Book [PDF] School Of Intonation For Violin Download

Author: Hans Jørgen Jensen
Publisher: Ovation Press, Ltd.
ISBN:
Category : Music
Languages : en
Pages : 142

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Book Description
ViolinMind is a pedagogical method book that focuses on intonation. It is a transcription for the violin of CelloMind published in 2017 by Ovation Press, Ltd. The co-authors of ViolinMind are Hans Jørgen Jensen, Professor of Cello at the Bienen School of Music at Northwestern University and Grigory Kalinovsky, Professor of Music (Violin) at Indiana University Jacobs School of Music. The mystery of intonation is dissected by defining the scientific principles behind it, and providing easy, intuitive examples of the three main kinds of intonation systems used today: Equal Temperament, Just, and Pythagorean. Playing with exquisite intonation has mostly been reserved for those who possess a strong intuitive sense of pitch and harmonic color; however, ViolinMind breaks down this barrier using a highly detailed, systematic approach, making the process of acquiring a sophisticated sense of intonation similar to any other technical skill. Chapters in the book explore in great detail topics such as the harmonic overtone series, the scientific principles behind Cents, the syntonic comma, the just scales, the Pythagorean comma, the Pythagorean semitones, advanced sympathetic vibrations, Tartini tones, and double stops studies in tritones. All chapters in the book include numerous practical samples and listening exercises that bridge the gap between the theory and its application. The chapters on intonation conclude with practical examples from the following repertoire: intonation performance practice in the Bach Sonatas and Partitas for Violin Solo (BWV 1001-1006), and intonation performance practice with piano. The appendices in the book provide detailed explanations about the Helmholtz intonation chart, the harmonic series, just intonation, the Schisma, as well as an illustration of two violin fingerboards from two method books from the 18th century showing pitch distribution for just intonation and Pythagorean intonation respectively.

Author: Dr. Shinichi Suzuki
Publisher: Alfred Music
ISBN: 9781457401190
Category : Music
Languages : en
Pages : 60

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Book Description
Dr. Suzuki questioned why all vocalists vocalize every day to improve their voices, but instrumentalists do not do so every day with their instruments. He believes that on any instrument, one needs to practice to make a more beautiful tone. First he talks about playing a beautiful resonant tone with the bow while plucking the string with a finger. When a pizzicato is played, the resonance goes on for a long time. Students should listen to that resonance and play the same kind of clear beautiful sound. He talks about how to make a difference in the tone by using a different bow speed, how to practice to find the resonance point, how to change the weight of the arm on the bow to produce a different kind of tone, and how to change tone color. This book includes all of Dr. Suzuki's basic ideas about tone.

Author: Otakar Sevcik
Publisher:
ISBN: 9781493620586
Category :
Languages : en
Pages : 220

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Book Description
The School of Intonation on an Harmonic Basis for Violin is probably one of the foremost references for intonation for the violin created. Sevcik is well-known as a violinist and a teacher, performing and teaching across the globe. This Method in XIV parts has now been reprinted from the original Harms plates dated 1922. Cleaned, straightened, and generally made easier to read, the Edition Fleury reprint here makes using this method even easier. This method is being published three different ways: (1) In XVII seperate parts, (2) In Four volumes, and (3) In one gigantic book. Make sure you choose which you want. All volumes should be on Amazon. Glossy covers, extra pages for notes, and extra blank staff paper included. Printed in English, German, and French. 8.5"x11". Parts are as follows: I. Introduction to the 1st Position IIa. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. IIb. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. III. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. IV. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. V, Introduction to the 2nd-7th Position. Supplementary Parts IIb, III, and IV, also the 2nd violin to the Duettinos from the Parts I, IIa and IIb. Via. 2nd-7th Position Supplementary Vib. 2nd-7th Position Supplementary: 40 Bohemian Melodies in the 2nd-7th position. Vic. 2nd-7th Position, 40 Bohemian Melodies, Supplementary, Parts VIa and VIb. VII. 2nd-7th Position, Supplementary, Part XII (Introduction to Shifting). VIII. 2nd-7th Position Supplementary IX. 2nd-7th Position Supplementary: The 2nd violin to the 40 Bohemian Melodies (Part VIc). W.A. Mozart, Sonatas for violin and piano, No.4, 7, and others. X. 2nd-7th Position Supplementary XI. 2nd-7th Position Supplementary XII. 2nd-7th Position Introduction to Shifting. Supplementary: Sonatas of W.A. Mozart, Nos. 4, 7, and others. XIII. Transitional Tone used in Shifting Diatonic Scales in a Variety of Forms through 3 Octaves. Supplementary: Concert studies: Rode, Concerto No.6; Viotti, Concerto No.23; Pieces from Grade III. XIV. Intonation of Double Stops. Supplementary: Continuation of Concert-studies and Piaces form Grades III and IV.

