Author: Denise Burt
Publisher: Naxos of America Incorporated
ISBN: 9788799796908
Category : Graphic arts
Languages : en
Pages : 0
Book Description
Over the last 10 years, Copenhagen-based graphic designer Denise Burt has been on a unique discovery of contemporary classical music through her work designing covers for hundreds of art music releases. In "Seeing New Music" she tells, from a personal viewpoint, the stories behind the creation of 24 of her CD designs. She also explains how starting out as a music novice she learnt to inquire and engage with the ideas behind the often complex music, in order to create more meaningful designs. She takes us on a visual journey through a diverse range of new music projects and gives us an easily understandable entry-point into a genre of music that is generally considered difficult or elite.
Seeing New Music
Author: Denise Burt
Publisher: Naxos of America Incorporated
ISBN: 9788799796908
Category : Graphic arts
Languages : en
Pages : 0
Book Description
Over the last 10 years, Copenhagen-based graphic designer Denise Burt has been on a unique discovery of contemporary classical music through her work designing covers for hundreds of art music releases. In "Seeing New Music" she tells, from a personal viewpoint, the stories behind the creation of 24 of her CD designs. She also explains how starting out as a music novice she learnt to inquire and engage with the ideas behind the often complex music, in order to create more meaningful designs. She takes us on a visual journey through a diverse range of new music projects and gives us an easily understandable entry-point into a genre of music that is generally considered difficult or elite.
Publisher: Naxos of America Incorporated
ISBN: 9788799796908
Category : Graphic arts
Languages : en
Pages : 0
Book Description
Over the last 10 years, Copenhagen-based graphic designer Denise Burt has been on a unique discovery of contemporary classical music through her work designing covers for hundreds of art music releases. In "Seeing New Music" she tells, from a personal viewpoint, the stories behind the creation of 24 of her CD designs. She also explains how starting out as a music novice she learnt to inquire and engage with the ideas behind the often complex music, in order to create more meaningful designs. She takes us on a visual journey through a diverse range of new music projects and gives us an easily understandable entry-point into a genre of music that is generally considered difficult or elite.
Seeing Sideways
Author: Kristin Hersh
Publisher: University of Texas Press
ISBN: 147731234X
Category : Biography & Autobiography
Languages : en
Pages : 351
Book Description
Doony, Ryder, Wyatt, Bodhi. The names of Kristin Hersh’s sons are the only ones included in her new memoir, Seeing Sideways. As the book unfolds and her sons’ voices rise from its pages, it becomes clear why: these names tell the story of her life. This story begins in 1990, when Hersh is the leader of the indie rock group Throwing Muses, touring steadily, and the mother of a young son, Doony. The chapters that follow reveal a woman and mother whose life and career grow and change with each of her sons: the story of a custody battle for Doony is told alongside that of Hersh’s struggles with her record company and the resulting PTSD; the tale of breaking free from her record label stands in counterpoint to her recounting of her pregnancy with Ryder; a period of writer’s block coincides with the development of Wyatt as an artist and the family’s loss of their home; and finally, soon after Bodhi’s arrival, Hersh and her boys face crises from which only strange angels can save them. Punctuated with her own song lyrics, Seeing Sideways is a memoir about a life strange enough to be fiction, but so raw and moving that it can only be real.
Publisher: University of Texas Press
ISBN: 147731234X
Category : Biography & Autobiography
Languages : en
Pages : 351
Book Description
Doony, Ryder, Wyatt, Bodhi. The names of Kristin Hersh’s sons are the only ones included in her new memoir, Seeing Sideways. As the book unfolds and her sons’ voices rise from its pages, it becomes clear why: these names tell the story of her life. This story begins in 1990, when Hersh is the leader of the indie rock group Throwing Muses, touring steadily, and the mother of a young son, Doony. The chapters that follow reveal a woman and mother whose life and career grow and change with each of her sons: the story of a custody battle for Doony is told alongside that of Hersh’s struggles with her record company and the resulting PTSD; the tale of breaking free from her record label stands in counterpoint to her recounting of her pregnancy with Ryder; a period of writer’s block coincides with the development of Wyatt as an artist and the family’s loss of their home; and finally, soon after Bodhi’s arrival, Hersh and her boys face crises from which only strange angels can save them. Punctuated with her own song lyrics, Seeing Sideways is a memoir about a life strange enough to be fiction, but so raw and moving that it can only be real.
Seeing Through Music
Author: Peter Franklin
Publisher: OUP USA
ISBN: 0195383451
Category : Music
Languages : en
Pages : 202
Book Description
Seeing Through Music levels the critical playing-field between film-music and so-called 'serious music', reflecting upon gender-related ideas about music and modernism as much as about film. It proposes a history of twentieth-century music that would include the scores of a number of the major Hollywood movies discussed here.
Publisher: OUP USA
ISBN: 0195383451
Category : Music
Languages : en
Pages : 202
Book Description
Seeing Through Music levels the critical playing-field between film-music and so-called 'serious music', reflecting upon gender-related ideas about music and modernism as much as about film. It proposes a history of twentieth-century music that would include the scores of a number of the major Hollywood movies discussed here.
