses. Schreyer argues that the ongoing agency of supposedly superseded theatrical objects and practices reveal how the mystery plays shaped dramatic production long after their demise. At the same time, these medieval traditions help to reposition Shakespeare as more than a writer of plays; he was a play-wright, a dramatic artisan who forged new theatrical works by fitting poetry to the material remnants of an older dramatic tradition.
Publisher: Cornell University Press
ISBN: 080145509X
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
In Shakespeare's Medieval Craft, Kurt A. Schreyer explores the relationship between Shakespeare’s plays and a tradition of late medieval English biblical drama known as mystery plays. Scholars of English theater have long debated Shakespeare’s connection to the mystery play tradition, but Schreyer provides new perspective on the subject by focusing on the Chester Banns, a sixteenth-century proclamation announcing the annual performance of that city’s cycle of mystery plays. Through close study of the Banns, Schreyer demonstrates the central importance of medieval stage objects—as vital and direct agents and not merely as precursors—to the Shakespearean stage.As Schreyer shows, the Chester Banns serve as a paradigm for how Shakespeare’s theater might have reflected on and incorporated the mystery play tradition, yet distinguished itself from it. For instance, he demonstrates that certain material features of Shakespeare’s stage—including the ass’s head of A Midsummer Night’s Dream, the theatrical space of Purgatory in Hamlet, and the knocking at the gate in the Porter scene of Macbeth—were in fact remnants of the earlier mysteries transformed to meet the exigencies of the commercial London playhouses. Schreyer argues that the ongoing agency of supposedly superseded theatrical objects and practices reveal how the mystery plays shaped dramatic production long after their demise. At the same time, these medieval traditions help to reposition Shakespeare as more than a writer of plays; he was a play-wright, a dramatic artisan who forged new theatrical works by fitting poetry to the material remnants of an older dramatic tradition.
Shakespeare's Miracle Plays
Author: Harald William Fawkner
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 198
Book Description
Fawkner gives readings of the miracle plays that are so different from the established interpretations that the plays appear to emerge anew from their slumbers and misconceptions--to suddenly speak to us differently of things we have so far not permitted ourselves to even theorize, fantasize, or perceive. Rejecting symbolic readings, the author insists that the translation of the experience of the miraculous into psychoanalysis or "myth" is as pointless as any other form of symbolic appropriation of the plays. Symbolic understandings of the miracle plays fail to dig into the roots of what is typical of miraculous experience. To understand Shakespeare's last plays, one must first grasp what a miracle is--not only in religion, culture, drama, and aesthetics, but in Shakespeare.
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 198
Book Description
Fawkner gives readings of the miracle plays that are so different from the established interpretations that the plays appear to emerge anew from their slumbers and misconceptions--to suddenly speak to us differently of things we have so far not permitted ourselves to even theorize, fantasize, or perceive. Rejecting symbolic readings, the author insists that the translation of the experience of the miraculous into psychoanalysis or "myth" is as pointless as any other form of symbolic appropriation of the plays. Symbolic understandings of the miracle plays fail to dig into the roots of what is typical of miraculous experience. To understand Shakespeare's last plays, one must first grasp what a miracle is--not only in religion, culture, drama, and aesthetics, but in Shakespeare.
The Castle of Perseverance
Author: Anonymous
Publisher: Franklin Classics
ISBN: 9780341751014
Category :
Languages : en
Pages : 166
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Franklin Classics
ISBN: 9780341751014
Category :
Languages : en
Pages : 166
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Shakespeare and Social Theory
Author: BRADD. SHORE
Publisher: Routledge
ISBN: 9781032017174
Category :
Languages : en
Pages : 296
Book Description
This book provides a bridge between Shakespeare Studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a 'great thinker' and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare's plays and the lives we now lead. Close readings of a selection of frequently studied plays - Hamlet, The Winter's Tale, Romeo and Juliet, A Midsummer Night's Dream, Julius Caesar and King Lear - engage with the plays in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory and structuralism. The book concludes with a consideration of how "the new astronomy" of his day and developments in optics changed the very idea of "perspective," and shaped Shakespeare's approach to embedding social theory in his dramatic texts. This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies, but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.
Publisher: Routledge
ISBN: 9781032017174
Category :
Languages : en
Pages : 296
Book Description
This book provides a bridge between Shakespeare Studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a 'great thinker' and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare's plays and the lives we now lead. Close readings of a selection of frequently studied plays - Hamlet, The Winter's Tale, Romeo and Juliet, A Midsummer Night's Dream, Julius Caesar and King Lear - engage with the plays in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory and structuralism. The book concludes with a consideration of how "the new astronomy" of his day and developments in optics changed the very idea of "perspective," and shaped Shakespeare's approach to embedding social theory in his dramatic texts. This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies, but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.
