Science, Form, and the Problem of Induction in British Romanticism PDF Download
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Author: Dahlia Porter
Publisher: Cambridge Studies in Romantici
ISBN: 1108418945
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
Traces the practice of induction - manipulating textual evidence by selective quotation - and its uses by Romantic-period writers.
Author: Dahlia Porter
Publisher: Cambridge Studies in Romantici
ISBN: 1108418945
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
Traces the practice of induction - manipulating textual evidence by selective quotation - and its uses by Romantic-period writers.
Author: Stephanie O'Rourke
Publisher: Cambridge University Press
ISBN: 1009019155
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Can we really trust the things our bodies tell us about the world? This work reveals how deeply intertwined cultural practices of art and science questioned the authority of the human body in the late eighteenth and early nineteenth centuries. Focusing on Henry Fuseli, Anne-Louis Girodet and Philippe de Loutherbourg, it argues that romantic artworks participated in a widespread crisis concerning the body as a source of reliable scientific knowledge. Rarely discussed sources and new archival material illuminate how artists drew upon contemporary sciences and inverted them, undermining their founding empiricist principles. The result is an alternative history of romantic visual culture that is deeply embroiled in controversies around electricity, mesmerism, physiognomy and other popular sciences. This volume reorients conventional accounts of romanticism and some of its most important artworks, while also putting forward a new model for the kinds of questions that we can ask about them.
Author: Richard C. Sha
Publisher: Johns Hopkins University Press
ISBN: 1421439832
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
How did the idea of the imagination impact Romantic literature and science? 2018 Winner, Jean-Pierre Barricelli Book Prize, The International Conference on Romanticism Richard C. Sha argues that scientific understandings of the imagination indelibly shaped literary Romanticism. Challenging the idea that the imagination found a home only on the side of the literary, as a mental vehicle for transcending the worldly materials of the sciences, Sha shows how imagination helped to operationalize both scientific and literary discovery. Essentially, the imagination forced writers to consider the difference between what was possible and impossible while thinking about how that difference could be known. Sha examines how the imagination functioned within physics and chemistry in Percy Bysshe Shelley's Prometheus Unbound, neurology in Blake's Vala, or The Four Zoas, physiology in Coleridge's Biographia Literaria, and obstetrics and embryology in Mary Shelley's Frankenstein. He also demonstrates how the imagination was called upon to do aesthetic and scientific work using primary examples taken from the work of scientists and philosophers Davy, Dalton, Faraday, Priestley, Kant, Mary Somerville, Oersted, Marcet, Smellie, Swedenborg, Blumenbach, Buffon, Erasmus Darwin, and Von Baer, among others. Sha concludes that both fields benefited from thinking about how imagination could cooperate with reason—but that this partnership was impossible unless imagination's penchant for fantasy could be contained.
Author: Essaka Joshua
Publisher: Cambridge University Press
ISBN: 1108872034
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
The modern concept of disability did not exist in the Romantic period. This study addresses the anachronistic use of 'disability' in scholarship of the Romantic era, providing a disability studies theorized account that explores the relationship between ideas of function and aesthetics. Unpacking the politics of ability, the book reveals the centrality of capacity and weakness concepts to the egalitarian politics of the 1790s, and the importance of desert theory to debates about sentiment and the charitable relief of impaired soldiers. Clarifying the aesthetics of deformity as distinct from discussions of ability, Joshua uncovers a controversy over the use of deformity in picturesque aesthetics, offers accounts of deformity that anticipate recent disability studies theory, and discusses deformity and monstrosity as a blended category in Frankenstein. Setting aside the modern concept of disability, Joshua cogently argues for the historical and critical value of period-specific terms.
Author: James Watt
Publisher: Cambridge University Press
ISBN: 1108472664
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Illuminates Britons' changing sense of themselves in relation to their Eastern others during an age of empire and revolution.
Author: Rebeca Araya Acosta
Publisher: Springer Nature
ISBN: 3031638360
Category :
Languages : en
Pages : 319
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Book Description
Author: Jamison Kantor
Publisher: Cambridge University Press
ISBN: 1009123017
Category : History
Languages : en
Pages : 211
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Book Description
This rich cultural history shows how honor, as much as freedom, inspired poets, novelists, and abolitionists of the nineteenth century.
Author: Olivia Ferguson
Publisher: Cambridge University Press
ISBN: 1009274260
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
A counter-intuitive history of literary caricature, exploring how caricature helped make the realist novel in the Romantic period.
Author: Jonathan Mulrooney
Publisher: Cambridge University Press
ISBN: 1316877396
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Bringing together studies in theater history, print culture, and literature, this book offers a new consideration of Romantic-period writing in Britain. Recovering a wide range of theatrical criticism from newspapers and periodicals, some of it overlooked since its original publication in Regency London, Jonathan Mulrooney explores new contexts for the work of the actor Edmund Kean, essayist William Hazlitt, and poet John Keats. Kean's ongoing presence as a figure in the theatrical news presented readers with a provocative re-imagining of personal subjectivity and a reworking of the British theatrical tradition. Hazlitt and Keats, in turn, imagined the essayist and the poet along similar theatrical lines, reframing Romantic prose and poetics. Taken together, these case studies illustrate not only theater's significance to early nineteenth-century Londoners, but also the importance of theater's textual legacies for our own re-assessment of 'Romanticism' as a historical and cultural phenomenon.
Author: Neil Ramsey
Publisher: Cambridge University Press
ISBN: 1009100440
Category : History
Languages : en
Pages : 303
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Book Description
This book illuminates the genesis and development of modern war writing in relation to Romanticism, biopolitics and disciplinary theory.
