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Author: Daniel Rosenthal
Publisher: Bloomsbury Publishing
ISBN: 1838714081
Category : Performing Arts
Languages : en
Pages : 491
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Book Description
From Oscar-winning British classics to Hollywood musicals and Westerns, from Soviet epics to Bollywood thrillers, Shakespeare has inspired an almost infinite variety of films. Directors as diverse as Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, Baz Luhrmann and Julie Taymor have transferred Shakespeare's plays from stage to screen with unforgettable results. Spanning a century of cinema, from a silent short of 'The Tempest' (1907) to Kenneth Branagh's 'As You Like It' (2006), Daniel Rosenthal's up-to-date selection takes in the most important, inventive and unusual Shakespeare films ever made. Half are British and American productions that retain Shakespeare's language, including key works such as Olivier's 'Henry V' and 'Hamlet', Welles' 'Othello' and 'Chimes at Midnight', Branagh's 'Henry V' and 'Hamlet', Luhrmann's 'Romeo + Juliet' and Taymor's 'Titus'. Alongside these original-text films are more than 30 genre adaptations: titles that aim for a wider audience by using modernized dialogue and settings and customizing Shakespeare's plots and characters, transforming 'Macbeth' into a pistol-packing gangster ('Joe Macbeth' and 'Maqbool') or reimagining 'Othello' as a jazz musician ('All Night Long'). There are Shakesepeare-based Westerns ('Broken Lance', 'King of Texas'), musicals ('West Side Story', 'Kiss Me Kate'), high-school comedies ('10 Things I Hate About You', 'She's the Man'), even a sci-fi adventure ('Forbidden Planet'). There are also films dominated by the performance of a Shakespearean play ('In the Bleak Midwinter', 'Shakespeare in Love'). Rosenthal emphasises the global nature of Shakespearean cinema, with entries on more than 20 foreign-language titles, including Kurosawa's 'Throne of Blood and Ran', Grigori Kozintsev's 'Russian Hamlet' and 'King Lear', and little-known features from as far afield as 'Madagascar' and 'Venezuela', some never released in Britain or the US. He considers the films' production and box-office history and examines the film-makers' key interpretive decisions in comparison to their Shakespearean sources, focusing on cinematography, landscape, music, performance, production design, textual alterations and omissions. As cinema plays an increasingly important role in the study of Shakespeare at schools and universities, this is a wide-ranging, entertaining and accessible guide for Shakespeare teachers, students and enthusiasts.
Author: Daniel Rosenthal
Publisher: Bloomsbury Publishing
ISBN: 1838714081
Category : Performing Arts
Languages : en
Pages : 491
Get Book Here
Book Description
From Oscar-winning British classics to Hollywood musicals and Westerns, from Soviet epics to Bollywood thrillers, Shakespeare has inspired an almost infinite variety of films. Directors as diverse as Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, Baz Luhrmann and Julie Taymor have transferred Shakespeare's plays from stage to screen with unforgettable results. Spanning a century of cinema, from a silent short of 'The Tempest' (1907) to Kenneth Branagh's 'As You Like It' (2006), Daniel Rosenthal's up-to-date selection takes in the most important, inventive and unusual Shakespeare films ever made. Half are British and American productions that retain Shakespeare's language, including key works such as Olivier's 'Henry V' and 'Hamlet', Welles' 'Othello' and 'Chimes at Midnight', Branagh's 'Henry V' and 'Hamlet', Luhrmann's 'Romeo + Juliet' and Taymor's 'Titus'. Alongside these original-text films are more than 30 genre adaptations: titles that aim for a wider audience by using modernized dialogue and settings and customizing Shakespeare's plots and characters, transforming 'Macbeth' into a pistol-packing gangster ('Joe Macbeth' and 'Maqbool') or reimagining 'Othello' as a jazz musician ('All Night Long'). There are Shakesepeare-based Westerns ('Broken Lance', 'King of Texas'), musicals ('West Side Story', 'Kiss Me Kate'), high-school comedies ('10 Things I Hate About You', 'She's the Man'), even a sci-fi adventure ('Forbidden Planet'). There are also films dominated by the performance of a Shakespearean play ('In the Bleak Midwinter', 'Shakespeare in Love'). Rosenthal emphasises the global nature of Shakespearean cinema, with entries on more than 20 foreign-language titles, including Kurosawa's 'Throne of Blood and Ran', Grigori Kozintsev's 'Russian Hamlet' and 'King Lear', and little-known features from as far afield as 'Madagascar' and 'Venezuela', some never released in Britain or the US. He considers the films' production and box-office history and examines the film-makers' key interpretive decisions in comparison to their Shakespearean sources, focusing on cinematography, landscape, music, performance, production design, textual alterations and omissions. As cinema plays an increasingly important role in the study of Shakespeare at schools and universities, this is a wide-ranging, entertaining and accessible guide for Shakespeare teachers, students and enthusiasts.
