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Author: Alfred Harbage
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 436
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Book Description
Author: Alfred Harbage
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 436
Get Book Here
Book Description
Author: Alfred Harbage
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Stanley Wells
Publisher: Cambridge University Press
ISBN: 9780521523806
Category : Drama
Languages : en
Pages : 316
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Book Description
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Author: Alfred B. Harbage
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Stephen Orgel
Publisher: Taylor & Francis
ISBN: 9780815329657
Category : Drama
Languages : en
Pages : 426
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Book Description
Shakespeare has never been more ubiquitous, not only on the stage and in academic writing, but in film, video and the popular press. On television, he advertises everything from cars to fast food. His birthplace, the tiny Warwickshire village of Stratford-Upon-Avon, has been transformed into a theme park of staggering commercialism, and the New Globe, in its second season, is already a far bigger business than the old Globe could ever have hoped to be. If popular culture cannot do without Shakespeare, continually reinventing him and reimagining his drama and his life, neither can the critical and scholarly world, for which Shakespeare has, for more than two centuries, served as the central text for analysis and explication, the foundation of the western literary canon and the measure of literary excellence.The Shakespeare the essays collected in these volumes reveal is fully as multifarious as the Shakespeare of theme parks, movies and television. Indeed, it is part of the continuing reinvention of Shakespeare. The essays are drawn for the most part from work done in the past three decades, though a few essential, enabling essays from an earlier period have been included. They not only chart the directions taken by Shakespeare studies in the recent past, but they serve to indicate the enormous and continuing vitality of the enterprise, and the extent to which Shakespeare has become a metonym for literary and artistic endeavor generally.
Author: Robert Watt
Publisher: Routledge
ISBN: 131787613X
Category : Drama
Languages : en
Pages : 319
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Book Description
Shakespeare's history plays are central to his dramatic achievement. In recent years they have become more widely studied than ever, stimulating intensely contested interpretations, due to their relevance to central contemporary issues such as English, national identities and gender roles. Interpretations of the history plays have been transformed since the 1980s by new theoretically-informed critical approaches. Movements such as New Historicism and cultural materialism, as well as psychoanalytical and post-colonial approaches, have swept away the humanist consensus of the mid-twentieth century with its largely conservative view of the plays. The last decade has seen an emergence of feminist and gender-based readings of plays which were once thought overwhelmingly masculine in their concerns. This book provides an up-to-date critical anthology representing the best work from each of the modern theoretical perspectives. The introduction outlines the changing debate in an area which is now one of the liveliest in Shakespearean criticism.
Author: Arthur Acheson
Publisher: Forgotten Books
ISBN: 9781330148785
Category : Poetry
Languages : en
Pages : 379
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Book Description
Excerpt from Shakespeare and the Rival Poet: Displaying Shakespeare as a Satirist and Proving, the Identity of the Patron and the Rival of the Sonnets The research of text-students of the works of Shakespeare, undertaken with the object of unveiling the mystery which envelops the poet's life and personality, has added little or nothing of actual proof to the bare outlines which hearsay, tradition, and the spare records of his time have given us. It has, however, resulted in evolving several plausible conjectures, which, if followed and carried to the point of proof, would lend some form and semblance of his personality to these outlines, and materially assist in visualizing for us the actual man. In this class of conjectural knowledge I would place the following questions: The question of the personal theory of the Sonnets with its attendant questions of order and chronology, and the identity of the three or four figures, the "Patron," "The Rival Poet," "The Dark Lady," and "The Mr. W. H." of the Dedication. I would also mention in this class the question of the chronology of the plays, for though we have fairly accurate data regarding a few of them, and fairly plausible inferences for nearly the whole of them, we cannot give an actual date for the first production of any one of them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Peter G. Platt
Publisher: Routledge
ISBN: 1317056523
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
Exploring Shakespeare's intellectual interest in placing both characters and audiences in a state of uncertainty, mystery, and doubt, this book interrogates the use of paradox in Shakespeare's plays and in performance. By adopting this discourse-one in which opposites can co-exist and perspectives can be altered, and one that asks accepted opinions, beliefs, and truths to be reconsidered-Shakespeare used paradox to question love, gender, knowledge, and truth from multiple perspectives. Committed to situating literature within the larger culture, Peter Platt begins by examining the Renaissance culture of paradox in both the classical and Christian traditions. He then looks at selected plays in terms of paradox, including the geographical site of Venice in Othello and The Merchant of Venice, and equity law in The Comedy of Errors, Merchant, and Measure for Measure. Platt also considers the paradoxes of theater and live performance that were central to Shakespearean drama, such as the duality of the player, the boy-actor and gender, and the play/audience relationship in the Henriad, Hamlet, As You Like It, Twelfth Night, Antony and Cleopatra, The Winter's Tale, and The Tempest. In showing that Shakespeare's plays create and are created by a culture of paradox, Platt offers an exciting and innovative investigation of Shakespeare's cognitive and affective power over his audience.
Author: Edward Pechter
Publisher: University of Iowa Press
ISBN: 1587292971
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt.
Author: Paul N. Siegel
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838632512
Category : Great Britain
Languages : en
Pages : 176
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Book Description
Examines Shakespearean drama's Christian overtones, explaining why they have been ignored for so long and how those overtones can influence one's interpretation of Shakespeare's work.
