Author: Kassandra Nakas
Publisher: VDG Weimar - Verlag und Datenbank für Geisteswissenschaften
ISBN: 3958994539
Category : Art
Languages : en
Pages : 189
Book Description
Artists and the public alike have always been fascinated by obscene imagery. The Obscene, however, is difficult to define. One of the earliest interpretations is of Greek origin and argues that the word derives from "ob skene", indicating the space behind the stage or scene. "Off-scene" remains what should be hidden from public view, be it morally questionable, offensive, disgusting or unbearable to look at. This book presents a collection of essays that cast light on some "Scene of the Obscene" in art and visual culture from the Middle Ages to today, taking into consideration the malleable nature of socio-cultural assumptions and theoretical reflections on the topic.The contributions focus on historically distinct artistic acts and social sites where established cultural categories and legal norms are violated, with artists and publishers deliberately breaking moral taboos and offending the public taste. They discuss how society reacted to these transregressions and how obscenity and its conceptions shape the face of their respective time.
Scenes of the Obscene
Author: Kassandra Nakas
Publisher: VDG Weimar - Verlag und Datenbank für Geisteswissenschaften
ISBN: 3958994539
Category : Art
Languages : en
Pages : 189
Book Description
Artists and the public alike have always been fascinated by obscene imagery. The Obscene, however, is difficult to define. One of the earliest interpretations is of Greek origin and argues that the word derives from "ob skene", indicating the space behind the stage or scene. "Off-scene" remains what should be hidden from public view, be it morally questionable, offensive, disgusting or unbearable to look at. This book presents a collection of essays that cast light on some "Scene of the Obscene" in art and visual culture from the Middle Ages to today, taking into consideration the malleable nature of socio-cultural assumptions and theoretical reflections on the topic.The contributions focus on historically distinct artistic acts and social sites where established cultural categories and legal norms are violated, with artists and publishers deliberately breaking moral taboos and offending the public taste. They discuss how society reacted to these transregressions and how obscenity and its conceptions shape the face of their respective time.
Publisher: VDG Weimar - Verlag und Datenbank für Geisteswissenschaften
ISBN: 3958994539
Category : Art
Languages : en
Pages : 189
Book Description
Artists and the public alike have always been fascinated by obscene imagery. The Obscene, however, is difficult to define. One of the earliest interpretations is of Greek origin and argues that the word derives from "ob skene", indicating the space behind the stage or scene. "Off-scene" remains what should be hidden from public view, be it morally questionable, offensive, disgusting or unbearable to look at. This book presents a collection of essays that cast light on some "Scene of the Obscene" in art and visual culture from the Middle Ages to today, taking into consideration the malleable nature of socio-cultural assumptions and theoretical reflections on the topic.The contributions focus on historically distinct artistic acts and social sites where established cultural categories and legal norms are violated, with artists and publishers deliberately breaking moral taboos and offending the public taste. They discuss how society reacted to these transregressions and how obscenity and its conceptions shape the face of their respective time.
Obscene Pedagogies
Author: Carissa M. Harris
Publisher: Cornell University Press
ISBN: 1501730428
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
In Obscene Pedagogies, Carissa M. Harris investigates the relationship between obscenity, gender, and pedagogy in Middle English and Middle Scots literary texts from 1300 to 1580 to show how sexually explicit and defiantly vulgar speech taught readers and listeners about sexual behavior and consent. Through innovative close readings of literary texts including erotic lyrics, single-woman's songs, debate poems between men and women, Scottish insult poetry battles, and The Canterbury Tales, Harris demonstrates how through its transgressive charge and galvanizing shock value, obscenity taught audiences about gender, sex, pleasure, and power in ways both positive and harmful. Harris's own voice, proudly witty and sharply polemical, inspires the reader to address these medieval texts with an eye on contemporary issues of gender, violence, and misogyny.