Author: Otakar Sevcik
Publisher:
ISBN: 9781493640317
Category :
Languages : en
Pages : 76

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Book Description
The School of Intonation on an Harmonic Basis for Violin is probably one of the foremost references for intonation for the violin created. Sevcik is well-known as a violinist and a teacher, performing and teaching across the globe. This Method in XIV parts has now been reprinted from the original Harms plates dated 1922. Cleaned, straightened, and generally made easier to read, the Edition Fleury reprint here makes using this method even easier. This method is being published three different ways: (1) In XVII seperate parts, (2) In Four volumes, and (3) In one gigantic book. Make sure you choose which you want. All volumes should be on Amazon. Glossy covers, extra pages for notes, and extra blank staff paper included. Printed in English, German, and French. 8.5"x11". Parts are as follows: I. Introduction to the 1st Position IIa. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. IIb. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. III. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. IV. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. V, Introduction to the 2nd-7th Position. Supplementary Parts IIb, III, and IV, also the 2nd violin to the Duettinos from the Parts I, IIa and IIb. Via. 2nd-7th Position Supplementary Vib. 2nd-7th Position Supplementary: 40 Bohemian Melodies in the 2nd-7th position. Vic. 2nd-7th Position, 40 Bohemian Melodies, Supplementary, Parts VIa and VIb. VII. 2nd-7th Position, Supplementary, Part XII (Introduction to Shifting). VIII. 2nd-7th Position Supplementary IX. 2nd-7th Position Supplementary: The 2nd violin to the 40 Bohemian Melodies (Part VIc). W.A. Mozart, Sonatas for violin and piano, No.4, 7, and others. X. 2nd-7th Position Supplementary XI. 2nd-7th Position Supplementary XII. 2nd-7th Position Introduction to Shifting. Supplementary: Sonatas of W.A. Mozart, Nos. 4, 7, and others. XIII. Transitional Tone used in Shifting Diatonic Scales in a Variety of Forms through 3 Octaves. Supplementary: Concert studies: Rode, Concerto No.6; Viotti, Concerto No.23; Pieces from Grade III. XIV. Intonation of Double Stops. Supplementary: Continuation of Concert-studies and Piaces form Grades III and IV.

School of intonation on an harmonic basis for violin in XIV parts, op.11 PDF

Author: Otakar Ševčík
Publisher:
ISBN:
Category : Violin
Languages : en
Pages : 102

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Book Description

Author: Otakar Sevcik
Publisher:
ISBN: 9781493635092
Category :
Languages : en
Pages : 48

