Shakespeare and Ireland PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Shakespeare and Ireland PDF full book. Access full book title Shakespeare and Ireland by Mark Thornton Burnett. Download full books in PDF and EPUB format.
Author: Mark Thornton Burnett
Publisher: Springer
ISBN: 1349259241
Category : Literary Criticism
Languages : en
Pages : 271
Get Book Here
Book Description
Shakespeare and Ireland examines the complex relationship between the most celebrated icon of the British establishment and Irish literary and cultural traditions. Addressing Shakespearean representations of Ireland as well as Irish writers' responses to the dramatist, it ranges widely across theatrical performances, pedagogical practices, editorial undertakings and political developments. The writings of Joyce, Heaney and Yeats are considered, in addition to recent nationalist discourses. In so doing, the collection establishes the multiple 'Shakespeares' and competing 'Irelands' that inform the Irish imagination.
Author: Mark Thornton Burnett
Publisher: Springer
ISBN: 1349259241
Category : Literary Criticism
Languages : en
Pages : 271
Get Book Here
Book Description
Shakespeare and Ireland examines the complex relationship between the most celebrated icon of the British establishment and Irish literary and cultural traditions. Addressing Shakespearean representations of Ireland as well as Irish writers' responses to the dramatist, it ranges widely across theatrical performances, pedagogical practices, editorial undertakings and political developments. The writings of Joyce, Heaney and Yeats are considered, in addition to recent nationalist discourses. In so doing, the collection establishes the multiple 'Shakespeares' and competing 'Irelands' that inform the Irish imagination.
Author: Brian Nugent
Publisher: Brian Nugent
ISBN: 0955681219
Category : History
Languages : en
Pages : 248
Get Book Here
Book Description
As more and more scholars come to realise that the accepted story of William Shakespeare is untenable, this book tries to unmask the covert Irish influence on his work and the remarkable career of William Nugent, the only Irish candidate ever put forward for Shakespeare. It includes the full text of many original documents on Irish history, from the Reformation to the 1641 Rebellion. "That in these lines I could as well express, As in my soul I do admire her beauty, Or that great Daniel, fit for such a task, This wonder of our Isle, had seen, and heeded, Then should his glorious muse, her worth unmask, And he himself, himself should have exceeded; Then England, France, Spain, Greece and Italy, And all that th'Ocean from our shores divideth, Would over-run their bounds, and hither fly, To find the treasure, that our Ireland hideth, But best is, that we never do disclose it, Since known but of ourselves, we shall not lose it." - RIchard Nugent "Cynthia" (London, 1604)
Author: Sir Dunbar Plunket Barton
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 298
Get Book Here
Book Description
Author: Stephen O'Neill
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 216
Get Book Here
Book Description
This book is a comprehensive study of the representation of Ireland in the plays of Shakespeare and his contemporaries. Through a detailed analysis of a range of canonical and less familiar plays, such as The Misfortunes of Arthur, Captain Thomas Stukeley, Sir John Oldcastle and Dekker's The Honest Whore, this book reveals fascinating interconnections between Ireland as it was figured in Elizabethan and early Jacobean drama, and contemporaneous political and cultural anxieties about Ireland and Irish alterity. Exploring how the stage provided a fluid, though licensed, space where such anxieties were negotiated and confronted, this study questions views of the stage Irishman as a static colonialist stereotype. Instead, it demonstrates that dramatic representations of Ireland were dynamic, heterogeneous, and ideologically unstable. Opening up Renaissance drama to its multivalent Irish contexts, Staging Ireland will appeal to scholars and students of Shakespeare and early modern literature; drama and theatre as well as Irish studies.
Author: Rebecca Steinberger
Publisher: Routledge
ISBN: 1351149261
Category : Literary Criticism
Languages : en
Pages : 204
Get Book Here
Book Description
Exploring the influence of Shakespeare on drama in Ireland, the author examines works by two representative playwrights: Sean O'Casey (1880-1964) and Brian Friel (1929-). Shakespeare's plays, grounded in history, nationalism, and imperialism, are resurrected, rewritten, and reinscribed in twentieth-century Irish drama, while Irish plays, in turn, historicize the Subject/Object relationship of England and Ireland. In particular, the author argues, Irish dramatists' appropriations of Shakespeare were both a reaction to the language of domination and a means to support their revision of the Irish as Subject. This study reveals that Shakespeare's plays embody an empathy for the Irish Other. As she investigates Shakespeare's commiseration with marginalized peoples and the anticolonial underpinnings in his texts, the author situates Shakespeare between the English discourse that claims him and the Irish discourse that assimilates him.
