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Author: Thomas Hardy
Publisher: ReadHowYouWant.com
ISBN: 1425047718
Category :
Languages : en
Pages : 226
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Book Description
An interesting collection of Hardy's poems published in 1914. It is a classic example of poetic language and melodious phrases. It reflects his views on British colonialism and current events of that age.
Author: Thomas Hardy
Publisher: ReadHowYouWant.com
ISBN: 1425047718
Category :
Languages : en
Pages : 226
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Book Description
An interesting collection of Hardy's poems published in 1914. It is a classic example of poetic language and melodious phrases. It reflects his views on British colonialism and current events of that age.
Author: Thomas Hardy
Publisher: ReadHowYouWant.com
ISBN:
Category : English literature
Languages : en
Pages : 250
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Book Description
Author: Thomas Hardy
Publisher: ReadHowYouWant.com
ISBN: 1427027188
Category : Poetry
Languages : en
Pages : 230
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Book Description
That ache for you, born long ago, Throbs on; I never could outgrow it. What a revenge, did you but know it! But that, thank God, you do not know.Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces was published in 1914. The volume displays Hardy's mastery of poetic language and melodious phrases, as well as his views on British colonialism.
Author: Thomas Hardy
Publisher: ReadHowYouWant.com
ISBN: 142704063X
Category :
Languages : en
Pages : 386
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Book Description
Author: Thomas Hardy
Publisher: BoD - Books on Demand
ISBN:
Category : Poetry
Languages : en
Pages : 122
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Book Description
"Satires of Circumstance: Lyrics & Reveries with Miscellaneous Pieces" by Thomas Hardy is a poetic collection that unveils the Victorian novelist's lyrical prowess and his contemplative exploration of the human condition. Published in the early 20th century, this anthology showcases Hardy's versatility as a writer, transitioning from prose fiction to the realms of verse with poetic finesse. At the heart of this collection are the "Satires of Circumstance," a series of poems that delve into the complexities of life, love, and the inexorable influence of external forces. Hardy's lyricism is likely marked by a nuanced understanding of the inherent ironies and contradictions that shape human existence. The poems may embody a satirical lens, offering readers a reflective commentary on the quirks of fate and the interplay of societal norms. Intertwined with the satirical elements are Hardy's "Lyrics & Reveries," which likely delve into the realm of personal reflections and introspections. These pieces may showcase the poet's keen observations of nature, his contemplation of love's joys and sorrows, and his musings on the transient nature of time.
Author: Catherine M. Schlegel
Publisher: Univ of Wisconsin Press
ISBN: 0299209539
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
In his first book of Satires, written in the late, violent days of the Roman republic, Horace exposes satiric speech as a tool of power and domination. Using critical theories from classics, speech act theory, and others, Catherine Schlegel argues that Horace's acute poetic observation of hostile speech provides insights into the operations of verbal control that are relevant to his time and to ours. She demonstrates that though Horace is forced by his political circumstances to develop a new, unthreatening style of satire, his poems contain a challenge to our most profound habits of violence, hierarchy, and domination. Focusing on the relationships between speaker and audience and between old and new style, Schlegel examines the internal conflicts of a notoriously difficult text. This exciting contribution to the field of Horatian studies will be of interest to classicists as well as other scholars interested in the genre of satire.
Author: Thomas Hardy
Publisher:
ISBN: 9781497993891
Category :
Languages : en
Pages : 240
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Book Description
This Is A New Release Of The Original 1915 Edition.
Author: William S. Anderson
Publisher: Princeton University Press
ISBN: 140085315X
Category : Foreign Language Study
Languages : en
Pages : 513
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Book Description
The fifteen essays collected here argue that Roman verse satire should be viewed primarily as an art form, rather than as a social document or a direct expression of social protest. Originally published between 1956 and 1974, they constitute an impressive attempt to free Roman satire from misinterpretations that arose during the romantic era and that continue to plague scholars in the field. The author rejects the proposition that Juvenal and other satirists expressed spontaneous, unadorned anger and that the critic’s best approach is the study of the historical, social, economic and personal circumstances that led to their statement of that anger. This work develops his thesis that Roman satire was designed as a literary form and that the proper stance of the critic is to elucidate its art. Focusing on the dramatic character of the first-person speaker in the satires of Horace, Persius, and Juvenal, the author shows both how the speaker’s role was shaped to suit the purposes of the individual poems and how that role changed over successive collections of satires. Several essays also discuss the ways in which the satirists employed metaphors and similes and used contemporary ethical and rhetorical themes. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: John Quinn
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 736
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Book Description
Author: Aaron Matz
Publisher: Cambridge University Press
ISBN: 1139488317
Category : Literary Criticism
Languages : en
Pages :
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Book Description
As nineteenth-century realism became more and more intrepid in its pursuit of describing and depicting everyday life, it blurred irrevocably into the caustic and severe mode of literature better named satire. Realism's task of portraying the human became indistinguishable from satire's directive to castigate the human. Introducing an entirely new way of thinking about realism and the Victorian novel, Aaron Matz refers to the fusion of realism and satire as 'satirical realism': it is a mode in which our shared folly and error are so entrenched in everyday life, and so unchanging, that they need no embellishment when rendered in fiction. Focusing on the novels of Eliot, Hardy, Gissing, and Conrad, and the theater of Ibsen, Matz argues that it was the transformation of Victorian realism into satire that granted it immense moral authority, but that led ultimately to its demise.
