Author: Arnold Schoenberg
Publisher:
ISBN: 0195381963
Category : Biography & Autobiography
Languages : en
Pages : 449
Book Description
Schoenberg's Correspondence with Alma Mahler documents a modern music friendship spanning a half century (1903-1951) and two continents.
Schoenberg's Correspondence with Alma Mahler
Schoenberg's Early Correspondence
Author: Arnold Schoenberg
Publisher: Oxford University Press
ISBN: 0195383729
Category : Biography & Autobiography
Languages : en
Pages : 449
Book Description
Early in his career, the composer Arnold Schoenberg maintained correspondence with many notable figures: Gustav Mahler, Heinrich Schenker, Guido Adler, Arnold Rosé, Richard Strauss, Alexander Zemlinsky, and Anton von Webern, to name a few. In this volume of Oxford's Schoenberg in Words series, Ethan Haimo and Sabine Feisst present English translations of the entirety of Arnold Schoenberg's early correspondence, from the earliest extant letters in 1891 to those written in the aftermath of the controversial premieres of his String Quartet No. 1, Op. 7, and the Kammersymphonie, Op. 9. The letters provide a wealth of information on many of the crucial stages in Schoenberg's early career, offering invaluable insights into his daily life and working habits. New details emerge about his activities at Wolzogen's Buntes Theater in Berlin, his frequently confrontational interactions with his first publisher (Dreililien Verlag), the reactions of friends and critics to the premieres of his works, his role in the founding of the Vereinigung schaffender Tonkünstler, his activities as a teacher, and his (all too often unsuccessful) attempts to convince musicians to perform his music. Presented alongside the editors' extensive running commentary, the more than 300 letters in this volume create a vivid picture of the young Schoenberg and his times.
Publisher: Oxford University Press
ISBN: 0195383729
Category : Biography & Autobiography
Languages : en
Pages : 449
Book Description
Early in his career, the composer Arnold Schoenberg maintained correspondence with many notable figures: Gustav Mahler, Heinrich Schenker, Guido Adler, Arnold Rosé, Richard Strauss, Alexander Zemlinsky, and Anton von Webern, to name a few. In this volume of Oxford's Schoenberg in Words series, Ethan Haimo and Sabine Feisst present English translations of the entirety of Arnold Schoenberg's early correspondence, from the earliest extant letters in 1891 to those written in the aftermath of the controversial premieres of his String Quartet No. 1, Op. 7, and the Kammersymphonie, Op. 9. The letters provide a wealth of information on many of the crucial stages in Schoenberg's early career, offering invaluable insights into his daily life and working habits. New details emerge about his activities at Wolzogen's Buntes Theater in Berlin, his frequently confrontational interactions with his first publisher (Dreililien Verlag), the reactions of friends and critics to the premieres of his works, his role in the founding of the Vereinigung schaffender Tonkünstler, his activities as a teacher, and his (all too often unsuccessful) attempts to convince musicians to perform his music. Presented alongside the editors' extensive running commentary, the more than 300 letters in this volume create a vivid picture of the young Schoenberg and his times.
Schoenberg and Hollywood Modernism
Author: Kenneth H. Marcus
Publisher: Cambridge University Press
ISBN: 1107064996
Category : History
Languages : en
Pages : 423
Book Description
Kenneth H. Marcus shows how Schoenberg played a vital role in Southern California Modernism through his pedagogy, compositions, and texts.
Publisher: Cambridge University Press
ISBN: 1107064996
Category : History
Languages : en
Pages : 423
Book Description
Kenneth H. Marcus shows how Schoenberg played a vital role in Southern California Modernism through his pedagogy, compositions, and texts.
The Atonal Music of Arnold Schoenberg, 1908-1923
Author: Bryan R. Simms
Publisher: Oxford University Press, USA
ISBN: 0195128265
Category : Language Arts & Disciplines
Languages : en
Pages : 276
Book Description
Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of knowledge about this body of work.
Publisher: Oxford University Press, USA
ISBN: 0195128265
Category : Language Arts & Disciplines
Languages : en
Pages : 276
Book Description
Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of knowledge about this body of work.
A Kingdom Not of This World
Author: Kevin Karnes
Publisher: Oxford University Press
ISBN: 0199957924
Category : Art
Languages : en
Pages : 269
Book Description
This book challenges prevalent understandings of elite artistic culture in fin-de-siècle Vienna by examining creative manifestations of utopian imaginings that ran counter and parallel to the cultural pessimism widely diagnosed in that society. It argues that the music and writings of Richard Wagner played a key role in inspiring such imagining, which either embraced and extended Wagner's own visions or countered them with visions that were wholly new.
