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Author: Efrat Tseëlon
Publisher: Routledge
ISBN: 1134530714
Category : Performing Arts
Languages : en
Pages : 201
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Book Description
No competition. This book has the advantage of combining diverse fields of knowledge, social theory, fashion theory, art, history, literature, performance and cultural studies. Range of markets for this book. It's topical - it relates to current debates on the politics of identity, the social construction of identity. Covers range of fascinating examples to illustrate the arguments: the film 'The Crying Game', lesbian fashion, fetish fashion, Jewish folk theatre, opera balls in 19th century France.
Author: Efrat Tseëlon
Publisher: Routledge
ISBN: 1134530714
Category : Performing Arts
Languages : en
Pages : 201
Get Book Here
Book Description
No competition. This book has the advantage of combining diverse fields of knowledge, social theory, fashion theory, art, history, literature, performance and cultural studies. Range of markets for this book. It's topical - it relates to current debates on the politics of identity, the social construction of identity. Covers range of fascinating examples to illustrate the arguments: the film 'The Crying Game', lesbian fashion, fetish fashion, Jewish folk theatre, opera balls in 19th century France.
Author: Emma Wilson
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 292
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Book Description
A highly inclusive collection, "Sexuality And Masquerade" celebrates the erotics of indecision, of gender performance, of sexual artifice in its full range.
Author: Wendy Doniger
Publisher: University of Chicago Press
ISBN: 0226156443
Category : Social Science
Languages : en
Pages : 631
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Book Description
"Somehow I woke up one day and found myself in bed with a stranger." Meant literally or figuratively, this statement describes one of the best-known plots in world mythology and popular storytelling. In a tour that runs from Shakespeare to Hollywood and from Abraham Lincoln to Casanova, the erudite and irrepressible Wendy Doniger shows us the variety, danger, and allure of the "bedtrick," or what it means to wake up with a stranger. The Bedtrick brings together hundreds of stories from all over the world, from the earliest recorded Hindu and Hebrew texts to the latest item in the Weekly World News, to show the hilariously convoluted sexual scrapes that people manage to get themselves into and out of. Here you will find wives who accidentally commit adultery with their own husbands. You will read Lincoln's truly terrible poem about a bedtrick. You will learn that in Hong Kong the film The Crying Game was retitled Oh No! My Girlfriend Has a Penis. And that President Clinton was not the first man to be identified by an idiosyncratic organ. At the bottom of these wonderful stories, ancient myths, and historical anecdotes lie the dynamics of sex and gender, power and identity. Why can't people tell the difference in the dark? Can love always tell the difference between one lover and another? And what kind of truth does sex tell? Funny, sexy, and engaging, The Bedtrick is a masterful work of energetic storytelling and dazzling scholarship. Give it to your spouse and your lover.
Author: Gerald W. Creed
Publisher: Indiana University Press
ISBN: 0253222613
Category : History
Languages : en
Pages : 272
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Book Description
Jacket.
Author: Gary Kates
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 424
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Book Description
Born in 1728, French aristocrat Charles d'Eon de Beaumont had served his country as a diplomat, soldier, and spy for fifteen years when rumors that he was a woman began to circulate in the courts of Europe. D'Eon denied nothing and was finally compelled by Louis XVI to give up male attire and live as a woman, something d'Eon did without complaint for the next three decades. Although celebrated as one of the century's most remarkable women, d'Eon was revealed, after his death in 1810, to have been unambiguously male. Gary Kates's acclaimed biography of d'Eon recreates eighteenth-century European society in brilliant detail and offers a compelling portrait of an individual who challenged its conventions about gender and identity.
Author: Russell Grigg
Publisher: Routledge
ISBN: 0429899440
Category : Psychology
Languages : en
Pages : 315
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Book Description
"Undoubtedly, ‘Contributions to the Masculinity Complex in Women,’ is an underrated paper. This may be due to its not being published in English until 1924, well after Freud introduced the term ‘masculinity complex’ into his own writings. However, Van Ophuijsen’s paper was originally presented to the Dutch Psycho-Analytical Society much earlier, on 23rd June 1917. It was published in German the same year and in Dutch the following year. The term ‘masculinity complex’ is in fact van Ophugsen’s invention and Freud acknowledges his debt in his 1919 paper, ‘A Child is Being Beaten’. It is also in the present paper that various manifestations and possible consequences of penis envy are first clearly expressed, just as the libidinal investment in the ‘virile’ erogenous zone is linked to the attachment to the mother. This last point is particularly important, and Freud will later appeal to it in explaining the phallicism of the little girl. The material van Ophuijsen draws on derives from five case studies of obsessional women. One of the cases, who is here simply referred to as H., is subsequently discussed by Jeanne Lampl de Groot in her 1928 paper, ‘Evolution of the Oedipus Complex in Women’, a discussion Freud alludes to in his ‘Female Sexuality’ of 1931. The analysand was referred to Lampl de Groot because of difficulties encountered in the transference to a male analyst. It is also worth noting that van Ophuijsen takes her to be an obsessional, while Lampl de Groot diagnoses hysteria. Van Ophuijsen’s starting point concerns one aspect of the theory of penis envy; namely, that it derives from the sense a woman has of having been injured in infancy through no fault of her own and hence she will blame her mother for having brought her into this world as a woman instead of a man. This matches some character types encountered in analysis, van Ophuijsen conjectures. He also points out that this turning against the mother is, as with the castration complex, founded on a belief in the possibility of possessing the penis. The difference between the castration and masculinity complexes is that the sense of guilt attached to the former is absent from the masculinity complex, in which, on the other hand, what predominate are the sense of having been wronged and accompanying bitterness and reproaches. Moreover, the term is intended to connote the presence of a form of rivalry with men rather than the presence of any overt masculine characteristics. Finally, one should note the connection between the masculinity complex and the urethral erotism which van Ophuijsen explains in terms of a regression to the auto-erotic stage later tackled by other analysts such as Karen Homey."