Publisher: Cornell University Press
ISBN: 1501730428
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
In Obscene Pedagogies, Carissa M. Harris investigates the relationship between obscenity, gender, and pedagogy in Middle English and Middle Scots literary texts from 1300 to 1580 to show how sexually explicit and defiantly vulgar speech taught readers and listeners about sexual behavior and consent. Through innovative close readings of literary texts including erotic lyrics, single-woman's songs, debate poems between men and women, Scottish insult poetry battles, and The Canterbury Tales, Harris demonstrates how through its transgressive charge and galvanizing shock value, obscenity taught audiences about gender, sex, pleasure, and power in ways both positive and harmful. Harris's own voice, proudly witty and sharply polemical, inspires the reader to address these medieval texts with an eye on contemporary issues of gender, violence, and misogyny.
At the Limit of the Obscene
Author: Erica Weitzman
Publisher: Northwestern University Press
ISBN: 0810143186
Category : Literary Criticism
Languages : en
Pages : 447
Book Description
As German-language literature turned in the mid-nineteenth century to the depiction of the profane, sensual world, a corresponding anxiety emerged about the terms of that depiction—with consequences not only for realist poetics but also for the conception of the material world itself. At the Limit of the Obscene examines the roots and repercussions of this anxiety in German realist and postrealist literature. Through analyses of works by Adalbert Stifter, Gustav Freytag, Theodor Fontane, Arno Holz, Gottfried Benn, and Franz Kafka, Erica Weitzman shows how German realism’s conflicted representations of the material world lead to an idea of the obscene as an excess of sensual appearance beyond human meaning: the obverse of the anthropocentric worldview that German realism both propagates and pushes to its crisis. At the Limit of the Obscene thus brings to light the troubled and troubling ontology underlying German realism, at the same time demonstrating how its works continue to shape our ideas about representability, alterity, and the relationship of human beings to the non-human well into the present day.
Publisher: Northwestern University Press
ISBN: 0810143186
Category : Literary Criticism
Languages : en
Pages : 447
Book Description
As German-language literature turned in the mid-nineteenth century to the depiction of the profane, sensual world, a corresponding anxiety emerged about the terms of that depiction—with consequences not only for realist poetics but also for the conception of the material world itself. At the Limit of the Obscene examines the roots and repercussions of this anxiety in German realist and postrealist literature. Through analyses of works by Adalbert Stifter, Gustav Freytag, Theodor Fontane, Arno Holz, Gottfried Benn, and Franz Kafka, Erica Weitzman shows how German realism’s conflicted representations of the material world lead to an idea of the obscene as an excess of sensual appearance beyond human meaning: the obverse of the anthropocentric worldview that German realism both propagates and pushes to its crisis. At the Limit of the Obscene thus brings to light the troubled and troubling ontology underlying German realism, at the same time demonstrating how its works continue to shape our ideas about representability, alterity, and the relationship of human beings to the non-human well into the present day.
The Best Moving Pictures of ... Also Who's who in the Movies and the Yearbook of the American Screen ...
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 418
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 418
Book Description
The Novel and the Obscene
Author: Florence Dore
Publisher: Stanford University Press
ISBN: 9780804751872
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
The Novel and the Obscene challenges our vision of early twentieth-century America as sexually progressive by identifying a resonant silence at the heart of the modernist American novel—a narrative mode that renders censorship symbolic at the very moment of its legal demise.
Publisher: Stanford University Press
ISBN: 9780804751872
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
The Novel and the Obscene challenges our vision of early twentieth-century America as sexually progressive by identifying a resonant silence at the heart of the modernist American novel—a narrative mode that renders censorship symbolic at the very moment of its legal demise.