Publisher: Oxford University Press
ISBN: 0199957924
Category : Art
Languages : en
Pages : 269
Book Description
This book challenges prevalent understandings of elite artistic culture in fin-de-siècle Vienna by examining creative manifestations of utopian imaginings that ran counter and parallel to the cultural pessimism widely diagnosed in that society. It argues that the music and writings of Richard Wagner played a key role in inspiring such imagining, which either embraced and extended Wagner's own visions or countered them with visions that were wholly new.
Ecstasy
Author: Mary Sharratt
Publisher: Houghton Mifflin Harcourt
ISBN: 0544800923
Category : Fiction
Languages : en
Pages : 451
Book Description
From the author of Illuminations, a novel of the imminent composer Alma Mahler, what she sacrificed for love, and how she brought men to their knees. Coming of age in the midst of a creative and cultural whirlwind in Vienna, young, beautiful Alma Schindler yearns to make her mark as a composer. A new era of possibility for women is dawning, and she is determined to make the most of it. But Alma loses her heart to the great composer Gustav Mahler, nearly twenty years her senior. He demands that she give up her music as a condition of their marriage. Torn by her love and in awe of his genius, how will she remain true to herself and her artistic passion? Part cautionary tale, part triumph of the feminist spirit, Ecstasy reveals the true Alma Mahler: composer, author, daughter, sister, mother, wife, lover, and muse. Mary Sharratt has finally given center stage to one of the most controversial and complex women of her time. A New York Post Must-Read Boook “Sharratt has made an impressive career fleshing out the lives of women rendered one-dimensional in the pages of history...With this fine work, [Sharratt] has us wanting more.”—Minneapolis Star Tribune “Alma Mahler is certainly worthy of joining the remarkable women about whom Sharratt has previously written.”—St. Paul Pioneer Press “This winning historical novel offers an enjoyable portrait of an ambitious woman whose struggles are as relevant today as they were a century ago.”—Publishers Weekly “[Sharratt] has in-depth knowledge of classical music and turn-of-the-20th-century Vienna…Recommended for readers who like the peaks and valleys of nonstop drama.”—Library Journal
Publisher: Houghton Mifflin Harcourt
ISBN: 0544800923
Category : Fiction
Languages : en
Pages : 451
Book Description
From the author of Illuminations, a novel of the imminent composer Alma Mahler, what she sacrificed for love, and how she brought men to their knees. Coming of age in the midst of a creative and cultural whirlwind in Vienna, young, beautiful Alma Schindler yearns to make her mark as a composer. A new era of possibility for women is dawning, and she is determined to make the most of it. But Alma loses her heart to the great composer Gustav Mahler, nearly twenty years her senior. He demands that she give up her music as a condition of their marriage. Torn by her love and in awe of his genius, how will she remain true to herself and her artistic passion? Part cautionary tale, part triumph of the feminist spirit, Ecstasy reveals the true Alma Mahler: composer, author, daughter, sister, mother, wife, lover, and muse. Mary Sharratt has finally given center stage to one of the most controversial and complex women of her time. A New York Post Must-Read Boook “Sharratt has made an impressive career fleshing out the lives of women rendered one-dimensional in the pages of history...With this fine work, [Sharratt] has us wanting more.”—Minneapolis Star Tribune “Alma Mahler is certainly worthy of joining the remarkable women about whom Sharratt has previously written.”—St. Paul Pioneer Press “This winning historical novel offers an enjoyable portrait of an ambitious woman whose struggles are as relevant today as they were a century ago.”—Publishers Weekly “[Sharratt] has in-depth knowledge of classical music and turn-of-the-20th-century Vienna…Recommended for readers who like the peaks and valleys of nonstop drama.”—Library Journal
Opera after 1900
Author: Margaret Notley
Publisher: Routledge
ISBN: 1351555790
Category : History
Languages : en
Pages : 538
Book Description
The articles reprinted in this volume treat operas as opera and from some sort of critical angle; none of the articles uses methodology appropriate for another kind of musical work. Additional criteria used in selecting the articles were that they should not have been reprinted widely before and that taken together they should cover an extended array of significant operas and critical questions about them. Trends in Anglophone scholarship on post-1900 opera then determined the structure of the volume. The anthologized articles are organized according to the place of origin of the opera discussed in each of them; the introduction, however, follows a thematic approach. Themes considered in the introduction include questions of genre and reception; perspectives on librettos and librettists; words, lyricism, and roles of the orchestra; and modernism and other political contexts.
