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Author: Dr. H.S. Chandalia
Publisher: K.K. Publications
ISBN:
Category : Art
Languages : en
Pages : 304
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Book Description
SCRIPT TO SCREEN The Progressive Vision of K.A. ABBAS Khwaja Ahmad Abbas is known as a journalist, film director, scriptwriter and novelist. A contemporary of Dr. Mulkraj Anand, he was also an ardent champion of the masses who chose such themes for his artistic creation that would further the formation of an egalitarian society. This book undertakes an in-depth study of his novels, films and journalistic writings to explore his progressive vision as reflected in these creations. The year 2013 is the centenary year of Indian Cinema while 2014 is the birth centenary year of Khwaja Ahmad Abbas. This book, therefore, attempts to foreground the contribution of K. A. Abbas who is an author of more than seventy books in English, a writer of the longest-running column of Indian journalism and a maker of such path-breaking films which may not have been box - office hits but were milestones of Indian cinema. The present book places Abbas in the perspective Vis-a-vis the realism canon and then attempts to disentangle the different strands that go to make up the whole, The inquiry is both factual and interpretive and it is hoped that it would do justice in directing our attention towards a great writer whom time has shrouded over.
Author: Dr. H.S. Chandalia
Publisher: K.K. Publications
ISBN:
Category : Art
Languages : en
Pages : 304
Get Book
Book Description
SCRIPT TO SCREEN The Progressive Vision of K.A. ABBAS Khwaja Ahmad Abbas is known as a journalist, film director, scriptwriter and novelist. A contemporary of Dr. Mulkraj Anand, he was also an ardent champion of the masses who chose such themes for his artistic creation that would further the formation of an egalitarian society. This book undertakes an in-depth study of his novels, films and journalistic writings to explore his progressive vision as reflected in these creations. The year 2013 is the centenary year of Indian Cinema while 2014 is the birth centenary year of Khwaja Ahmad Abbas. This book, therefore, attempts to foreground the contribution of K. A. Abbas who is an author of more than seventy books in English, a writer of the longest-running column of Indian journalism and a maker of such path-breaking films which may not have been box - office hits but were milestones of Indian cinema. The present book places Abbas in the perspective Vis-a-vis the realism canon and then attempts to disentangle the different strands that go to make up the whole, The inquiry is both factual and interpretive and it is hoped that it would do justice in directing our attention towards a great writer whom time has shrouded over.
Author: Omar Ahmed
Publisher: Liverpool University Press
ISBN: 0993238491
Category : Performing Arts
Languages : en
Pages : 370
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Book Description
This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!).
Author: Khwaja Ahmad Abbas
Publisher: Tulika Books
ISBN: 9789382381426
Category : Motion picture producers and directors
Languages : en
Pages : 211
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Book Description
Khwaja Ahmad Abbas distinguished himself by his ceaseless passion for revolutionary politics, which he expressed through his writings and films. He was a visionary who strongly believed that creative and artistic interventions are indispensable to nation-building. Bread Beauty Revolution, spanning the years 1914 to 1987, encapsulates Abbas's work, ideas, and ideals. It also provides an insight into the beginnings of modern India. The volume encapsulates 74 books, 40 films, 89 short stories and 3,000 pieces of journalistic writing byAbbas. His work flows in three languages - Urdu, Hindi, and English - and he translated his own writings freely from one language to another. The volume is in ten parts: (i) 'Abraham and Son', about Abbas's birth and upbringing; (ii) 'I Write as I Feel', which includes Abbas's first and best known short story 'Ababeel' (Sparrows), the story of Abbas's struggle after the publication of his short story 'Meri Maut' (also called 'Sardarji'), and Mulk Raj Anand's letter celebrating his literary genius; (iii) 'My First Love Affair', on his lifelong relationship with and unabashed admiration for Jawaharlal Nehru; (iv) 'Naya Sansar', the witnessing of the birth of an independent India; (v) 'Dharti ke Lal', recounting Abbas's love-hate relationship with the Left movement of which he was an outspoken advocate as well as fearless critic, his account of the birth of IPTA, writing the play Zubaidah and being invited to make the film Dharti ke Lal; (vi) 'Bambai Raat ki Bahon Mein', about another love that gripped his mind and soul, the Indian film industry; (vii) 'Reminiscences', containing personal accounts by people whose lives Abbas influenced, as well as a short story by him, 'Achchan ka Aashiq' (Achchan's Lover); (viii) 'Jagte Raho', an account of Abbas's fight against the censorship imposed on his film Char Shehar Ek Kahani (Four Cities, One Story), 1968, which led to the famous case, K.A. Abbas versus the Union of India, and the landmark judgment in his favour holding that pre-censorship of cinema was a violation of freedom of expression; (ix) 'Ek Aadmi', Abbas's 'beginning' as well as his 'end': his review of Shantaram's film Aadmi which brought him to the film world, and Ek Aadmi, his last film, which had a posthumous birth; andfinally, (x) 'Rahi', named after the eponymous movie Abbas made in 1953 about tea garden workers.