Author: Catherine A. Craft-Fairchild
Publisher: Penn State Press
ISBN: 0271038209
Category : Social Science
Languages : en
Pages : 205
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Book Description
Terry Castle's recent study of masquerade follows Bakhtin's analysis of the carnivalesque to conclude that, for women, masquerade offered exciting possibilities for social and sexual freedom. Castle's interpretation conforms to the fears expressed by male writers during the period—Addison, Steele, and Fielding all insisted that masquerade allowed women to usurp the privileges of men. Female authors, however, often mistrusted these claims, perceiving that masquerade's apparent freedoms were frequently nothing more than sophisticated forms of oppression. Catherine Craft-Fairchild's work provides a useful corrective to Castle's treatment of masquerade. She argues that, in fictions by Aphra Behn, Mary Davys, Eliza Haywood, Elizabeth Inchbald, and Frances Burney, masquerade is double-sided. It is represented in some cases as a disempowering capitulation to patriarchal strictures that posit female subordination. Often within the same text, however, masquerade is also depicted as an empowering defiance of the dominant norms for female behavior. Heroines who attempt to separate themselves from the image of womanhood they consciously construct escape victimization. In both cases, masquerade is the condition of femininity: gender in the woman's novel is constructed rather than essential. Craft-Fairchild examines the guises in which womanhood appears, analyzing the ways in which women writers both construct and deconstruct eighteenth-century cultural conceptions of femininity. She offers a careful and engaging textual analysis of both canonical and noncanonical eighteenth-century texts, thereby setting lesser-read fictions into a critical dialogue with more widely known novels. Detailed readings are informed throughout by the ideas of current feminist theorists, including Luce Irigaray, Julia Kristeva, Mary Ann Doane, and Kaja Silverman. Instead of assuming that fictions about women were based on biological fact, Craft-Fairchild stresses the opposite: the domestic novel itself constructs the domestic woman.
Author: Juli Slattery
Publisher: Tyndale House Publishers, Inc.
ISBN: 1604829648
Category : Religion
Languages : en
Pages : 210
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Book Description
Many Christian women today are wearing masks. From an early age, we are taught that to be valuable we need to do more, to be more. To feel worthy, we learn to hide behind the masks of our accomplishments, physical appearance, intelligence, education, relationships—even our work in the church. But those masks separate us from God, from other people, and from our true selves. Thankfully, there is hope. We can remove our masks and trust Christ to see us as we really are . . . but it takes humility. To examine our hearts, motives, and past experiences requires honesty and confession. But beyond the masquerade, Christ can heal and transform our lives, freeing us from bondage.
Author: Nikki Grimes
Publisher: Penguin
ISBN: 0425289761
Category : Young Adult Nonfiction
Languages : en
Pages : 193
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Book Description
This award-winning novel is a powerful exploration of self, an homage to spoken-word poetry, and an intriguing look into the life of eighteen teens. When Wesley Boone writes a poem for his high school English class, some of his classmates clamor to read their poems aloud too. Soon they're having weekly poetry sessions and, one by one, the eighteen students are opening up and taking on the risky challenge of self-revelation. There's Lupe Alvarin, desperate to have a baby so she will feel loved. Raynard Patterson, hiding a secret behind his silence. Porscha Johnson, needing an outlet for her anger after her mother OD's. Through the poetry they share and narratives in which they reveal their most intimate thoughts about themselves and one another, their words and lives show what lies beneath the skin, behind the eyes, beyond the masquerade.
Author: Terry Castle
Publisher: Stanford University Press
ISBN: 9780804714686
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
Public masquerades were a popular and controversial form of urban entertainment in England for most of the eighteenth century. They were held regularly in London and attended by hundreds, sometimes thousands, of people from all ranks of society who delighted in disguising themselves in fanciful costumes and masks and moving through crowds of strangers. The authors shows how the masquerade played a subversive role in the eighteenth-century imagination, and that it was persistently associated with the crossing of class and sexual boundaries, sexual freedom, the overthrow of decorum, and urban corruption. Authorities clearly saw it as a profound challenge to social order and persistently sought to suppress it. The book is in two parts. In the first, the author recreates the historical phenomenon of the English masquerade: the makeup of the crowds, the symbolic language of costume, and the various codes of verbal exchange, gesture, and sexual behavior. The second part analyzes contemporary literary representations of the masquerade, using novels by Richardson, Fielding, Burney, and Inchbald to show how the masquerade in fiction reflected the disruptive power it had in contemporary life. It also served as an indispensable plot-catalyst, generating the complications out of which the essential drama of the fiction emerged. An epilogue discusses the use of the masquerade as a literary device after the eighteenth century. The book contains some 40 illustrations.