A Matter of Obscenity
Author: Christopher Hilliard
Publisher: Princeton University Press
ISBN: 0691226105
Category : History
Languages : en
Pages : 336
Book Description
A comprehensive history of censorship in modern Britain For Victorian lawmakers and judges, the question of whether a book should be allowed to circulate freely depended on whether it was sold to readers whose mental and moral capacities were in doubt, by which they meant the increasingly literate and enfranchised working classes. The law stayed this way even as society evolved. In 1960, in the obscenity trial over D. H. Lawrence's Lady Chatterley's Lover, the prosecutor asked the jury, "Is it a book that you would even wish your wife or your servants to read?" Christopher Hilliard traces the history of British censorship from the Victorians to Margaret Thatcher, exposing the tensions between obscenity law and a changing British society. Hilliard goes behind the scenes of major obscenity trials and uncovers the routines of everyday censorship, shedding new light on the British reception of literary modernism and popular entertainments such as the cinema and American-style pulp fiction and comic books. He reveals the thinking of lawyers and the police, authors and publishers, and politicians and ordinary citizens as they wrestled with questions of freedom and morality. He describes how supporters and opponents of censorship alike tried to remake the law as they reckoned with changes in sexuality and culture that began in the 1960s. Based on extensive archival research, this incisive and multifaceted book reveals how the issue of censorship challenged British society to confront issues ranging from mass literacy and democratization to feminism, gay rights, and multiculturalism.
Publisher: Princeton University Press
ISBN: 0691226105
Category : History
Languages : en
Pages : 336
Book Description
A comprehensive history of censorship in modern Britain For Victorian lawmakers and judges, the question of whether a book should be allowed to circulate freely depended on whether it was sold to readers whose mental and moral capacities were in doubt, by which they meant the increasingly literate and enfranchised working classes. The law stayed this way even as society evolved. In 1960, in the obscenity trial over D. H. Lawrence's Lady Chatterley's Lover, the prosecutor asked the jury, "Is it a book that you would even wish your wife or your servants to read?" Christopher Hilliard traces the history of British censorship from the Victorians to Margaret Thatcher, exposing the tensions between obscenity law and a changing British society. Hilliard goes behind the scenes of major obscenity trials and uncovers the routines of everyday censorship, shedding new light on the British reception of literary modernism and popular entertainments such as the cinema and American-style pulp fiction and comic books. He reveals the thinking of lawyers and the police, authors and publishers, and politicians and ordinary citizens as they wrestled with questions of freedom and morality. He describes how supporters and opponents of censorship alike tried to remake the law as they reckoned with changes in sexuality and culture that began in the 1960s. Based on extensive archival research, this incisive and multifaceted book reveals how the issue of censorship challenged British society to confront issues ranging from mass literacy and democratization to feminism, gay rights, and multiculturalism.
Herald of Gospel Liberty
Author: Elias Smith
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 632
Book Description
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 632
Book Description
Resistant Form: Aristophanes and the Comedy of Crisis
Author: Mario Telò
Publisher: punctum books
ISBN: 1685710883
Category : Literary Criticism
Languages : en
Pages : 419
Book Description
Can attending to poetic form help us imagine a radical politics and bridge the gap between pressing contemporary political concerns and an ancient literature that often seems steeped in dynamics of oppression? The corpus of the fifth-century Athenian playwright Aristophanes includes some of the funniest yet most disturbing comedies of Western literature. His work’s anarchic experimentation with language invites a radically “oversensitive” hyperformalism, a formalistic overanalysis that disrupts, disables, or even abolishes a range of normativities (government, labor, reproduction, gender). Exceeding not just historicist contextualism, but also conventional notions of laughter and the logic of the joke, Resistant Form: Aristophanes and the Comedy of Crisis uses Aristophanes to fully embrace, in the practice of close or “too-close” reading, the etymological and conceptual nexus of crisis, critique, and literary criticism. These exuberant readings of Birds, Frogs, Lysistrata, and Women at the Thesmophoria, together with the first attempt ever to grapple with the comic style of critical theorists Gilles Deleuze, Achille Mbembe, and Jack Halberstam, connect Aristophanes with contemporary discourses of biopolitics, necrocitizenship, care, labor, and transness, and at the same time disclose a quasi- or para-Aristophanic mode in the written textures of critical theory. Here is a radically new approach to the literary criticism of the pre-modern – one that materializes the circuit of crisis and critique through a restless inhabitation of the becomings and unbecomings of comic form.
