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Author: Michael Welles Schock
Publisher:
ISBN: 9780988848702
Category : Motion picture authorship
Languages : en
Pages : 268
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Book Description
There are many books on screenwriting that claim to have all the answers. Unfortunately, quite often the more aspiring writers read, the more confused they become as they encounter contradictory statements, incomplete perspectives, and methods that fail to do more than scratch the surface. "Screenwriting Down to the Atoms" was written to end all the confusion. It picks up where the best leave off and makes up for where the rest fall short by looking closer and digging deeper to reveal the "true" principles beneath great cinematic stories. No confusion. No contradictions. "Atoms" provides a light in the dark to give a full, simple, and truly effective understanding of the craft. "Screenwriting Down to the Atoms" takes the basics "far beyond" the basics. It begins by putting the entire field under the microscope to challenge, and often refute, ideas writers have been taught to assume for decades. It then builds a simple, systematic approach clear enough for any writer to understand and put directly into use. Readers will discover storytelling's "golden key" - an elegantly-simple structure that forms the basis of all other structures. They will learn how to satisfy viewers by meeting the responsibilities of the "storyteller-audience relationship." They will understand how to creatively control story information to give a narrative the greatest dramatic impact. Most writers toil for years to learn these principles. With "Atoms, " you can have this knowledge from the very start. Whether you are working on your fifteenth screenplay or your first, "Screenwriting Down to the Atoms" gives indispensable knowledge found in no other source. "Atoms" is screencraft for the 21st century. The next generation of guides for the next generation of writers.
Author: Michael Welles Schock
Publisher:
ISBN: 9780988848702
Category : Motion picture authorship
Languages : en
Pages : 268
Get Book Here
Book Description
There are many books on screenwriting that claim to have all the answers. Unfortunately, quite often the more aspiring writers read, the more confused they become as they encounter contradictory statements, incomplete perspectives, and methods that fail to do more than scratch the surface. "Screenwriting Down to the Atoms" was written to end all the confusion. It picks up where the best leave off and makes up for where the rest fall short by looking closer and digging deeper to reveal the "true" principles beneath great cinematic stories. No confusion. No contradictions. "Atoms" provides a light in the dark to give a full, simple, and truly effective understanding of the craft. "Screenwriting Down to the Atoms" takes the basics "far beyond" the basics. It begins by putting the entire field under the microscope to challenge, and often refute, ideas writers have been taught to assume for decades. It then builds a simple, systematic approach clear enough for any writer to understand and put directly into use. Readers will discover storytelling's "golden key" - an elegantly-simple structure that forms the basis of all other structures. They will learn how to satisfy viewers by meeting the responsibilities of the "storyteller-audience relationship." They will understand how to creatively control story information to give a narrative the greatest dramatic impact. Most writers toil for years to learn these principles. With "Atoms, " you can have this knowledge from the very start. Whether you are working on your fifteenth screenplay or your first, "Screenwriting Down to the Atoms" gives indispensable knowledge found in no other source. "Atoms" is screencraft for the 21st century. The next generation of guides for the next generation of writers.
Author: Michael Welles Schock
Publisher:
ISBN: 9780988848733
Category :
Languages : en
Pages : 186
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Book Description
Screenwriting and The Unified Theory of Narrative, Part I provides an advanced investigation of narrative structure for readers who wish to understand cinematic storytelling not in terms of its bits and pieces, but as a comprehensive whole. A great story is not a collection of parts, but a process by which many elements interact to create a single meaningful experience. By seeking the principles of these interactions, this book unites the formerly separate structures of plot, character, and theme to reveal for the first time the single overarching structure by which every successful traditionally-told Hollywood or American Independent film abides, regardless of genre, premise, style, or tone. The unified narrative structure is not a formula. It simply reveals the natural method by which great cinematic stories always have and always will unite their many elements into a cohesive line of action that communicates as well as entertains. Whether it be celebratory story like Star Wars, a cautionary tale like Raging Bull, a tragic narrative like Chinatown, or a cynical film like The Godfather, the interactions between plot, character, and theme remain exactly the same. With its approach, The Unified Narrative Structure comes as close as currently possible to a truly universal model of cinematic storytelling; one that takes into account all three dimensions of narrative and stands applicable to virtually any traditional feature-length film.
