Screenwriting Down to the Atoms: Digging Deeper Into the Craft of Cinematic Storytelling PDF Download
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Author: Michael Welles Schock
Publisher: Scriptmonk Industries
ISBN: 0988848783
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Many books on screenwriting claim to have all the answers. Yet, quite often, the more an aspiring writer reads, the more confused they become by contradictory statements, incomplete perspectives, and methods that fail to do more than scratch the surface. Screenwriting Down to the Atoms was written to end the confusion. It picks up where the best leave off and makes up where the rest fall short by looking closer and digging deeper to reveal the true principles behind great cinematic storytelling. Screenwriting Down to the Atoms takes the basics far beyond the basics. Rather than the superficial approaches found in many guides, Screenwriting Down to the Atoms explores screencraft from the inside-out. It boils the craft down to its simplest elements, and then builds upon those fundamentals in a step-by-step manner clear enough for anyone to understand. Most importantly, rather than command writers to imitate WHAT tends to work in this or that movie, Atoms explains HOW movie structures work and WHY they are so effective, revealing flexible principles that may be applied to any story. Structure should adapt to the needs of the story, not the other way around. Whether you are working on your first screenplay or your fifteenth, Screenwriting Down to the Atoms provides knowledge found in no other source. You will discover storytelling’s “golden key,” an elegantly-simple structure residing behind all other structures. You will learn to satisfy viewers by fulfilling their wants, needs, and expectations. You will understand how the most entertaining story experience arises from the creative control of information. Most writers toil for years to learn these principles. With Atoms, you may take a giant leap forward from the very start. Why remain stuck in the dusty, short-sighted methods of the past century? Screenwriting Down to the Atoms offers the next-generation screenwriting guide for the next generation of screenwriters.
Author: Michael Welles Schock
Publisher: Scriptmonk Industries
ISBN: 0988848783
Category : Performing Arts
Languages : en
Pages : 300
Get Book Here
Book Description
Many books on screenwriting claim to have all the answers. Yet, quite often, the more an aspiring writer reads, the more confused they become by contradictory statements, incomplete perspectives, and methods that fail to do more than scratch the surface. Screenwriting Down to the Atoms was written to end the confusion. It picks up where the best leave off and makes up where the rest fall short by looking closer and digging deeper to reveal the true principles behind great cinematic storytelling. Screenwriting Down to the Atoms takes the basics far beyond the basics. Rather than the superficial approaches found in many guides, Screenwriting Down to the Atoms explores screencraft from the inside-out. It boils the craft down to its simplest elements, and then builds upon those fundamentals in a step-by-step manner clear enough for anyone to understand. Most importantly, rather than command writers to imitate WHAT tends to work in this or that movie, Atoms explains HOW movie structures work and WHY they are so effective, revealing flexible principles that may be applied to any story. Structure should adapt to the needs of the story, not the other way around. Whether you are working on your first screenplay or your fifteenth, Screenwriting Down to the Atoms provides knowledge found in no other source. You will discover storytelling’s “golden key,” an elegantly-simple structure residing behind all other structures. You will learn to satisfy viewers by fulfilling their wants, needs, and expectations. You will understand how the most entertaining story experience arises from the creative control of information. Most writers toil for years to learn these principles. With Atoms, you may take a giant leap forward from the very start. Why remain stuck in the dusty, short-sighted methods of the past century? Screenwriting Down to the Atoms offers the next-generation screenwriting guide for the next generation of screenwriters.
Author: Michael Welles Schock
Publisher:
ISBN: 9780988848702
Category : Motion picture authorship
Languages : en
Pages : 268
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Book Description
There are many books on screenwriting that claim to have all the answers. Unfortunately, quite often the more aspiring writers read, the more confused they become as they encounter contradictory statements, incomplete perspectives, and methods that fail to do more than scratch the surface. "Screenwriting Down to the Atoms" was written to end all the confusion. It picks up where the best leave off and makes up for where the rest fall short by looking closer and digging deeper to reveal the "true" principles beneath great cinematic stories. No confusion. No contradictions. "Atoms" provides a light in the dark to give a full, simple, and truly effective understanding of the craft. "Screenwriting Down to the Atoms" takes the basics "far beyond" the basics. It begins by putting the entire field under the microscope to challenge, and often refute, ideas writers have been taught to assume for decades. It then builds a simple, systematic approach clear enough for any writer to understand and put directly into use. Readers will discover storytelling's "golden key" - an elegantly-simple structure that forms the basis of all other structures. They will learn how to satisfy viewers by meeting the responsibilities of the "storyteller-audience relationship." They will understand how to creatively control story information to give a narrative the greatest dramatic impact. Most writers toil for years to learn these principles. With "Atoms, " you can have this knowledge from the very start. Whether you are working on your fifteenth screenplay or your first, "Screenwriting Down to the Atoms" gives indispensable knowledge found in no other source. "Atoms" is screencraft for the 21st century. The next generation of guides for the next generation of writers.