Seeing Music on the Guitar
Author: Andy Schneider
Publisher: Independently Published
ISBN: 9781078210256
Category :
Languages : en
Pages : 80
Book Description
Perhaps the first book of its' kind to put you inside the mind of guitar players everywhere. Successful guitar players develop an ability to "see" the music they play on the fretboard of the instrument. They see the music they play as a simple relationship of shapes and relative positions. As easily as you already can distinguish a triangle from a square or circle, stringed instrumentalists see music on the fretboard of their instrument. Further, just as you could draw those basic shapes of triangle square or circle from memory, guitar players can visually "draw" chord shapes on their fingerboards and move those shapes around easily, creating new music.This is an inherently special gift those who play stringed instruments have been given. No other kind of instrument makes it so easy for the musician to have a visual roadmap of the music, making things like improvisation or transposing a song to another key so easy. Your fingers will follow these maps to get to the music. This book will show you how to see music as simple shapes and use these shapes to more quickly and proficiently play and create music.This book is for two kinds of students:1. The absolute beginner. Welcome.2. Those who have learned something about the guitar, maybe some chords, maybe even have a good bit of playing experience, but lack knowledge of the way music is built. They have a grip on how to play some music, but don't understand why they're playing these things. Why chords use particular notes. Why some chords in a song are major or minor. Without this knowledge of the "whys", it's difficult, if not impossible, for them to develop as a player. For them, the guitar becomes a giant, frustrating exercise in memorization. It shouldn't be.In this book, you'll see that there really is very little music theory to be memorized. You did a lot more memorizing in your first year of math class than you will here. There are literally thousands of chord voicings available to a guitarist, yet they can be boiled down to a few simple ideas that anyone can grasp. You'll see the simple relationship between chords and scales and you'll learn how to play any chord, even one you've never seen before. No knowledge of sheet music is necessary here. While reading music is great and certainly encouraged, this book doesn't use it. The approach here is to understand how music is constructed and 'looks' on the neck of the guitar. While we won't get into any particular musical style or specific techniques, the information here is common to all Western music: Rock, Folk, Country, Pop, Classical, Jazz.
Publisher: Independently Published
ISBN: 9781078210256
Category :
Languages : en
Pages : 80
Book Description
Perhaps the first book of its' kind to put you inside the mind of guitar players everywhere. Successful guitar players develop an ability to "see" the music they play on the fretboard of the instrument. They see the music they play as a simple relationship of shapes and relative positions. As easily as you already can distinguish a triangle from a square or circle, stringed instrumentalists see music on the fretboard of their instrument. Further, just as you could draw those basic shapes of triangle square or circle from memory, guitar players can visually "draw" chord shapes on their fingerboards and move those shapes around easily, creating new music.This is an inherently special gift those who play stringed instruments have been given. No other kind of instrument makes it so easy for the musician to have a visual roadmap of the music, making things like improvisation or transposing a song to another key so easy. Your fingers will follow these maps to get to the music. This book will show you how to see music as simple shapes and use these shapes to more quickly and proficiently play and create music.This book is for two kinds of students:1. The absolute beginner. Welcome.2. Those who have learned something about the guitar, maybe some chords, maybe even have a good bit of playing experience, but lack knowledge of the way music is built. They have a grip on how to play some music, but don't understand why they're playing these things. Why chords use particular notes. Why some chords in a song are major or minor. Without this knowledge of the "whys", it's difficult, if not impossible, for them to develop as a player. For them, the guitar becomes a giant, frustrating exercise in memorization. It shouldn't be.In this book, you'll see that there really is very little music theory to be memorized. You did a lot more memorizing in your first year of math class than you will here. There are literally thousands of chord voicings available to a guitarist, yet they can be boiled down to a few simple ideas that anyone can grasp. You'll see the simple relationship between chords and scales and you'll learn how to play any chord, even one you've never seen before. No knowledge of sheet music is necessary here. While reading music is great and certainly encouraged, this book doesn't use it. The approach here is to understand how music is constructed and 'looks' on the neck of the guitar. While we won't get into any particular musical style or specific techniques, the information here is common to all Western music: Rock, Folk, Country, Pop, Classical, Jazz.
The New Music Theater
Author: Eric Salzman
Publisher: OUP USA
ISBN: 0195099362
Category : Literary Criticism
Languages : en
Pages : 417
Book Description
"The New Music Theater is the first comprehensive attempt in English to cover a still-emerging art form in its widest range. This book, written for the reader who comes from the contemporary worlds of music, theater, film, literature, and visual arts, provides a wealth of examples and descriptions, not only of the works themselves but of the concepts, ideas and trends that have gone into the evolution of what may be the most central performance art form of the post-modern world."--BOOK JACKET.