Author: D Plunket Barton
Publisher: Legare Street Press
ISBN: 9781019910887
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
This fascinating book explores the connections between Ireland and William Shakespeare, one of the most celebrated playwrights in history. The author examines the influence of Irish culture, society, and politics on Shakespeare's work and the impact of his plays on Irish literature and theater. The book also provides a unique perspective on the enduring legacy of Shakespeare in Ireland and beyond. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Andrew Murphy
Publisher: Arden Shakespeare
ISBN: 1350458384
Category : Drama
Languages : en
Pages : 0
Get Book Here
Book Description
Through a selection of essays from a variety of scholarly voices, this volume maps the various ways in which Shakespeare has been adapted, adopted and appropriated in Ireland from the late 17th century through to the present day. Shakespeare's plays have been performed in Ireland since the 1660s, when Smock Alley theatre was established in Dublin, with Shakespeare serving as its essential stock-in-trade. Since then the playwright's work has played a central role in the formation of Irish culture. Shakespeare's works helped to fashion colonial identity in Ireland from the 18th century and beyond, whilst his presence in Irish cultural life became more dispersed in the 1800s, with Irish writers such as Charles Robert Maturin drawing on Shakespearean sources - something that would become evident in the Irish literary tradition across the ensuing decades. Considering the ways in which such Irish writers as Samuel Beckett and W. B. Yeats drew on Shakespearean material in producing their own work, whilst analysing Shakespearean influence in both Irish society and its theatrical landscape, essays in this collection explore the history of Irish Shakespeare through the numerous ways in which Shakespeare and his work were reconfigured and recycled into various Irish contexts. Shakespeare in Ireland shows how Shakespeare has been rendered Irish in a variety of complex ways, and is an exercise in tracking how Shakespeare becomes a fully hibernicised figure.
Author: James Shapiro
Publisher: Harper Collins
ISBN: 0061840904
Category : History
Languages : en
Pages : 620
Get Book Here
Book Description
Winner of the Baillie Gifford Prize’s 25th Anniversary Winner of Winners award What accounts for Shakespeare’s transformation from talented poet and playwright to one of the greatest writers who ever lived? In this gripping account, James Shapiro sets out to answer this question, "succeed[ing] where others have fallen short." (Boston Globe) 1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen. James Shapiro illuminates both Shakespeare’s staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.
Author: Mark Thornton Burnett
Publisher:
ISBN: 9781349259250
Category : English literature
Languages : en
Pages : 264
Get Book Here
Book Description
Addressing Shakespearean representations of Ireland as well as Irish writers' responses to the dramatist, the contributors range widely across theatrical performances, pedagogical practices, editorial undertakings and political developments.
Author: David Baker
Publisher: Stanford University Press
ISBN: 9780804780032
Category : Literary Criticism
Languages : en
Pages : 240
Get Book Here
Book Description
Fusing historiography with literary criticism, Between Nations produces an array of unexpected readings of early modern texts. Starting from the premise that England has never been able to emerge or define itself in isolation from its neighbors on the British Isles, this book places Renaissance England and its literature at a meeting of English, Irish, Scottish, and Welsh histories. It ranges from the late sixteenth through the late seventeenth centuries and deals with the "reigns" of three monarchs and one regicide—those of Elizabeth I, James I, Charles II, and Oliver Cromwell. However, it shifts the domain they ruled from the customary center into interactions between England and the other British polities. The author argues that England was able to develop into what we call a "nation" only in and by means of its relations with the other proto-"nations" that often it was also suppressing. Among the authors who served one or more of the four English rulers are Shakespeare, Spenser, and Marvell, who are studied here in the way they responded to the complexities of British history that encompassed their "nation." They not only participated in nation building/destroying, but their works are shown often to be meditations on that process and their own roles in the process. In Henry V, for example, Shakespeare both produces a vision of an ideal Britain and inscribes into his play the voices of various British peoples that are meant to be subsumed. Spenser's A View of the Present State of Ireland, which is often taken as an anti-Gaelic screed, is more plausibly seen as a text compounded of heterogeneous cultural influences, many of them originating from within Ireland. The complexity of the text reflects Spenser's own situation as a colonial official exiled from one British nation, England, to another, Ireland. In "An Horation Ode upon Cromwell's Return from Ireland," Marvell explicitly considers the consequences of a campaign that historians have called the "War of the Three Kingdoms." In that, and in a later poem, "The Loyal Scot," Marvell emerges as a shrewd commentator on the British politics of his day. Throughout, the book demonstrates that historical readings of this period's English literary works can be as multivalent and multicentric as the British history that produced them.