Author: Michael Welles Schock
Publisher:
ISBN: 9780988848733
Category :
Languages : en
Pages : 186
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Book Description
Screenwriting and The Unified Theory of Narrative, Part I provides an advanced investigation of narrative structure for readers who wish to understand cinematic storytelling not in terms of its bits and pieces, but as a comprehensive whole. A great story is not a collection of parts, but a process by which many elements interact to create a single meaningful experience. By seeking the principles of these interactions, this book unites the formerly separate structures of plot, character, and theme to reveal for the first time the single overarching structure by which every successful traditionally-told Hollywood or American Independent film abides, regardless of genre, premise, style, or tone. The unified narrative structure is not a formula. It simply reveals the natural method by which great cinematic stories always have and always will unite their many elements into a cohesive line of action that communicates as well as entertains. Whether it be celebratory story like Star Wars, a cautionary tale like Raging Bull, a tragic narrative like Chinatown, or a cynical film like The Godfather, the interactions between plot, character, and theme remain exactly the same. With its approach, The Unified Narrative Structure comes as close as currently possible to a truly universal model of cinematic storytelling; one that takes into account all three dimensions of narrative and stands applicable to virtually any traditional feature-length film.
Author: Julian Jaynes
Publisher: Houghton Mifflin Harcourt
ISBN: 0547527543
Category : Psychology
Languages : en
Pages : 580
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Book Description
National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry
Author: Paul Joseph Gulino
Publisher: Bloomsbury Publishing USA
ISBN: 1501327216
Category : Performing Arts
Languages : en
Pages : 199
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Book Description
In a world awash in screenwriting books, The Science of Screenwriting provides an alternative approach that will help the aspiring screenwriter navigate this mass of often contradictory advice: exploring the science behind storytelling strategies. Paul Gulino, author of the best-selling Screenwriting: The Sequence Approach, and Connie Shears, a noted cognitive psychologist, build, chapter-by-chapter, an understanding of the human perceptual/cognitive processes, from the functions of our eyes and ears bringing real world information into our brains, to the intricate networks within our brains connecting our decisions and emotions. They draw on a variety of examples from film and television -- The Social Network, Silver Linings Playbook and Breaking Bad -- to show how the human perceptual process is reflected in the storytelling strategies of these filmmakers. They conclude with a detailed analysis of one of the most successful and influential films of all time, Star Wars, to discover just how it had the effect that it had.
Author: Bill Idelson
Publisher: Needed Books
ISBN: 9781593931001
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
olled in Bill Idelson's writing class and are now seated in Bill and Seemah's kitchen with other students at a pine table that once belonged to Humphrey Bogart and was bought at his estate auction in Beverly Hills. You took the class because Bill's students are reputed to get jobs in television and movies more consistently than those who have come from other classes in the country. Bill is now ready to begin the first session, and you will experience his course from beginning to end, and the rest is up to you. Learn how to write for television from someone who really did it. Bill has written for Get Smart, The Flintstones, MASH, Happy Days, The Bob Newhart Show, The Andy Griffith Show, and many more. Two sample scripts from The Andy Griffith Show and Get Smart round out your lessons! 184 pages. Illustrated. 2007. Paperback. Appendices include two sample television scripts. KEYWORDS Bill Idelson, writing for television radio and new media, writing for television series serials & soaps writing for television news, writing for television radio and new media, writing for television series serials & soaps, television writing, screenwriting, script writing, comedy writing, television, television history, television comedy, television comedy writing, Get Smart, Don Adams, The Flintstones, MASH, Alan Alda, Happy Days, The Bob Newhart Show, The Andy Griffith Show,
Author: Linda J. Cowgill
Publisher: Lone Eagle
ISBN: 1580650635
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
Writing Short Films is one of the bestselling university text books on writing short film screenplays. This updated and revised edition includes several new chapters.
Author: Robert Saunders Dowst
Publisher: Lulu.com
ISBN: 132917674X
Category : Art
Languages : en
Pages : 181
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Book Description
Many books have been written on fiction technique, and the chief excuse for the present addition to the number is the complexity of the subject. Its range is so wide, it calls for so many and so different capacities in one attempting to discuss it, that a new work has more than a chance to meet at least two or three deficiencies in all other treatments. I believe that the chief deficiency in most works on fiction technique is that the author unconsciously has slipped from the viewpoint of a writer of a story to that of a reader. Now a reader without intention to try his own hand at the game is not playing fair in studying technique, and a book on technique has no business to entertain him. Accordingly, I have striven to keep to the viewpoint of one who seeks to learn how to write stories, and have made no attempt to analyze the work of masters of fiction for the sake of the analysis alone... Get Your Copy Today!
Author: John Robert Marlow
Publisher: Macmillan
ISBN: 9780765301291
Category : Fiction
Languages : en
Pages : 396
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Book Description
"As this fast-paced nanothriller unfolds, readers are taken on a tour de force of nanotechnology's promises and perils - until the fate of the earth itself hangs in the balance."--BOOK JACKET.
Author: William Diehl
Publisher:
ISBN: 9780615608068
Category : Detective and mystery stories
Languages : en
Pages : 294
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Book Description
In this last novel of Diehl, finished by a writing partner after the novelist's death in 2006, Nez Perce Indian and New York detective Micah Cody investigates a serial killer.
