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Author: Richard Dutton
Publisher: Oxford University Press
ISBN: 0198777744
Category : Drama
Languages : en
Pages : 334
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Book Description
Shakespeare made his money from writing for public theatres like the Globe, but the companies he served only survived because the royal courts had their own uses for drama, to fill the long winter nights of their Revels seasons. Shakepeare's plays were performed there more often than those by anyone else and he revised them--making them fuller, richer, and more sophisticated for his royal patrons. Shakespeare, Court Dramatist outlines the symbioticrelationship between Shakespeare and the court and shows how it affected his writing, forging plays like Romeo and Juliet and Hamlet in the versions we know best today.
Author: Richard Dutton
Publisher: Oxford University Press
ISBN: 0198777744
Category : Drama
Languages : en
Pages : 334
Get Book Here
Book Description
Shakespeare made his money from writing for public theatres like the Globe, but the companies he served only survived because the royal courts had their own uses for drama, to fill the long winter nights of their Revels seasons. Shakepeare's plays were performed there more often than those by anyone else and he revised them--making them fuller, richer, and more sophisticated for his royal patrons. Shakespeare, Court Dramatist outlines the symbioticrelationship between Shakespeare and the court and shows how it affected his writing, forging plays like Romeo and Juliet and Hamlet in the versions we know best today.
Author: Richard Dutton
Publisher: Oxford University Press
ISBN: 0191083313
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
Shakespeare, Court Dramatist centres around the contention that the courts of both Elizabeth I and James I loomed much larger in Shakespeare's creative life than is usually appreciated. Richard Dutton argues that many, perhaps most, of Shakespeare's plays have survived in versions adapted for court presentation, where length was no object (and indeed encouraged) and rhetorical virtuosity was appreciated. The first half of the study examines the court's patronage of the theatre during Shakespeare's lifetime and the crucial role of its Masters of the Revels, who supervised all performances there (as well as censoring plays for public performance). Dutton examines the emergence of the Lord Chamberlain's Men and the King's Men, to whom Shakespeare was attached as their 'ordinary poet', and reviews what is known about the revision of plays in the early modern period. The second half of the study focuses in detail on six of Shakespeare's plays which exist in shorter, less polished texts as well as longer, more familiar ones: Henry VI Part II and III, Romeo and Juliet, Henry V, Hamlet, and The Merry Wives of Windsor. Dutton argues that they are not cut down from those familiar versions, but poorly reported originals which Shakespeare revised for court performance into what we know best today. More localized revisions in such plays as Titus Andronicus, Richard II, and Henry IV Part II can also best be explained in this context. The court, Richard Dutton argues, is what made Shakespeare Shakespeare.
Author: Alvin B. Kernan
Publisher: Yale University Press
ISBN: 9780300072587
Category : Drama
Languages : en
Pages : 294
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Book Description
Eminent literary critic Alvin Kernan takes us back to the court performances of some of Shakespeare's most famous plays, showing how the courtly setting influenced the bard's work. Kernan argues that Shakespeare was a great dramatist whose plays commented on political and social concerns of his patrons and who adjusted his own art to pander to court needs. 30 illustrations.
Author: Gerald Eades Bentley
Publisher: Princeton University Press
ISBN: 1400872421
Category : Drama
Languages : en
Pages : 343
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Book Description
Gerald Eades Bentley assembles and analyzes the extant theatrical materials of the sixteenth and seventeenth centuries. His discussion of the working conditions of professional dramatists like Thomas Heywood, John Fletcher, and Philip Massinger as well as William Shakespeare rounds out the fascinating picture of the professionalism that developed in the great days of Elizabethan and Jacobean theatre. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Ton Hoenselaars
Publisher: Cambridge University Press
ISBN: 1107494338
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
While Shakespeare's popularity has continued to grow, so has the attention paid to the work of his contemporaries. The contributors to this Companion introduce the distinctive drama of these playwrights, from the court comedies of John Lyly to the works of Richard Brome in the Caroline era. With chapters on a wide range of familiar and lesser-known dramatists, including Thomas Kyd, Christopher Marlowe, Ben Jonson, John Webster, Thomas Middleton and John Ford, this book devotes particular attention to their personal and professional relationships, occupational rivalries and collaborations. Overturning the popular misconception that Shakespeare wrote in isolation, it offers a new perspective on the most impressive body of drama in the history of the English stage.
