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Author: E. Honigmann
Publisher: Springer
ISBN: 0230503039
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
This classic text, reprinted several times since its first publication in 1976, has been extensively revised in this new edition and includes new chapters on Henry V, As You Like It, and on 'the study of the audience and the study of response'. Both readers and actors/theatre-goers will find will find it opens up new ways of looking at the plays and at the mechanisms that underpin some of the most magical moments in Shakespeare's plays.
Author: E. Honigmann
Publisher: Springer
ISBN: 0230503039
Category : Literary Criticism
Languages : en
Pages : 284
Get Book Here
Book Description
This classic text, reprinted several times since its first publication in 1976, has been extensively revised in this new edition and includes new chapters on Henry V, As You Like It, and on 'the study of the audience and the study of response'. Both readers and actors/theatre-goers will find will find it opens up new ways of looking at the plays and at the mechanisms that underpin some of the most magical moments in Shakespeare's plays.
Author: William Shakespeare
Publisher:
ISBN:
Category : Promptbooks
Languages : en
Pages : 168
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Book Description
Author: Emma Whipday
Publisher: Cambridge University Press
ISBN: 1108614787
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
Domestic tragedy was an innovative genre, suggesting that the lives and sufferings of ordinary people were worthy of the dramatic scope of tragedy. In this compelling study, Whipday revises the narrative of Shakespeare's plays to show how this genre, together with neglected pamphlets, ballads, and other forms of 'cheap print' about domestic violence, informed some of Shakespeare's greatest works. Providing a significant reappraisal of Hamlet, Othello, and Macbeth, the book argues that domesticity is central to these plays: they stage how societal and familial pressures shape individual agency; how the integrity of the house is associated with the body of the housewife; and how household transgressions render the home permeable. Whipday demonstrates that Shakespeare not only appropriated constructions of the domestic from domestic tragedies, but that he transformed the genre, using heightened language, foreign settings, and elite spheres to stage familiar domestic worlds.
Author: James R. Hartman
Publisher:
ISBN: 9781491817339
Category :
Languages : en
Pages : 0
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Book Description
Shakespearean Tragedies Revisited: An Actor's Edition is an eloquent restatement of three of Shakespeare's tragedies for actors, directors, professors of theatre, and the general public. Each of the plays has been edited word by word for more understandability and length. The intent of the book was to make the works more accessible without making the language modern in order to help the audience member and actors follow the plays with little difficulty in order to find the richness of plots and characters. Each of the plays was tested on stage with very positive results. In fact, a few samples of the responses from the audiences include: "Inherently accessible." "First time I could follow a Shakespearean play." "As someone new to Shakespeare, this production helped me appreciate his genius." "I believe The Bard himself would have approved this lucid revision of his work for modern English speakers." In addition to the editing word by word, the book also contains a unit on how to act Shakespeare with some tips for the actor with little or no training in Shakespearean acting. The material is also a good review for the more experienced Shakespearean actor.
Author: Deborah C. Payne
Publisher: Springer
ISBN: 3319465147
Category : Literary Criticism
Languages : en
Pages : 147
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Book Description
This collection of essays centres on Double Falsehood, Lewis Theobald’s 1727 adaptation of the “lost” play of Cardenio, possibly co-authored by John Fletcher and William Shakespeare. In a departure from most scholarship to date, the contributors fold Double Falsehood back into the milieu for which it was created rather than searching for traces of Shakespeare in the text. Robert D. Hume’s knowledge of theatre history permits a fresh take on the forgery question as well as the Shakespeare authorship controversy. Diana Solomon’s understanding of eighteenth-century rape culture and Jean I. Marsden’s command of contemporary adaptation practices both emphasise the play’s immediate social and theatrical contexts. And, finally, Deborah C. Payne’s familiarity with the eighteenth-century stage allows for a reconsideration of Double Falsehood as integral to a debate between Theobald, Alexander Pope, and John Gay over the future of the English drama.
Author: Michael W. Shurgot
Publisher: Routledge
ISBN: 1317056019
Category : Drama
Languages : en
Pages : 314
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Book Description
Making a unique intervention in an incipient but powerful resurgence of academic interest in character-based approaches to Shakespeare, this book brings scholars and theatre practitioners together to rethink why and how character continues to matter. Contributors seek in particular to expand our notions of what Shakespearean character is, and to extend the range of critical vocabularies in which character criticism can work. The return to character thus involves incorporating as well as contesting postmodern ideas that have radically revised our conceptions of subjectivity and selfhood. At the same time, by engaging theatre practitioners, this book promotes the kind of comprehensive dialogue that is necessary for the common endeavor of sustaining the vitality of Shakespeare's characters.
Author: Gabriel Egan
Publisher: Edinburgh University Press
ISBN: 0748630163
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
This book helps the reader make sense of the most commonly studied writer in the world. It starts with a brief explanation of how Shakespeare's writings have come down to us as a series of scripts for actors in the early modern theatre industry of London. The main chapters of the book approach the texts through a series of questions: 'what's changed since Shakespeare's time?', 'to what uses has Shakespeare been put?', and 'what value is there in Shakespeare?' These questions go to the heart of why we study Shakespeare at all, which question the book encourages the readers to answer for themselves in relation to their own critical writing.
Author: Stephen Purcell
Publisher: Bloomsbury Publishing
ISBN: 1137375256
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
What do audiences do as they watch a Shakespearean play? What makes them respond in the ways that they do? This book examines a wide range of theatrical productions to explore the practice of being a modern Shakespearean audience. It surveys some of the most influential ideas about spectatorship in contemporary performance studies, and analyses the strategies employed both in the texts themselves and by modern theatre practitioners to position audiences in particular ways.
Author: Silvia Bigliazzi
Publisher: Taylor & Francis
ISBN: 1040085644
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Revisiting Shakespeare’s Italian Resources is about the complex dynamics of transmission and transformation of the Italian sources of twelve Shakespearean plays, from The Two Gentlemen of Verona to Cymbeline. It focuses on the works of Sir Giovanni Fiorentino, Da Porto, Bandello, Ariosto, Dolce, Pasqualigo, and Groto, as well as on commedia dell’arte practices. This book discusses hitherto unexamined materials and revises received interpretations, disclosing the relevance of memorial processes within the broad field of intertextuality vis-à-vis conscious reuses and intentional practices.
Author: Travis Curtright
Publisher: Rowman & Littlefield
ISBN: 1611479398
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
In Shakespeare’s Dramatic Persons, Travis Curtright examines the influence of the classical rhetorical tradition on early modern theories of acting in a careful study of and selection from Shakespeare’s most famous characters and successful plays. Curtright demonstrates that “personation”—the early modern term for playing a role—is a rhetorical acting style that could provide audiences with lifelike characters and action, including the theatrical illusion that dramatic persons possess interiority or inwardness. Shakespeare’s Dramatic Persons focuses on major characters such as Richard III, Katherina, Benedick, and Iago and ranges from Shakespeare’s early to late work, exploring particular rhetorical forms and how they function in five different plays. At the end of this study, Curtright envisions how Richard Burbage, Shakespeare’s best actor, might have employed the theatrical convention of directly addressing audience members. Though personation clearly differs from the realism aspired to in modern approaches to the stage, Curtright reveals how Shakespeare’s sophisticated use and development of persuasion’s arts would have provided early modern actors with their own means and sense of performing lifelike dramatic persons.