Publisher: OUP USA
ISBN: 0195099362
Category : Literary Criticism
Languages : en
Pages : 417
Book Description
"The New Music Theater is the first comprehensive attempt in English to cover a still-emerging art form in its widest range. This book, written for the reader who comes from the contemporary worlds of music, theater, film, literature, and visual arts, provides a wealth of examples and descriptions, not only of the works themselves but of the concepts, ideas and trends that have gone into the evolution of what may be the most central performance art form of the post-modern world."--BOOK JACKET.
The Cartoon Music Book
Author: Daniel Goldmark
Publisher: Chicago Review Press
ISBN: 1569764123
Category : Juvenile Nonfiction
Languages : en
Pages : 337
Book Description
The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and "The Simpsons"' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for "Rugrats," Alf Clausen about composing for "The Simpsons," Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about "Casper the Friendly Ghost," Richard Stone about his music for "Animaniacs," Joseph Lanza about "Ren and Stimpy," and much, much more.
Publisher: Chicago Review Press
ISBN: 1569764123
Category : Juvenile Nonfiction
Languages : en
Pages : 337
Book Description
The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and "The Simpsons"' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for "Rugrats," Alf Clausen about composing for "The Simpsons," Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about "Casper the Friendly Ghost," Richard Stone about his music for "Animaniacs," Joseph Lanza about "Ren and Stimpy," and much, much more.
I See a Song
Author: Eric Carle
Publisher:
ISBN: 9780590252133
Category : Imagination
Languages : en
Pages : 32
Book Description
When a violinist begins to play, the song is transformed into vivid shapes and colors.
Publisher:
ISBN: 9780590252133
Category : Imagination
Languages : en
Pages : 32
Book Description
When a violinist begins to play, the song is transformed into vivid shapes and colors.
Looking Back to See
Author: Maxine Brown
Publisher: University of Arkansas Press
ISBN: 1557289344
Category : Music
Languages : en
Pages : 424
Book Description
Revealing, entertaining window on the music of the ’50s and ’60s
Publisher: University of Arkansas Press
ISBN: 1557289344
Category : Music
Languages : en
Pages : 424
Book Description
Revealing, entertaining window on the music of the ’50s and ’60s
Blind But Now I See
Author: Kent Gustavson
Publisher: Blooming Twig Books
ISBN: 193391887X
Category : History
Languages : en
Pages : 264
Book Description
Publisher: Blooming Twig Books
ISBN: 193391887X
Category : History
Languages : en
Pages : 264
Book Description
Psychology of Music
Author: Siu-Lan Tan
Publisher: Routledge
ISBN: 1317299779
Category : Psychology
Languages : en
Pages : 369
Book Description
In Psychology of Music: From Sound to Significance (2nd edition), the authors consider music on a broad scale, from its beginning as an acoustical signal to its different manifestations across cultures. In their second edition, the authors apply the same richness of depth and scope that was a hallmark of the first edition of this text. In addition, having laid out the topography of the field in the original book, the second edition puts greater emphasis on linking academic learning to real-world contexts, and on including compelling topics that appeal to students’ natural curiosity. Chapters have been updated with approximately 500 new citations to reflect advances in the field. The organization of the book remains the same as the first edition, while chapters have been updated and often expanded with new topics. 'Part I: Foundations' explores the acoustics of sound, the auditory system, and responses to music in the brain. 'Part II: The Perception and Cognition of Music' focuses on how we process pitch, melody, meter, rhythm, and musical structure. 'Part III: Development, Learning, and Performance' describes how musical capacities and skills unfold, beginning before birth and extending to the advanced and expert musician. And finally, 'Part IV: The Meaning and Significance of Music' explores social, emotional, philosophical and cultural dimensions of music and meaning. This book will be invaluable to undergraduates and postgraduate students in psychology and music, and will appeal to anyone who is interested in the vital and expanding field of psychology of music.
Publisher: Routledge
ISBN: 1317299779
Category : Psychology
Languages : en
Pages : 369
Book Description
In Psychology of Music: From Sound to Significance (2nd edition), the authors consider music on a broad scale, from its beginning as an acoustical signal to its different manifestations across cultures. In their second edition, the authors apply the same richness of depth and scope that was a hallmark of the first edition of this text. In addition, having laid out the topography of the field in the original book, the second edition puts greater emphasis on linking academic learning to real-world contexts, and on including compelling topics that appeal to students’ natural curiosity. Chapters have been updated with approximately 500 new citations to reflect advances in the field. The organization of the book remains the same as the first edition, while chapters have been updated and often expanded with new topics. 'Part I: Foundations' explores the acoustics of sound, the auditory system, and responses to music in the brain. 'Part II: The Perception and Cognition of Music' focuses on how we process pitch, melody, meter, rhythm, and musical structure. 'Part III: Development, Learning, and Performance' describes how musical capacities and skills unfold, beginning before birth and extending to the advanced and expert musician. And finally, 'Part IV: The Meaning and Significance of Music' explores social, emotional, philosophical and cultural dimensions of music and meaning. This book will be invaluable to undergraduates and postgraduate students in psychology and music, and will appeal to anyone who is interested in the vital and expanding field of psychology of music.