Seven Critical Editions of the Plays of Luis Velez de Guevara PDF Download
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Author: WILLIAM R. (EDITOR) MANSON
Publisher:
ISBN: 9781588710291
Category :
Languages : en
Pages :
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Book Description
Author: WILLIAM R. (EDITOR) MANSON
Publisher:
ISBN: 9781588710291
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 450
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Book Description
Author: C. George Peale
Publisher: John Benjamins Publishing
ISBN: 9027217203
Category : Language Arts & Disciplines
Languages : en
Pages : 311
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Book Description
Esta colección de estudios críticos se ha compilado con el propósito de revalorar al genial comediógrafo del siglo XVII, Luis Vélez de Guevara (1579-1644), y, posiblemente, restablecerlo como figura de importancia en la historia del teatro español.
Author: Forrest Eugene Spencer
Publisher:
ISBN:
Category :
Languages : en
Pages : 434
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Book Description
Author: Roberto Sánchez
Publisher:
ISBN:
Category :
Languages : en
Pages : 618
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Book Description
Author: Roberto Sánchez
Publisher:
ISBN:
Category :
Languages : en
Pages : 618
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Book Description
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 292
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Book Description
Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.
Author: Beth Ann Bernstein
Publisher: Rowman & Littlefield
ISBN: 1793620555
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
Exploring Race, Ethnicity, Gender, and Sexuality in Four Spanish Plays explores society’s influence on identity in Spanish theatrical works and discusses parallels to these works in contemporary popular culture. The Spanish plays El retablo de las maravillas (The Marvelous Puppet Show) by Miguel de Cervantes Saavedra (1615); Virtudes vencen señales (Virtues Overcome Signs) by Vélez de Guevara (1620); El público (The Audience) by Federico García Lorca (1929); and La llamada de Lauren (Lauren’s Call) by Paloma Pedrero (1985) all deal with characters in the midst of a crisis of identity. Using an eclectic approach, supported by contemporary theories of race, ethnicity, gender, and sexuality, Beth Bernstein analyzes the four plays in terms of identity and shows how society imposes the construction of identity. As the characters reach to define themselves, internal and external pressures guide them in interpreting acceptable behavior. This book offers a close reading of the psychological struggle of the characters, driven by society to cover their differences with a symbolic mask which, if donned, will eventually devour their true identity.
Author: Guillermo Schmidhuber
Publisher: University Press of Kentucky
ISBN: 0813189616
Category : Drama
Languages : en
Pages : 269
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Book Description
Sor Juana Inés de la Cruz (1648-1695) wrote poetry, prose, and plays and is considered the greatest of Mexican women writers. She was an intellectual prodigy, reportedly mastering Latin in twenty lessons, and at sixteen she entered a convent so that she might continue her learning. One of the most influential early feminists in the New World, she answered a bishop's criticism in a letter that has become a classic defense of the education of women. She collected a private library of 4,000 volumes, but when she was told that her studies were delaying the progress of her spiritual education, she gave away her books and devoted herself to religious studies. Traditionally, scholars have attributed only one complete play to Sor Juana, but in 1989 Guillermo Schmidhuber discovered a lost play, The Second Celestina, which he proved conclusively to be Sor Juana's earliest comedia, co-authored with Agustin Salazar y Torres. Schmidhuber's critical study is the first dedicated exclusively to the secular plays and the first to confirm Sor Juana's authorship of three dramatic pieces. Combining literary history and criticism, Schmidhuber explores the life and originality of Sor Juana's dramas and helps elucidate her enigmatic genius. Though Sor Juana's work as a poet and intellectual has received increasing attention in the last decade, writing about her has rarely taken into account her role as dramatist. Schmidhuber helps correct this critical imbalance by examining Sor Juana's plays in light of dramatic theory. He finds elements of both mannerist and baroque theater in her work, sometimes both within the same play.
Author: Marc Laureys
Publisher: V&R Unipress
ISBN: 3847006274
Category : History
Languages : en
Pages : 289
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Book Description
This volume is devoted to the spheres in which conflict and rivalries unfolded during the Renaissance and how these social, cultural and geographical settings conditioned the polemics themselves. This is the second of three volumes on 'Renaissance Conflict and Rivalries', which together present the results of research pursued in an International Leverhulme Network. The underlying assumption of the essays in this volume is that conflict and rivalries took place in the public sphere that cannot be understood as single, all-inclusive and universally accessible, but needs rather to be seen as a conglomerate of segments of the public sphere, depending on the persons and the settings involved. The articles collected here address various questions concerning the construction of different segments of the public sphere in Renaissance conflict and rivalries, as well as the communication processes that went on in these spaces to initiate, control and resolve polemical exchanges.