Author: Russell Jackson
Publisher: Cambridge University Press
ISBN: 0521815479
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
A study of the production and reception of five Shakespeare films from the twentieth century.
Author: Judith R. Buchanan
Publisher: Routledge
ISBN: 1317874978
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
From the earliest days of the cinema to the present, Shakespeare has offered a tempting bank of source material than the film industry has been happy to plunder. Shakespeare on Film deftly examines an extensive range of films that have emerged from the curious union of an iconic dramatist with a medium of mass appeal. The many films Buchanan studies are shown to be telling indicators of trends in Shakespearean performance interpretation, illuminating markers of developments in the film industry and culturally revealing about broader influences in the world beyond the movie theatre. As with other titles from the Inside Film series, the book is illustrated throughout with stills. Each chapter concludes with a list of suggested further reading in the field.
Author: Douglas Brode
Publisher: Oxford University Press, USA
ISBN: 0195139585
Category : Drama
Languages : en
Pages : 268
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Book Description
This work proceeds chronologically, in the order that plays were written, allowing the reader to trace the development of Shakespeare as an author and to see how the changing cultural climate of the Elizabethans flowered into film centuries later.
Author: Michael A. Anderegg
Publisher: Rowman & Littlefield
ISBN: 9780742510920
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
Michael Anderegg investigates how Shakespeare films constitute an exciting & ever-changing film genre. He looks closely at films by Olivier, Welles, & Branagh, as well as postmodern Shakespeares & multiple adaptations over the years of 'Romeo and Juliet'.
Author: Robert Hamilton Ball
Publisher: Routledge
ISBN: 1134980981
Category : Performing Arts
Languages : en
Pages : 499
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Book Description
In 1899, when film projection was barely three years old, Herbert Beerbohm Tree was filmed as King John. In his highly entertaining history, Robert Hamilton Ball traces in detail the fate of Shakespeare on silent films from Tree’s first effort until the establishment of sound in 1929. The silent films brought Shakespeare to a wide public who had never had the chance to see his plays in the theatre. And Shakespeare gave the film makers an air of respectability that was badly needed by a medium with a reputation for frivolity. This work, first published in 1968, brings history to life with excerpts from scenarios, from reviews and from contemporary film journals, and with reproduction of stills and frames from the films themselves, including unusual shots of leading screen actors. This is a valuable source book for film experts, enhanced by full notes, bibliography and indexes; a fresh approach for Shakespeareans; and a vivid sketch of a world that has passed for all.
Author: Carolyn Jess-Cooke
Publisher: State University of New York Press
ISBN: 1438430310
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
The first collection of essays devoted to the phenomenon of the film sequel.
Author: Carolyn Jess-Cooke
Publisher: Wallflower Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 140
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Book Description
Since the birth of Shakespearean cinema in 1899, there have been around 500 film adaptations in which the Bard has been taken to outer space, downtown Mumbai and feudal Japan. This book explores an astonishing array of Shakespearean films from early cinema to the present day.
Author: Richard France
Publisher: Routledge
ISBN: 1134979932
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
This volume is the only publication available of the fully annotated playscripts of Wells' W.P.A Federal Theatre Project and Mercury Theatre adaptations, including the "Voodoo" Macbeth, the modern-dress Julius Caesar and Welles' compilation of history plays, Five Kings.
Author: Maurice Hindle
Publisher: Palgrave Macmillan
ISBN: 9781403906724
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
A hands-on introductory guide to analyzing and discussing Shakespeare on screen. Part One establishes the differences between Shakespeare on stage and film, with Part Two providing a historical introduction to Shakespeare on film. Part Three explores the key modes and genre conventions used in Shakespeare on film and Part Four contains a series of critical essays, while Part Five discusses Shakespeare on TV. At every stage students are provided with critical knowledge and vocabulary to analyze Shakespeare on screen.