Publisher: Routledge
ISBN: 1351555790
Category : History
Languages : en
Pages : 538
Book Description
The articles reprinted in this volume treat operas as opera and from some sort of critical angle; none of the articles uses methodology appropriate for another kind of musical work. Additional criteria used in selecting the articles were that they should not have been reprinted widely before and that taken together they should cover an extended array of significant operas and critical questions about them. Trends in Anglophone scholarship on post-1900 opera then determined the structure of the volume. The anthologized articles are organized according to the place of origin of the opera discussed in each of them; the introduction, however, follows a thematic approach. Themes considered in the introduction include questions of genre and reception; perspectives on librettos and librettists; words, lyricism, and roles of the orchestra; and modernism and other political contexts.
Schoenberg
Author: Malcolm MacDonald
Publisher: Oxford University Press
ISBN: 0195172019
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
"Directly or indirectly, Arnold Schoenberg had a greater impact on the music of the twentieth century than any other composer. He was a vigorous polemicist whose theories were driven by his compositional practice, and although his music was for many decades more talked about than listened to, Schoenberg's influence has been incalculable" "In this completely rewritten and much enlarged updating of his long-indispensable study, Malcolm MacDonald takes advantage of thirty years of recent scholarship, new biographical information, and deeper understanding of the composer's aims and significance to produce a richly argued and thought-provoking guide to Schoenberg's life and work. He demonstrates how Schoenberg's musical language (including the much misunderstood twelve-note method), his personal character, and his creative ideas are indissolubly linked, as is his genius as a teacher and as an original composer. He also examines virtually every work in the oeuvre to demonstrate its vitality and many-sidedness. A chronology of Schoenberg's life, a work-list, an updated bibliography, and a much-expanded personalia enhance the usefulness of this new edition."--BOOK JACKET.
Publisher: Oxford University Press
ISBN: 0195172019
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
"Directly or indirectly, Arnold Schoenberg had a greater impact on the music of the twentieth century than any other composer. He was a vigorous polemicist whose theories were driven by his compositional practice, and although his music was for many decades more talked about than listened to, Schoenberg's influence has been incalculable" "In this completely rewritten and much enlarged updating of his long-indispensable study, Malcolm MacDonald takes advantage of thirty years of recent scholarship, new biographical information, and deeper understanding of the composer's aims and significance to produce a richly argued and thought-provoking guide to Schoenberg's life and work. He demonstrates how Schoenberg's musical language (including the much misunderstood twelve-note method), his personal character, and his creative ideas are indissolubly linked, as is his genius as a teacher and as an original composer. He also examines virtually every work in the oeuvre to demonstrate its vitality and many-sidedness. A chronology of Schoenberg's life, a work-list, an updated bibliography, and a much-expanded personalia enhance the usefulness of this new edition."--BOOK JACKET.
Berg Companion
Author: Douglas Jarman
Publisher: Springer
ISBN: 1349090565
Category : Music
Languages : en
Pages : 304
Book Description
By bringing together the most recent scholarship, this book sheds new light on Berg's life and music. The three main sections are each devoted to a particular genre. The first essay in each section surveys Berg's development within the genre concerned, whilst the subsequent chapters discuss particular works in more detail. An introductory section to the book sets Berg's music in the context of other artistic and musical developments of the period from 1890 to the 1930s.
Publisher: Springer
ISBN: 1349090565
Category : Music
Languages : en
Pages : 304
Book Description
By bringing together the most recent scholarship, this book sheds new light on Berg's life and music. The three main sections are each devoted to a particular genre. The first essay in each section surveys Berg's development within the genre concerned, whilst the subsequent chapters discuss particular works in more detail. An introductory section to the book sets Berg's music in the context of other artistic and musical developments of the period from 1890 to the 1930s.
Schoenberg's Models for Beginners in Composition
Author: Arnold Schoenberg
Publisher: Oxford University Press
ISBN: 0195382218
Category : Music
Languages : en
Pages : 273
Book Description
Models for Beginners in Composition (1943) represents one of Arnold Schoenberg's earliest attempts to reach a broad American audience through his pedagogical ideas. In this newly revised edition, Gordon Root incorporates many of Schoenberg's corrections to the original manuscript. Significant commentary also traces Schoenberg's development of the two-measure phrase as the main component of his pedagogical method.
Publisher: Oxford University Press
ISBN: 0195382218
Category : Music
Languages : en
Pages : 273
Book Description
Models for Beginners in Composition (1943) represents one of Arnold Schoenberg's earliest attempts to reach a broad American audience through his pedagogical ideas. In this newly revised edition, Gordon Root incorporates many of Schoenberg's corrections to the original manuscript. Significant commentary also traces Schoenberg's development of the two-measure phrase as the main component of his pedagogical method.