Shakespeare's Secret
Author: Elise Broach
Publisher: Macmillan
ISBN: 9780312371326
Category : Juvenile Fiction
Languages : en
Pages : 276
Book Description
A missing diamond, a mysterious neighbor, a link to Shakespeare—can Hero uncover the connections?
Publisher: Macmillan
ISBN: 9780312371326
Category : Juvenile Fiction
Languages : en
Pages : 276
Book Description
A missing diamond, a mysterious neighbor, a link to Shakespeare—can Hero uncover the connections?
A Midsummer-night's Dream
Author: William Shakespeare
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 72
Book Description
National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 72
Book Description
National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
English Drama Before Shakespeare
Author: Peter Happe
Publisher: Routledge
ISBN: 131787112X
Category : Literary Criticism
Languages : en
Pages : 190
Book Description
English Drama before Shakespeare surveys the range of dramatic activity in English up to 1590. The book challenges the traditional divisions between Medieval and Renaissance literature by showing that there was much continuity throughout this period, in spite of many innovations. The range of dramatic activity includes well-known features such as mystery cycles and the interludes, as well as comedy and tragedy. Para-dramatic activity such as the liturgical drama, royal entries and localised or parish drama is also covered. Many of the plays considered are anonymous, but a coherent, biographical view can be taken of the work of known dramatists such as John Heywood, John Bale, and Christopher Marlowe. Peter Happé's study is based upon close reading of selected plays, especially from the mystery cycles and such Elizabethan works as Thomas Kyd's The Spanish Tragedy. It takes account of contemporary research into dramatic form, performance (including some important recent revivals), dramatic sites and early theatre buildings, and the nature of early dramatic texts. Recent changes in outlook generated by the publication of the written records of early drama form part of the book's focus. There is an extensive bibliography covering social and political background, the lives and works of individual authors, and the development of theatrical ideas through the period. The book is aimed at undergraduates, as well as offering an overview for more advanced students and researchers in drama and in related fields of literature and cultural studies.
Publisher: Routledge
ISBN: 131787112X
Category : Literary Criticism
Languages : en
Pages : 190
Book Description
English Drama before Shakespeare surveys the range of dramatic activity in English up to 1590. The book challenges the traditional divisions between Medieval and Renaissance literature by showing that there was much continuity throughout this period, in spite of many innovations. The range of dramatic activity includes well-known features such as mystery cycles and the interludes, as well as comedy and tragedy. Para-dramatic activity such as the liturgical drama, royal entries and localised or parish drama is also covered. Many of the plays considered are anonymous, but a coherent, biographical view can be taken of the work of known dramatists such as John Heywood, John Bale, and Christopher Marlowe. Peter Happé's study is based upon close reading of selected plays, especially from the mystery cycles and such Elizabethan works as Thomas Kyd's The Spanish Tragedy. It takes account of contemporary research into dramatic form, performance (including some important recent revivals), dramatic sites and early theatre buildings, and the nature of early dramatic texts. Recent changes in outlook generated by the publication of the written records of early drama form part of the book's focus. There is an extensive bibliography covering social and political background, the lives and works of individual authors, and the development of theatrical ideas through the period. The book is aimed at undergraduates, as well as offering an overview for more advanced students and researchers in drama and in related fields of literature and cultural studies.
Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition)
Author: Stephen Greenblatt
Publisher: W. W. Norton & Company
ISBN: 0393079848
Category : Biography & Autobiography
Languages : en
Pages : 441
Book Description
Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.
Publisher: W. W. Norton & Company
ISBN: 0393079848
Category : Biography & Autobiography
Languages : en
Pages : 441
Book Description
Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.
Thinking Shakespeare (Revised Edition)
Author: Barry Edelstein
Publisher: Theatre Communications Group
ISBN: 155936890X
Category : Performing Arts
Languages : en
Pages : 231
Book Description
Thinking Shakespeare gives theater artists practical advice about how to make Shakespeare’s words feel spontaneous, passionate, and real. Based on Barry Edelstein’s thirty-year career directing Shakespeare’s plays, this book provides the tools that artists need to fully understand and express the power of Shakespeare’s language.
Publisher: Theatre Communications Group
ISBN: 155936890X
Category : Performing Arts
Languages : en
Pages : 231
Book Description
Thinking Shakespeare gives theater artists practical advice about how to make Shakespeare’s words feel spontaneous, passionate, and real. Based on Barry Edelstein’s thirty-year career directing Shakespeare’s plays, this book provides the tools that artists need to fully understand and express the power of Shakespeare’s language.