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Author:
Publisher:
ISBN:
Category : Science fiction, English
Languages : en
Pages : 536
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Book Description
A collection of science fictions stories published by H.G. Wells and his contemporaries.
Author:
Publisher:
ISBN:
Category : Science fiction, English
Languages : en
Pages : 536
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Book Description
A collection of science fictions stories published by H.G. Wells and his contemporaries.
Author: Herbert George Wells
Publisher:
ISBN:
Category : Imaginary wars and battles
Languages : en
Pages : 422
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Book Description
Author: Everett Franklin Bleiler
Publisher: Kent State University Press
ISBN: 9780873386043
Category : Fiction
Languages : en
Pages : 780
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Book Description
Complementing Science-Fiction: The Early Years, which surveys science-fiction published in book form from its beginnings through 1930, the present volume covers all the science-fiction printed in the genre magazines--Amazing, Astounding, and Wonder, along with offshoots and minor magazines--from 1926 through 1936. This is the first time this historically important literary phenomenon, which stands behind the enormous modern development of science-fiction, has been studied thoroughly and accurately. The heart of the book is a series of descriptions of all 1,835 stories published during this period, plus bibliographic information. Supplementing this are many useful features: detailed histories of each of the magazines, an issue by issue roster of contents, a technical analysis of the art work, brief authors' biographies, poetry and letter indexes, a theme and motif index of approximately 30,0000 entries, and general indexes. Science-Fiction: The Gernsback Years is not only indispensable for reference librarians, collectors, readers, and scholars interested in science-fiction, it is also of importance to the study of popular culture during the Great Depression in the United States. Most of its data, which are largely based on rare and almost unobtainable sources, are not available elsewhere.
Author: Herbert George Wells
Publisher:
ISBN:
Category : Comets
Languages : en
Pages : 396
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Book Description
Author: Everett Franklin Bleiler
Publisher: Kent State University Press
ISBN: 9780873384162
Category : Literary Criticism
Languages : en
Pages : 1032
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Book Description
In this volume the author describes more than 3000 short stories, novels, and plays with science fiction elements, from earliest times to 1930. He includes imaginary voyages, utopias, Victorian boys' books, dime novels, pulp magazine stories, British scientific romances and mainstream work with science fiction elements. Many of these publications are extremely rare, surviving in only a handful of copies, and most of them have never been described before.
Author: Sam Moskowitz
Publisher:
ISBN:
Category : Science fiction, American
Languages : en
Pages : 372
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Book Description
Author: H.G. Wells
Publisher: Pearson Education
ISBN: 1292311819
Category : Juvenile Fiction
Languages : en
Pages : 68
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Book Description
Pearson English Active Readers present stories carefully written and graded across five levels for teachers of English who want to activate their students’ language through reading, . From original stories, classic and contemporary fiction, to film adaptations and nonfiction titles, an integrated skills approach consolidates vocabulary and develops language skills while learners experience the joy of reading. Find out more at english.com/readers
Author: Milton T. Wolf
Publisher: Penn State Press
ISBN: 9780271016818
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Shaw's speculations about human destiny align him with many other writers of the time, and later, who forged a new genre of literature that ultimately took the name in 1928 of "science fiction." Ray Bradbury affirms Greg Bear's statement about the little-known, but significant, relationship that Bernard Shaw has with science fiction. Bradbury, who frequently emphasizes Shaw's influence on his own work, asks, "Isn't it obvious at last: Those that do not live in the future will be trapped and die in the past?" Susan Stone-Blackburn, comparing Shaw's Back to Methuselah with Olaf Stapledon's Last and First Men, discusses why science-fiction scholars have been reluctant to acknowledge Shaw's role in the genre. Tom Shippey examines aspects of Shaw's theory of Creative Evolution to show why many have dismissed Shaw's science fiction as insufficiently scientific. Surveying the science-fiction milieu, Ben P. Indick shows that while Shaw was not interested in writing science fiction per se, he knew the genre and how to use it. Jeffrey M. Wallmann chronicles the science-fiction techniques that Shaw foreshadowed. Rodelle Weintraub analyzes dream-related elements of the fantastic that Shaw frequently employed in his drama. John Barnes focuses on Shaw's "radical superman," a stock-in-trade of science fiction. Like H. G. Wells, Shaw understood that human intervention was becoming the dominant mechanism of evolution and that new approaches to theatrical drama would be required to convey the social and political impact of the scientific revolution. Elwira M. Grossman compares similar dilemmas facing Shaw and the Polish dramatist Witkacy. J. L. Wisenthal examines the utopian tradition that underlay the English literary experience, and Julie A. Sparks contrasts Karel Capek's anti-utopian concepts with Shaw's utopian vision. Also included is an 1887 lecture by Shaw entitled "Utopias," published here for the first time. Several of the contributors emphasize the significant influence that Shaw had on major science-fiction writers. Elizabeth Anne Hull explores Shaw's affinities with Arthur C. Clarke, John R. Pfeiffer discusses the many connections between Shaw and Ray Bradbury, and George Slusser explores Shaw and Robert A. Heinlein's "recurrent fascination with the possibilities of life extension." Like his friend Einstein, Shaw knew that imagination is more important than knowledge. Peter Gahan's article demonstrates that Shaw's ambition was to engage the reader's imagination, the only "sufficient backdrop for his vision." Also included are reviews of recent additions to Shavian scholarship, including the Shaw/Wells correspondence, and John R. Pfeiffer's "Continuing Checklist of Shaviana."
Author: H. G. Wells
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 2721
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Book Description
H. G. Wells' 'Greatest Science Fiction Classics of H. G. Wells' is a compelling collection of groundbreaking science fiction works. From the thrilling adventures in 'The War of the Worlds' to the prophetic vision of a dystopian future in 'The Time Machine,' Wells' literary style combines vivid imagination with social commentary. Set in the late 19th and early 20th centuries, these works reflect the author's fascination with scientific advancements and their potential consequences on society. In this collection, readers will explore themes of alien invasion, time travel, and social evolution, all presented with Wells' signature blend of suspense and intellect. This anthology serves as a testament to Wells' enduring impact on the science fiction genre and his ability to provoke thought and inspire awe through his storytelling. It is a must-read for those interested in the origins of speculative fiction and the enduring legacy of one of its pioneers.
Author: David Welsh
Publisher: Liverpool University Press
ISBN: 1781386986
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
The purpose of this book is to explore the ways in which the London Underground/ Tube was ‘mapped’ by a number of writers from George Gissing to Virginia Woolf. From late Victorian London to the end of the World War II, ‘underground writing’ created an imaginative world beneath the streets of London. The real subterranean railway was therefore re-enacted in number of ways in writing, including as Dantean Underworld or hell, as gateway to a utopian future, as psychological looking- glass or as place of safety and security. The book is a chronological study from the opening of the first underground in the 1860s to its role in WW2. Each chapter explores perspectives on the underground in a number of writers, starting with George Gissing in the 1880s, moving through the work of H. G. Wells and into the writing of the 1920s & 1930s including Virginia Woolf and George Orwell. It concludes with its portrayal in the fiction, poetry and art (including Henry Moore) of WW2. The approach takes a broadly cultural studies perspective, crossing the boundaries of transport history, literature and London/ urban studies. It draws mainly on fiction but also uses poetry, art, journals, postcards and posters to illustrate. It links the actual underground trains, tracks and stations to the metaphorical world of ‘underground writing’ and places the writing in a social/ political context.