Publisher: punctum books
ISBN: 1685710883
Category : Literary Criticism
Languages : en
Pages : 419
Book Description
Can attending to poetic form help us imagine a radical politics and bridge the gap between pressing contemporary political concerns and an ancient literature that often seems steeped in dynamics of oppression? The corpus of the fifth-century Athenian playwright Aristophanes includes some of the funniest yet most disturbing comedies of Western literature. His work’s anarchic experimentation with language invites a radically “oversensitive” hyperformalism, a formalistic overanalysis that disrupts, disables, or even abolishes a range of normativities (government, labor, reproduction, gender). Exceeding not just historicist contextualism, but also conventional notions of laughter and the logic of the joke, Resistant Form: Aristophanes and the Comedy of Crisis uses Aristophanes to fully embrace, in the practice of close or “too-close” reading, the etymological and conceptual nexus of crisis, critique, and literary criticism. These exuberant readings of Birds, Frogs, Lysistrata, and Women at the Thesmophoria, together with the first attempt ever to grapple with the comic style of critical theorists Gilles Deleuze, Achille Mbembe, and Jack Halberstam, connect Aristophanes with contemporary discourses of biopolitics, necrocitizenship, care, labor, and transness, and at the same time disclose a quasi- or para-Aristophanic mode in the written textures of critical theory. Here is a radically new approach to the literary criticism of the pre-modern – one that materializes the circuit of crisis and critique through a restless inhabitation of the becomings and unbecomings of comic form.
STARS ILLUSTRATED MAGAZINE. COMMERCIAL EDITION
Author: Maximillien De Lafayette
Publisher: Lulu.com
ISBN: 1304538842
Category : Performing Arts
Languages : en
Pages : 202
Book Description
STARS ILLUSTRATED MAGAZINE Premiere Issue. December 2013 (200 Pages). Commercial/economy edition. AVAILABLE WORLDWIDE. Other edition: Deluxe Edition in full colors, printed on glossy heavy stock paper. Published monthly by Times Square Press, New York. Editor-in-Chief: Maximillien de Lafayette. Website: http: //timessquarepress.com/ On the Cover: Diva Dominique Hourani, and Alexandra Sokollof, Natasha Blasick, Patrice Cole, Patti Negri, Kristen Dalton. Also available in economy edition. The magazine of international superstars, artists, screen goddesses, filmmakers, actors/actresses, music, dance, theater, cinema, performing arts, fashion, authors, glamour, beauty, style and elegance. Contact Carla C. at [email protected]
Publisher: Lulu.com
ISBN: 1304538842
Category : Performing Arts
Languages : en
Pages : 202
Book Description
STARS ILLUSTRATED MAGAZINE Premiere Issue. December 2013 (200 Pages). Commercial/economy edition. AVAILABLE WORLDWIDE. Other edition: Deluxe Edition in full colors, printed on glossy heavy stock paper. Published monthly by Times Square Press, New York. Editor-in-Chief: Maximillien de Lafayette. Website: http: //timessquarepress.com/ On the Cover: Diva Dominique Hourani, and Alexandra Sokollof, Natasha Blasick, Patrice Cole, Patti Negri, Kristen Dalton. Also available in economy edition. The magazine of international superstars, artists, screen goddesses, filmmakers, actors/actresses, music, dance, theater, cinema, performing arts, fashion, authors, glamour, beauty, style and elegance. Contact Carla C. at [email protected]
The Best Moving Pictures of 1922-23, Also Who's who in the Movies and the Yearbook of the American Screen
Author: Robert Emmet Sherwood
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 410
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 410
Book Description