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Book Description
The School of Intonation on an Harmonic Basis for Violin is probably one of the foremost references for intonation for the violin created. Sevcik is well-known as a violinist and a teacher, performing and teaching across the globe. This Method in XIV parts has now been reprinted from the original Harms plates dated 1922. Cleaned, straightened, and generally made easier to read, the Edition Fleury reprint here makes using this method even easier. This method is being published three different ways: (1) In XVII seperate parts, (2) In Four volumes, and (3) In one gigantic book. Make sure you choose which you want. All volumes should be on Amazon. Glossy covers, extra pages for notes, and extra blank staff paper included. Printed in English, German, and French. 8.5"x11". Parts are as follows: I. Introduction to the 1st Position IIa. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. IIb. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. III. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. IV. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. V, Introduction to the 2nd-7th Position. Supplementary Parts IIb, III, and IV, also the 2nd violin to the Duettinos from the Parts I, IIa and IIb. Via. 2nd-7th Position Supplementary Vib. 2nd-7th Position Supplementary: 40 Bohemian Melodies in the 2nd-7th position. Vic. 2nd-7th Position, 40 Bohemian Melodies, Supplementary, Parts VIa and VIb. VII. 2nd-7th Position, Supplementary, Part XII (Introduction to Shifting). VIII. 2nd-7th Position Supplementary IX. 2nd-7th Position Supplementary: The 2nd violin to the 40 Bohemian Melodies (Part VIc). W.A. Mozart, Sonatas for violin and piano, No.4, 7, and others. X. 2nd-7th Position Supplementary XI. 2nd-7th Position Supplementary XII. 2nd-7th Position Introduction to Shifting. Supplementary: Sonatas of W.A. Mozart, Nos. 4, 7, and others. XIII. Transitional Tone used in Shifting Diatonic Scales in a Variety of Forms through 3 Octaves. Supplementary: Concert studies: Rode, Concerto No.6; Viotti, Concerto No.23; Pieces from Grade III. XIV. Intonation of Double Stops. Supplementary: Continuation of Concert-studies and Piaces form Grades III and IV.

School of intonation on an harmonic basis: Fourth grade of difficulty PDF

Author: Otakar Ševčík
Publisher:
ISBN:
Category : Violin
Languages : en
Pages : 146

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Book Description

Author: Otakar Sevcik
Publisher:
ISBN: 9781493639311
Category :
Languages : en
Pages : 182

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Book Description
The School of Intonation on an Harmonic Basis for Violin is probably one of the foremost references for intonation for the violin created. Sevcik is well-known as a violinist and a teacher, performing and teaching across the globe. This Method in XIV parts has now been reprinted from the original Harms plates dated 1922. Cleaned, straightened, and generally made easier to read, the Edition Fleury reprint here makes using this method even easier. This method is being published three different ways: (1) In XVII seperate parts, (2) In Four volumes, and (3) In one gigantic book. Make sure you choose which you want. All volumes should be on Amazon. Glossy covers, extra pages for notes, and extra blank staff paper included. Printed in English, German, and French. 8.5"x11". Parts are as follows: I. Introduction to the 1st Position IIa. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. IIb. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. III. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. IV. 1st Position Supplementary: The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano. V, Introduction to the 2nd-7th Position. Supplementary Parts IIb, III, and IV, also the 2nd violin to the Duettinos from the Parts I, IIa and IIb. Via. 2nd-7th Position Supplementary Vib. 2nd-7th Position Supplementary: 40 Bohemian Melodies in the 2nd-7th position. Vic. 2nd-7th Position, 40 Bohemian Melodies, Supplementary, Parts VIa and VIb. VII. 2nd-7th Position, Supplementary, Part XII (Introduction to Shifting). VIII. 2nd-7th Position Supplementary IX. 2nd-7th Position Supplementary: The 2nd violin to the 40 Bohemian Melodies (Part VIc). W.A. Mozart, Sonatas for violin and piano, No.4, 7, and others. X. 2nd-7th Position Supplementary XI. 2nd-7th Position Supplementary XII. 2nd-7th Position Introduction to Shifting. Supplementary: Sonatas of W.A. Mozart, Nos. 4, 7, and others. XIII. Transitional Tone used in Shifting Diatonic Scales in a Variety of Forms through 3 Octaves. Supplementary: Concert studies: Rode, Concerto No.6; Viotti, Concerto No.23; Pieces from Grade III. XIV. Intonation of Double Stops. Supplementary: Continuation of Concert-studies and Piaces form Grades III and IV.