Author: Eva Marie Campbell
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 140
Book Description
Satire in the Early English Drama
Author: Eva Marie Campbell
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 140
Book Description
Early English Drama, Everyman to 1580
Author: Donald Jerry White
Publisher: Hall Reference Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Publisher: Hall Reference Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
A New History of Early English Drama
Author: John D. Cox
Publisher: Columbia University Press
ISBN: 9780231102438
Category : Drama
Languages : en
Pages : 590
Book Description
Twenty-six original essays by leading theorists and historians of the pre-seventeenth-century English stage chart a paradigmatic shift within the field. In contrast to the traditional emphasis on individual authors, the contributors to this storehouse of new historical information and critical insight explore the place of the stage within the larger society, as well as issues of performance and physical space, providing an innovative approach to both literary studies and cultural history.
Publisher: Columbia University Press
ISBN: 9780231102438
Category : Drama
Languages : en
Pages : 590
Book Description
Twenty-six original essays by leading theorists and historians of the pre-seventeenth-century English stage chart a paradigmatic shift within the field. In contrast to the traditional emphasis on individual authors, the contributors to this storehouse of new historical information and critical insight explore the place of the stage within the larger society, as well as issues of performance and physical space, providing an innovative approach to both literary studies and cultural history.
Satire in the Early English Drama
Author: Eva Marie Campbell
Publisher: [Folcroft, Pa.] : Folcroft Library Editions
ISBN:
Category : Literary Criticism
Languages : en
Pages : 152
Book Description
Publisher: [Folcroft, Pa.] : Folcroft Library Editions
ISBN:
Category : Literary Criticism
Languages : en
Pages : 152
Book Description
Dead Man's Cell Phone
Author: Sarah Ruhl
Publisher: ReadHowYouWant.com
ISBN: 1458766306
Category : Drama
Languages : en
Pages : 146
Book Description
An incessantly ringing cell phone in a quiet caf. A stranger at the next table who has had enough. And a dead man - with a lot of loose ends. So begins Dead Man's Cell Phone, a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur ''Genius'' Grant and Pulitzer Prize finalist for her play The Clean House. A work about how we memorialize the dead - and how that remembering changes us - it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world. Sarah Ruhl's plays have been produced at theaters around the country, including Lincoln Center Theater, the Goodman Theatre, Arena Stage, South Coast Repertory, Yale Repertory Theatre, Berkeley Repertory Theatre, among others, and internationally. She is the recipient of the Susan Smith Blackburn Prize (for The Clean House, 2004), the Helen Merrill Emerging Playwrights Award, and the Whiting Writers' Award. The Clean House was a Pulitzer Prize finalist in 2005. She is a member of 13P and New Dramatists.
Publisher: ReadHowYouWant.com
ISBN: 1458766306
Category : Drama
Languages : en
Pages : 146
Book Description
An incessantly ringing cell phone in a quiet caf. A stranger at the next table who has had enough. And a dead man - with a lot of loose ends. So begins Dead Man's Cell Phone, a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur ''Genius'' Grant and Pulitzer Prize finalist for her play The Clean House. A work about how we memorialize the dead - and how that remembering changes us - it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world. Sarah Ruhl's plays have been produced at theaters around the country, including Lincoln Center Theater, the Goodman Theatre, Arena Stage, South Coast Repertory, Yale Repertory Theatre, Berkeley Repertory Theatre, among others, and internationally. She is the recipient of the Susan Smith Blackburn Prize (for The Clean House, 2004), the Helen Merrill Emerging Playwrights Award, and the Whiting Writers' Award. The Clean House was a Pulitzer Prize finalist in 2005. She is a member of 13P and New Dramatists.