Author: Richard Dutton
Publisher: Oxford University Press
ISBN: 0191083321
Category : Literary Criticism
Languages : en
Pages : 491
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Book Description
Shakespeare, Court Dramatist centres around the contention that the courts of both Elizabeth I and James I loomed much larger in Shakespeare's creative life than is usually appreciated. Richard Dutton argues that many, perhaps most, of Shakespeare's plays have survived in versions adapted for court presentation, where length was no object (and indeed encouraged) and rhetorical virtuosity was appreciated. The first half of the study examines the court's patronage of the theatre during Shakespeare's lifetime and the crucial role of its Masters of the Revels, who supervised all performances there (as well as censoring plays for public performance). Dutton examines the emergence of the Lord Chamberlain's Men and the King's Men, to whom Shakespeare was attached as their 'ordinary poet', and reviews what is known about the revision of plays in the early modern period. The second half of the study focuses in detail on six of Shakespeare's plays which exist in shorter, less polished texts as well as longer, more familiar ones: Henry VI Part II and III, Romeo and Juliet, Henry V, Hamlet, and The Merry Wives of Windsor. Dutton argues that they are not cut down from those familiar versions, but poorly reported originals which Shakespeare revised for court performance into what we know best today. More localized revisions in such plays as Titus Andronicus, Richard II, and Henry IV Part II can also best be explained in this context. The court, Richard Dutton argues, is what made Shakespeare Shakespeare.
Author: Bettina Boecker
Publisher: Springer
ISBN: 1137379960
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
Comparatively little is known about Shakespeare's first audiences. This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself.
Author: Tom Bishop
Publisher: Routledge
ISBN: 1000074528
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
For its eighteenth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time, across the whole spectrum of his literary output. Contributions are solicited from among the most active and insightful scholars in the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged. Each issue includes a special section under the guidance of a specialist guest editor, along with coverage of the current state of the field. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in Shakespeare scholarship and theater practice worldwide. There is a particular emphasis on Shakespeare studies in global contexts.
Author: Kurt Kreiler
Publisher: Junius Verlag
ISBN: 3862180212
Category : Art
Languages : en
Pages : 291
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Book Description
A new Roland Emmerich film - Anonymous - was released in October 2011. The seventeenth Earl of Oxford (1550-1604), says Emmerich, wrote the Shakespearian works. How could such a postulation come about and where does this doubt as to William Shaksper's authorship come from? (No offence is intended by calling the actor from Stratford-upon-Avon "Shaksper"; he certainly wouldn't have taken any, that's how he wrote it on his marriage license.) - After the academic world has been guessing and floundering for 150 years, the literary detective Kurt Kreiler surprises us with a book that addresses this subject after years of sound and thorough academic research. This is definitely the leading book on this subject. Chapters 1 and 2 explain why Will Shaksper from Stratford-upon-Avon was not an author. In chapter 3, ten works of the author William Shakespeare will be analysed with a view to determine what criteria the author must have had in order to write the works in question. Which foreign lands had the author visited? What historical references have been made? When were the pieces written? Chapter 4 examines the social perspectives of the "Author of the plays". Chapter 5 examines what Shakespeare's literary contemporaries knew about him, with whom did they associate him, what qualities did they attribute to him? An analysis of the Harvey-Nashe-Quarrel show us that they both agree that the author "Master William" was the creator of the figure Falstaff and that this author was Eduard de Vere, Earl of Oxford. Chapter 6 deals with the first part of the biography of Eduard de Vere. Chapters 7 and 8 show that the the profile of the Author that was developed in chapters 3-5 correlates logically and universally with the biography of the Earl of Oxford. Chapter 9 is a continuation of the biography of the writer and spear shaker "William Shake-speare" up to his death in 1604. Chapter 10 shows why, how and for whom the dramatist Ben Jonson went about the task of procuring the nom de plume Shake-speare. By using the coincidental similarity between the names Shake-speare and Shaksper, Jonson posthumously set up a marionette to claim authorship of the Shakespearian works. Kurt Kreiler (b. 23 June 1950) is a German author and dramaturg. He read philology and philosophy at university, his studies culminating in a doctoral thesis on the short lived Bavarian Republic of People's Councils (1918/19). In 1983 he began his work as a writer for television and radio. In 2009 Insel Verlag published Kreiler's: "The Man who invented Shakespeare"; a book that caused a considerable stir in Germany."
Author: Richard Dutton
Publisher: John Wiley & Sons
ISBN: 1405115130
Category : Literary Criticism
Languages : en
Pages : 382
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Book Description
Shakespeare’s Theatre: A History examines the theatre spaces used by William Shakespeare, and explores these spaces in relation to the social and political framework of the Elizabethan era. The text journeys from the performing spaces of the provincial inns, guild halls and houses of the gentry of the Bard’s early career, to the purpose-built outdoor playhouses of London, including the Globe, the Theatre, and the Curtain, and the royal courts of Elizabeth and James I. The author also discusses the players for whom Shakespeare wrote, and the positioning—or dispositioning—of audience members in relation to the stage. Widely and deeply researched, this fascinating volume is the first to draw on the most recent archaeological work on the remains of the Rose and the Globe, as well as continuing publications from the Records of Early English Drama project. The book also explores the contentious view that the ‘plot’ of The Seven Deadly Sins (part II), provides unprecedented insight into the working practices of Shakespeare’s company and includes a complete and modernized version of the ‘plot’. Throughout, the author relates the practicalities of early modern playing to the evolving systems of aristocratic patronage and royal licensing within which they developed Insightful and engaging, Shakespeare’s Theatre is ideal reading for undergraduates, postgraduates, and scholars of literature and theatre studies.
