Scripture and Song in Nineteenth-Century Britain PDF Download
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Author: James Grande
Publisher: Bloomsbury Publishing USA
ISBN: 1501376381
Category : Music
Languages : en
Pages : 247
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Book Description
This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.
Author: James Grande
Publisher: Bloomsbury Publishing USA
ISBN: 1501376381
Category : Music
Languages : en
Pages : 247
Get Book Here
Book Description
This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.
Author: James Grande
Publisher: Bloomsbury Publishing USA
ISBN: 150137639X
Category : Music
Languages : en
Pages : 247
Get Book Here
Book Description
This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.
Author: Martin Clarke
Publisher: Routledge
ISBN: 1317092260
Category : Music
Languages : en
Pages : 281
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Book Description
The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.
Author: Amanda M. Burritt
Publisher: Springer Nature
ISBN: 303041261X
Category : History
Languages : en
Pages : 246
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Book Description
This book demonstrates the complexity of nineteenth-century Britain’s engagement with Palestine and its surrounds through the conceptual framing of the region as the Holy Land. British engagement with the region of the Near East in the nineteenth century was multi-faceted, and part of its complexity was exemplified in the powerful relationship between developing and diverse Protestant theologies, visual culture and imperial identity. Britain’s Holy Land was visualised through pictorial representation which helped Christians to imagine the land in which familiar Bible stories took place. This book explores ways in which the geopolitical Holy Land was understood as embodying biblical land, biblical history and biblical typology. Through case studies of three British artists, David Roberts, David Wilkie and William Holman Hunt, this book provides a nuanced interpretation of some of the motivations, religious perspectives, attitudes and behaviours of British Protestants in their relationship with the Near East at the time.
Author: Edward J. Gillin
Publisher: Taylor & Francis
ISBN: 1003805175
Category : History
Languages : en
Pages : 430
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Book Description
Science and Sound in Nineteenth-Century Britain is a four-volume set of primary sources which seeks to define our historical understanding of the relationship between British scientific knowledge and sound between 1815 and 1900. In the context of rapid urbanization and industrialization, as well as a growing overseas empire, Britain was home to a rich scientific culture in which the ear was as valuable an organ as the eye for examining nature. Experiments on how sound behaved informed new understandings of how a diverse array of natural phenomena operated, notably those of heat, light, and electro-magnetism. In nineteenth-century Britain, sound was not just a phenomenon to be studied, but central to the practice of science itself and broader understandings over nature and the universe. This collection, accompanied by extensive editorial commentary, will be of great interest to students and scholars of the History of Science.
Author: David Music
Publisher: Bloomsbury Publishing USA
ISBN: 0313075298
Category : Religion
Languages : en
Pages : 222
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Book Description
The 20th century, especially the latter decades, was a time of explosive growth and importance in hymnody, and yet published material about the hymnody of this period has been scattered and difficult to come by. The present volume catalogues and categorizes the available writings to guide students and scholars in their research. Furthermore, this reference does not depend primarily on the view of the author/compiler, but guides users toward a broad spectrum of viewpoints about 20th-century hymnody. Listing the principal writings on the repertory, language, practice, and people of hymnody during the last century, this annotated bibliography offers students and researchers alike a handy reference for a vast and varied field. Beginning with a unique introduction to and summary of hymnody in the 20th century, Music arranges the entries by topic, dividing each chapter by helpful subject headings. The repertory of the twentieth century, and language issues are discussed. Practical elements of hymnody are covered, while the final chapter lists writings about individual hymn writers and other influential persons in the field. Music provides a brief annotation for each entry and uses numerous cross-references, guiding the reader to relevant material in other sections of the book. A comprehensive index concludes this essential reference.
Author: John Maiden
Publisher: Oxford University Press
ISBN: 0198847491
Category : Religion
Languages : en
Pages : 280
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Book Description
This expansive study offers an interpretation of the 'new Pentecost': the rise of charismatic Christianity, before, during, and after the 'long 1960s'. It examines the translocal actors, networks, and media which constructed a 'Spiritscape' of charismatic renewal in the Anglo-world contexts of Australia, the British Isles, Canada, New Zealand, South Africa, and the United States. It places this arena also in a wider and dynamic worldwide setting, exploring the ways in which charismatic imaginations of an 'age of the Spirit' were shaped by interpenetrations with the 'Third World', the Soviet Bloc, and beyond in the global Sixties and Seventies. Age of the Spirit explains charismatic developments within Protestantism and Catholicism, mainline and non-denominational churches, and within existing pentecostalisms, and places these in relation to lively scholarly themes such as secularisation, authenticity, and cosmopolitanism. It offers an unrivalled analysis of charismatic music, books, television, conferences, personalities, community living, and controversies in the 1960s and 1970s. It looks forward to the many global legacies of charismatic renewal, for example in relation to the politics of sexuality in the Anglican Communion, or to support for President Donald J. Trump. The essential question at the heart of this book is relevant for scholars and practitioners of Christianity alike: how did charismatic renewal transform the churches in the twentieth century, moving from the periphery to the mainstream?
Author: Randall Heskett
Publisher: Bloomsbury Publishing USA
ISBN: 0567092038
Category : Religion
Languages : en
Pages : 394
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Book Description
This work represents the attempts of several major scholars to respond to the historical problems presented throughout the biblical testimony and their description of what this means for reading scripture. Walter Brueggemann, for example, has written a wonderful article on various historical problems within the book of Genesis, beginning with Von Rad's and Noth's use of source criticism and his own understanding of how historically dissimilar texts can function within scripture. This book honors the work and life of Gerald Sheppard, who broke ground in biblical studies by describing what it means to read the Bible as Jewish and Christian Scripture. It distinguishes between the original historical dimensions of the text or mere redaction levels of tradition history and what Sheppard regarded as the "Scriptural Form" of the biblical testimony. It provides new and fresh ways for describing scripture as both a human testimony and also divine revelation. The Bible as a Human Witness to Divine Revelation provides examples of how major scholars have responded to the limits of the older-modern criticisms within the framework of still applying a variety of historical criticisms and paying attention to the later formation and context of the biblical book. It also helps readers understand how to hear "the word of God" through biblical text that are filled with historical dissimilarities or even contradictions. The book shows scholarly examples that respond to crises of both the pre-modern and modern eras as unfinished projects because pre-modernity tended to ignore the human dimensions of scripture and modernity tended to limit its inquiry only to that single dimension
Author: Leah Price
Publisher: Princeton University Press
ISBN: 0691159548
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
Author: Allan Conrad Christensen
Publisher: Routledge
ISBN: 1134237332
Category : Health & Fitness
Languages : en
Pages : 420
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Book Description
This intriguing book examines the ways contagion - or disease - inform and shape a wide variety of nineteenth century texts and contexts. Christiensen dissects the cultural assumptions concerning disease, health, impurity and so on before exploring different perspectives on key themes such as plague, nursing and the hospital environment and focusing on certain key texts including Dicken's Bleak House, Gaskell's Ruth, and Zola's Le Docteur Pascal.
