The Complete Idiot's Guide to Classical Mythology PDF Download
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Author: Kevin Osborn
Publisher: Penguin
ISBN: 9780028623856
Category : Social Science
Languages : en
Pages : 428
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Book Description
An introduction to Greek and Roman mythology provides explanations of all the gods and their roles, origins of the myths and theories on who wrote them, and the function of myths in society
Author: Kevin Osborn
Publisher: Penguin
ISBN: 9780028623856
Category : Social Science
Languages : en
Pages : 428
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Book Description
An introduction to Greek and Roman mythology provides explanations of all the gods and their roles, origins of the myths and theories on who wrote them, and the function of myths in society
Author: Kate McMullan
Publisher: Capstone
ISBN: 1434230341
Category : Juvenile Fiction
Languages : en
Pages : 98
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Book Description
Hades, King of the Underworld, sets the record straight on the myth of Theseus and the Minotaur.
Author: Phillip Simpson
Publisher: Month9Books, LLC
ISBN: 1942664346
Category : Juvenile Fiction
Languages : en
Pages : 279
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Book Description
Reimagining the Greek myth of the notorious half man, half beast, this book tells the tale of Asterion the Minotaur, recorded by the famous Roman poet, Ovid. "Where shall I start?" asked the Minotaur. Ovid made an expansive gesture with both hands, "Where else but the beginning of course." The Minotaur nodded his huge head, his eyes already glazing over with the weight of a thousand year old memories. So begins the story of Asterion as describes his boyhood in Crete under the cruel hand of his stepfather Minos, his adventures with his friend, Theseus, his growing love for the beautiful Phaedra, and what really happened in the labyrinth.
Author: Theocharis George Paterakis
Publisher: Theocharis George Paterakis
ISBN:
Category : Performing Arts
Languages : en
Pages : 106
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Book Description
In ancient times, Atlantis, ruled by King Atlas, challenged the Olympian gods. In response, a union of cities formed the Sacred Alliance, led by the renowned King Theseus of Athens. Join the epic saga of gods, kings, and heroes in this mythical trilogy.
Author: William George Clark
Publisher:
ISBN:
Category : Classical philology
Languages : en
Pages : 326
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Book Description
Author: James George Frazer
Publisher: Cambridge University Press
ISBN: 1108047246
Category : History
Languages : en
Pages : 627
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Book Description
Sir James Frazer's 1898 six-volume translation of and commentary on Pausanias, the second-century CE traveller and antiquarian.
Author: Plutarch
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 612
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Book Description
Author: Plutarch
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 620
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Book Description
A series of biographies of famous Greek and Roman men, arranged in tandem to illuminate their common moral virtues or failings.
Author: Bernard Evslin
Publisher: Open Road Media
ISBN: 1504049985
Category : Young Adult Fiction
Languages : en
Pages : 1470
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Book Description
Gods, heroes, and monsters made accessible by “one of the most widely published authors of classical mythology in the world” (The New York Times). With over ten million copies of his books sold worldwide, Bernard Evslin’s modern takes on Greek myths have captured the imaginations of countless readers. Collected here in one volume are nine books of timeless action and adventure surrounding such legendary figures as Zeus and the Olympians; heroes such as Perseus, who slew the hideous Medusa; the epic struggles of the Trojan War; and much, much more . . . This ebook includes Gods, Demigods and Demons; Hercules; Heroes, Gods and Monsters of the Greek Myths; Jason and the Argonauts; Monsters of Greek Mythology Volume One; Monsters of Greek Mythology Volume Two; The Adventures of Ulysses; The Dolphin Rider; and The Trojan War.
Author: Andrew Lang
Publisher: Library of Alexandria
ISBN: 1465527419
Category : Fiction
Languages : en
Pages : 18996
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Book Description
When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis—“I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. “The deeds of men” were chanted by heroes, as by Achilles; stories were told in alternate verse and prose; girls, like Homer’s Nausicaa, accompanied dance and ball play, priests and medicine-men accompanied rites and magical ceremonies by songs. These practices are world-wide, and world-old. The thoroughly popular songs, thus evolved, became the rude material of a professional class of minstrels, when these arose, as in the heroic age of Greece. A minstrel might be attached to a Court, or a noble; or he might go wandering with song and harp among the people. In either case, this class of men developed more regular and ample measures. They evolved the hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Léon Gautier’s Introduction to his Epopées Françaises) sang in Court and Camp. The poorer, less regular brethren of the art, harped and played conjuring tricks, in farm and grange, or at street corners. The foreign newer metres took the place of the old alliterative English verse. But unprofessional men and women did not cease to make and sing.
