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Author: Leader Scott
Publisher: Forgotten Books
ISBN: 9781528534000
Category : Art
Languages : en
Pages : 316
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Book Description
Excerpt from Sculpture, Renaissance and Modern IT is not an easy task to fulfil the title of this series of books, and to combine the Weight of history with the necessary slightness of a hand-book. It can only be done by a resolute compression of facts which is necessarily cramping to the author and probably dry for the reader. I have done my best to comply with the conditions and avoid the dangers: with how, little or how much success I fear to judge; for after all, my little. Work is more an outline than substantial history to the student it may prove useful as a. Classification of the different schools, and to the amateur as a gallery-companion in continental travel. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Leader Scott
Publisher: Forgotten Books
ISBN: 9781528534000
Category : Art
Languages : en
Pages : 316
Get Book Here
Book Description
Excerpt from Sculpture, Renaissance and Modern IT is not an easy task to fulfil the title of this series of books, and to combine the Weight of history with the necessary slightness of a hand-book. It can only be done by a resolute compression of facts which is necessarily cramping to the author and probably dry for the reader. I have done my best to comply with the conditions and avoid the dangers: with how, little or how much success I fear to judge; for after all, my little. Work is more an outline than substantial history to the student it may prove useful as a. Classification of the different schools, and to the amateur as a gallery-companion in continental travel. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Wm H. Goodyear
Publisher: Forgotten Books
ISBN: 9780484561334
Category : Art
Languages : en
Pages : 330
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Book Description
Excerpt from Renaissance and Modern Art Which keeps closest in touch with the point of view which recognizes Renaissance Italy as the main source of modern culture, while Ranke's histories, especially his History of the Popes and his History of England, are the best general reference for the sixteenth and seventeenth cen turies at large. Fiske's Discovery of America, and Campbell's Puritan in Holland, England, and America, are the books best calculated to bring our own American history into line with that of continental Europe. I have mentioned these various books from the conviction that the only true philosophy of modern history is that which moves from the Renaissance as its elementary basis, that the study Of Renaissance art is the best approach to Renaissance history, and that the best Supplementary reading is that of the historians whose point of view is the largest and most comprehensive. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Roberta J. M. Olson
Publisher: Thames & Hudson
ISBN: 9780500202531
Category : Art
Languages : en
Pages : 216
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Book Description
From the WORLD OF ART series, a survey of the artistic achievements of the Renaissance sculptors from Nicola Pisano through Brunelleschi and Donatello to Michelangelo and Cellini.
Author: Peter Murray
Publisher: Forgotten Books
ISBN: 9781334041778
Category : Art
Languages : en
Pages : 292
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Book Description
Excerpt from The Art of the Renaissance Lorenzo Valla in proclaiming the perfections of the Latin language: 'the glory of Latinity was allowed to decay in rust and mould. And many, indeed, and varied are the opinions of wise men on how'this happened. I neither accept nor reject any of these, daring only to declare soberly that those arts which are most closely related to the liberal arts, the arts of painting, sculpture, modelling, and archi tecture, had degenerated for so long and so greatly and had almost: died with letters themselves, and that in this age they have been) aroused and come to life again, so greatly increased is the number of good artists and men of letters who now ourish. Thus, the Renaissance was thought of both as a revival of good Latin literature and of the figurative arts. One reason for, the apparently overwhelm ing importance which the men of the age attached to good Latinity was, of course, the fact that it was the common tongue of all educated men - a tiny proportion of the population in any country; another, less obvious, reason was the fact that the new European states were coming into existence; some, like France and England, with central ized monarchies, and others, like most of the Italian states, indepen dent merchant communities. These states needed a professional administrative class, well grounded in Roman Law, which was still a living thing. They were inevitably exponents of the new, lay, _ learning, which, like the professional studies of the clergy, was based on Latin. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Author: L. J. Freeman
Publisher: Forgotten Books
ISBN: 9780364178003
Category : Art
Languages : en
Pages : 306
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Book Description
Excerpt from Italian Sculpture of the Renaissance Mental operations. For instance, the historian and the philosopher may value the data gained from ancient art exactly as they value the data gained from ancient writers, and may work both into their schemes of things on the same terms. The scientist may classify Greek marbles as dispassionately as he would beetles, and presumably Obtain in both instances the same intel lectual pleasure. The man who prefers to use his data of Observation imaginatively, be he dreamer or writer, may find in the work of art the same suggestions for his fancy that he finds in music, in natural Objects, in the spoken word. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Wilhelm Bode
Publisher: Forgotten Books
ISBN: 9780666344731
Category : Art
Languages : en
Pages : 354
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Book Description
Excerpt from Florentine Sculptors of the Renaissance The conditions of Florentine society were peculiarly conduciv to the revival of those germs of art that had lain dormant in th Etruscan soil for wellnigh two thousand years to blossom once more in tenfold glory. The free form of government an part and interest taken by every citizen in the artists every facility for unrestrained development, while predominance of certain wealthy families, especially the Me supplied the necessary practical aid. But it was not from capricious favour or the autocratic will of a tyrant, but from general and all-pervading sympathy with h art drew her chief encouragement and supp of emulation which alike inspired the citizens, the Guilds, ecclesiastical communities to build and decorate the public edifi plastic art in particular found scope for unlimited activity till fall of Florentine liberty. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Phyllis Pray Bober
Publisher: Harvey Miller Pub
ISBN: 9781905375608
Category : Art
Languages : en
Pages : 581
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Book Description
This handbook documents the antique works of art known to Renaissance artists up to 1527. More than 500 illustrations show Greek and Roman statues, mythological, and historical reliefs together with Renaissance drawings, engravings, bronzes, and paintings to demonstrate where these classical monuments were discovered.
Author: Elie Faure
Publisher: Forgotten Books
ISBN: 9780331600186
Category :
Languages : en
Pages : 0
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Book Description
Excerpt from History of Art, Vol. 3: Renaissance Art The invention of printing did not, as Victor Hugo said, kill the architecture of the ogive. At most it hastened its death Slightly. When Gutenberg invented the press, Masaccio and the van Eycks had for ten or fifteen years been pointing out to the painters their new path, and in France all the churches which were being built were SO strained in their effect that the architec tural elements were rushing to dissociation. Nicolas Froment, J ehan Foucquet, and Enguerrand Charonton were beginning to paint. The invention of printing was due to the same causes as was the decadence of the art that built the edifices in which the whole crowd had a Share. The decomposition of architectural unity cor responded with the work of analysis which was begin ning to divide the social body, and the liberation of the arts and sciences and the irresistible and sudden rise of sculpture, painting, music, literature, and printing announced the substitution of individual research for the great Spontaneous creation in which the newly aroused and magnificent energy of the peoples had for two or three hundred years been summarizing their needs. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Leader Scott
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 320
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Book Description
Author: Julius von Schlosser
Publisher: Getty Research Institute
ISBN: 160606679X
Category : Art
Languages : en
Pages : 246
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Book Description
For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of art and material culture, laying the foundation for museum studies and the history of collections. Schlosser was an Austrian professor, curator, museum director, and leading figure of the Vienna School of art history whose work has not achieved the prominence of his contemporaries until now. This eloquent and informed translation is preceded by Thomas DaCosta Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual formation in Vienna at the turn of the twentieth century, it contextualizes his work among that of his contemporaries, offering a wealth of insights along the way.