University of Washington Publications
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 546
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 546
Book Description
Every Man in His Humour
Author: Ben Jonson
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
Book Description
Satire in the Early English Drama (Classic Reprint)
Author: Eva Marie Campbell
Publisher:
ISBN: 9781330498576
Category : Literary Collections
Languages : en
Pages : 142
Book Description
Excerpt from Satire in the Early English Drama Though numerous references have been made to the satirical character of many of the plays of our Early English Drama before 1600, no work exists which shows in detail this informal dramatic satire. It is hoped that this dissertation will be useful with its instances of early informal satire taken from the miracles, moralities, and interludes of the period 1450 to 1600 in showing: (1) the place satire holds in the early drama - a place to become exceedingly prominent in the Elizabethan Drama, especially in the plays of Ben Jonson; (2) the relation of this satire to the subject-matter and the purpose of the plays; (3) the methods, tone, type, and the objects of attack of this satire; (4) a reflection of the manners or social traits of the period; (5) a comparison of this informal dramatic satire with the informal satire occurring in other literary forms of the period, and with the informal dramatic satire of Elizabethan times. The writer is indebted to the following excellent teachers: E. L. Beck, B. A. Eisenlohr. E. S. Ingraham, E. H. McNeal, W. S. Elden, A. H. Hodgman, and C. S. Duncan; and owes special acknowledgment to S. C. Derby, Professor of Latin, J. R. Taylor, Professor of English, and J. V. Denney, Dean of the College of Arts. Professor Denney has been exceedingly kind and has read the first and last drafts of my dissertation. Professor G. H. McKnight has been helpful in proposing a subject, in directing my efforts, and in giving encouragement - such as only those who have been in his classes can appreciate. Many thanks are due also to the Dean of Women of Ohio State University - Caroline M. Breyfogle. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher:
ISBN: 9781330498576
Category : Literary Collections
Languages : en
Pages : 142
Book Description
Excerpt from Satire in the Early English Drama Though numerous references have been made to the satirical character of many of the plays of our Early English Drama before 1600, no work exists which shows in detail this informal dramatic satire. It is hoped that this dissertation will be useful with its instances of early informal satire taken from the miracles, moralities, and interludes of the period 1450 to 1600 in showing: (1) the place satire holds in the early drama - a place to become exceedingly prominent in the Elizabethan Drama, especially in the plays of Ben Jonson; (2) the relation of this satire to the subject-matter and the purpose of the plays; (3) the methods, tone, type, and the objects of attack of this satire; (4) a reflection of the manners or social traits of the period; (5) a comparison of this informal dramatic satire with the informal satire occurring in other literary forms of the period, and with the informal dramatic satire of Elizabethan times. The writer is indebted to the following excellent teachers: E. L. Beck, B. A. Eisenlohr. E. S. Ingraham, E. H. McNeal, W. S. Elden, A. H. Hodgman, and C. S. Duncan; and owes special acknowledgment to S. C. Derby, Professor of Latin, J. R. Taylor, Professor of English, and J. V. Denney, Dean of the College of Arts. Professor Denney has been exceedingly kind and has read the first and last drafts of my dissertation. Professor G. H. McKnight has been helpful in proposing a subject, in directing my efforts, and in giving encouragement - such as only those who have been in his classes can appreciate. Many thanks are due also to the Dean of Women of Ohio State University - Caroline M. Breyfogle. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Early English Performance: Medieval Plays and Robin Hood Games
Author: John Marshall
Publisher: Routledge
ISBN: 0429765010
Category : Drama
Languages : en
Pages : 383
Book Description
Covering a period of nearly 40 years’ work by the author this collection of essays in the Shifting Paradigms in Early English Drama Studies series brings the perspective of a Drama academic and practitioner of early English plays to the understanding of how medieval plays and Robin Hood games of the fifteenth and sixteenth centuries were performed. It explores why, where, when, and how the plays happened, who took part, and who were the audiences. The insights are informed by a combination of research and the public presentation of surviving texts. The research included in the volume unites the early English experiences of religious and secular performance. This recognition challenges the dominant critical distinction of the past between the two and the consequent privileging of biblical and moral plays over secular entertainments. What further binds, rather than separates, the two is that the destination of funds raised by the different activities maintained the civic and parochial needs of the institutions upon which the people depended. This collection redefines the inclusive nature and common interests of the purposes that lay behind generically different undertakings. They shared an extraordinary investment of human and financial resources in the anticipation of a profit that was pious and practical. (CS1081).
Publisher: Routledge
ISBN: 0429765010
Category : Drama
Languages : en
Pages : 383
Book Description
Covering a period of nearly 40 years’ work by the author this collection of essays in the Shifting Paradigms in Early English Drama Studies series brings the perspective of a Drama academic and practitioner of early English plays to the understanding of how medieval plays and Robin Hood games of the fifteenth and sixteenth centuries were performed. It explores why, where, when, and how the plays happened, who took part, and who were the audiences. The insights are informed by a combination of research and the public presentation of surviving texts. The research included in the volume unites the early English experiences of religious and secular performance. This recognition challenges the dominant critical distinction of the past between the two and the consequent privileging of biblical and moral plays over secular entertainments. What further binds, rather than separates, the two is that the destination of funds raised by the different activities maintained the civic and parochial needs of the institutions upon which the people depended. This collection redefines the inclusive nature and common interests of the purposes that lay behind generically different undertakings. They shared an extraordinary investment of human and financial resources in the anticipation of a profit that was pious and practical. (CS1081).
Classed List
Author: Princeton University. Library
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 1248
Book Description
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 1248
Book Description