Author: Abbas Amanat
Publisher: Univ of California Press
ISBN: 9780520083219
Category : Biography & Autobiography
Languages : en
Pages : 572
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Book Description
"In this book, the first in English about Nasir al-Din Shah, Abbas Amanat gives us both a biography of the man and an analysis of the institution of monarchy in modern Iran. Amanat poses a fundamental question: how did monarchy, the center-piece of an ancient political order, withstand and adjust to the challenges of modern times, both at home and abroad? Nasir al-Din Shah's life and career, his upbringing and personality, and his political conduct provide remarkable material for answering this question.
Author: Asbjørn Grønstad
Publisher: Amsterdam University Press
ISBN: 908964010X
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.
Author: Jan Simons
Publisher: Amsterdam University Press
ISBN: 9053569790
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
Dogma 95, the avant-garde filmmaking movement founded by the Danish director Lars von Trier and three of his fellow directors, was launched in 1995 at an elite cinema conference in Paris—when von Trier was called upon to speak about the future of film but instead showered the audience with pamphlets announcing the new movement and its manifesto. A refreshingly original critical commentary on the director and his practice, Playing the Waves is a paramount addition to one of new media’s most provocative genres: games and gaming. Playing the Waves cleverly puns on the title of one of von Trier’s most famous features and argues that Dogma 95, like much of the director’s low-budget realist productions, is a game that takes cinema beyond the traditional confines of film aesthetics and dramatic rules. Simons articulates the ways in which von Trier redefines the practice of filmmaking as a rule-bound activity, and stipulates the forms and structures of games von Trier brings to bear on his films, as well as the sobering lessons he draws from economic and evolutionary game theory. Much like the director’s films, this fascinating volume takes the traditional point of view of film theory and film aesthetics to the next level and demonstrates we have much to learn from the perspective of game studies and game theory.
Author: Ashok Damodar Ranade
Publisher: Bibliophile South Asia
ISBN: 9788185002644
Category : Composers
Languages : en
Pages : 458
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Book Description
Author: Wheeler Winston Dixon
Publisher: Rutgers University Press
ISBN: 0813595169
Category : Art
Languages : en
Pages : 525
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Book Description
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Author: Diptakirti Chaudhuri
Publisher: Penguin UK
ISBN: 9352140087
Category : Performing Arts
Languages : en
Pages : 372
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Book Description
The dramatic, entertaining story of the dream team that pioneered the Bollywood blockbuster Salim Khan and Javed Akhtar reinvented the Bollywood formula with an extraordinary lineup of superhits, becoming game changers at a time when screenwriting was dismissed as a back-room job. From Zanjeer to Deewaar and Sholay to Shakti, their creative output changed the destinies of several actors and filmmakers and even made a cultural phenomenon of the Angry Young Man. Even after they decided to part ways, success continued to court them-a testament not only to their impeccable talent and professional ethos, but also their enterprising showmanship and business acumen. Fizzing with energy and brimming over with enough trivia to delight a cinephile's heart, Written by Salim-Javed tells the story of a dynamic partnership that transformed Hindi cinema forever.
Author: Ira Bhaskar
Publisher:
ISBN: 9788189487539
Category : Arts, Indic
Languages : en
Pages : 346
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Book Description
This book explores the Islamicate cultures that richly inform Bombay cinema. These cultures are imagined forms of the past and therefore a contested site of histories and identities. Yet they also form a culturally potent and aesthetically fertile reservoir of images and idioms through which Muslim communities are represented and represent themselves. Islamicate influences inform the language, poetry, music, ideas, and even the characteristic emotional responses elicited by Bombay cinema in general; however, the authors argue that it is in the three genre forms of The Muslim Historical. The Muslim Courtesan Film and The Muslim Social that these cultures are concentrated and distilled into precise iconographic, performative and narrative idioms. Furthermore, the authors argue that it is through these three genres, and their critical re-working by New Wave filmmakers, that social and historical significance is attributed to Muslim cultures for Muslims and non-Muslims alike. Ira Bhaskar is Associate Professor of Cinema Studies at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi. Richard Allen is Professor and Chair of Cinema Studies at the Tisch School of the Arts, New York University.