Author: Julian Jaynes
Publisher: Houghton Mifflin Harcourt
ISBN: 0547527543
Category : Psychology
Languages : en
Pages : 580
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Book Description
National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry
Author: Robert Saunders Dowst
Publisher: Lulu.com
ISBN: 132917674X
Category : Art
Languages : en
Pages : 181
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Book Description
Many books have been written on fiction technique, and the chief excuse for the present addition to the number is the complexity of the subject. Its range is so wide, it calls for so many and so different capacities in one attempting to discuss it, that a new work has more than a chance to meet at least two or three deficiencies in all other treatments. I believe that the chief deficiency in most works on fiction technique is that the author unconsciously has slipped from the viewpoint of a writer of a story to that of a reader. Now a reader without intention to try his own hand at the game is not playing fair in studying technique, and a book on technique has no business to entertain him. Accordingly, I have striven to keep to the viewpoint of one who seeks to learn how to write stories, and have made no attempt to analyze the work of masters of fiction for the sake of the analysis alone... Get Your Copy Today!
Author: Paul Joseph Gulino
Publisher: Bloomsbury Publishing USA
ISBN: 1501327216
Category : Performing Arts
Languages : en
Pages : 199
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Book Description
In a world awash in screenwriting books, The Science of Screenwriting provides an alternative approach that will help the aspiring screenwriter navigate this mass of often contradictory advice: exploring the science behind storytelling strategies. Paul Gulino, author of the best-selling Screenwriting: The Sequence Approach, and Connie Shears, a noted cognitive psychologist, build, chapter-by-chapter, an understanding of the human perceptual/cognitive processes, from the functions of our eyes and ears bringing real world information into our brains, to the intricate networks within our brains connecting our decisions and emotions. They draw on a variety of examples from film and television -- The Social Network, Silver Linings Playbook and Breaking Bad -- to show how the human perceptual process is reflected in the storytelling strategies of these filmmakers. They conclude with a detailed analysis of one of the most successful and influential films of all time, Star Wars, to discover just how it had the effect that it had.
Author: Bill Idelson
Publisher: Needed Books
ISBN: 9781593931001
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
olled in Bill Idelson's writing class and are now seated in Bill and Seemah's kitchen with other students at a pine table that once belonged to Humphrey Bogart and was bought at his estate auction in Beverly Hills. You took the class because Bill's students are reputed to get jobs in television and movies more consistently than those who have come from other classes in the country. Bill is now ready to begin the first session, and you will experience his course from beginning to end, and the rest is up to you. Learn how to write for television from someone who really did it. Bill has written for Get Smart, The Flintstones, MASH, Happy Days, The Bob Newhart Show, The Andy Griffith Show, and many more. Two sample scripts from The Andy Griffith Show and Get Smart round out your lessons! 184 pages. Illustrated. 2007. Paperback. Appendices include two sample television scripts. KEYWORDS Bill Idelson, writing for television radio and new media, writing for television series serials & soaps writing for television news, writing for television radio and new media, writing for television series serials & soaps, television writing, screenwriting, script writing, comedy writing, television, television history, television comedy, television comedy writing, Get Smart, Don Adams, The Flintstones, MASH, Alan Alda, Happy Days, The Bob Newhart Show, The Andy Griffith Show,
Author: John Robert Marlow
Publisher: Macmillan
ISBN: 9780765301291
Category : Fiction
Languages : en
Pages : 396
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Book Description
"As this fast-paced nanothriller unfolds, readers are taken on a tour de force of nanotechnology's promises and perils - until the fate of the earth itself hangs in the balance."--BOOK JACKET.
Author: Christopher Vogler
Publisher:
ISBN: 9780330375917
Category : Archetype (Psychology) in literature
Languages : en
Pages : 326
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Book Description
The Writer's Journey is an insider's guide to how master storytellers from Hitchcock to Spielberg have used mythic structure to create powerful stories. This new edition includes analyses of latest releases such as The Full Monty.
Author: Nate Fleming
Publisher: Lulu.com
ISBN: 0615984894
Category : Fiction
Languages : en
Pages : 226
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Book Description
You know about Noah, but what about the animals? Thimblerig is a little groundhog with big problems. He's a loner con-artist who's losing his mojo; the wild dogs who run the forest harass him at every turn; he's started having vivid nightmares of apocalyptic floods; and worst of all - he believes he sees unicorns when everyone knows unicorns are only the stuff of legend. But what one animal calls problems, Thimblerig calls opportunity. His problems inspire him to come up with the ultimate con: convincing a group of gullible animals that a world-ending flood is coming, that the fabled unicorns have told him where the only safe place will be, and that only he can lead them to safety. And all for a reasonable price, of course. But when the flood really does come, Thimblerig has a choice to make: either he really does save the ones who have trusted him, or he loses everything. And he discovers that his problems have only just begun.
Author: William Diehl
Publisher:
ISBN: 9780615608068
Category : Detective and mystery stories
Languages : en
Pages : 294
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Book Description
In this last novel of Diehl, finished by a writing partner after the novelist's death in 2006, Nez Perce Indian and New York detective Micah Cody investigates a serial killer.
