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Author: S. Jones
Publisher: Springer
ISBN: 0312299869
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
This remarkable study of the constructive and ultimately canon-forming relationship between satiric and Romantic modes of writing from 1760 to 1832 provides us with a new understanding of the historical development of Romanticism as a literary movement. Romantic poetry is conventionally seen as inward-turning, sentimental, sublime, and transcendent, whereas satire, with its public, profane, and topical rhetoric, is commonly cast in the role of generic other as the un-Romantic mode. This book argues instead that the two modes mutually defined each other and were subtly interwoven during the Romantic period. By rearranging reputations, changing aesthetic assumptions, and re-distributing cultural capital, the interaction of satiric and Romantic modes helped make possible the Victorian and modern construction of 'English Romanticism'.
Author: S. Jones
Publisher: Springer
ISBN: 0312299869
Category : Literary Criticism
Languages : en
Pages : 268
Get Book Here
Book Description
This remarkable study of the constructive and ultimately canon-forming relationship between satiric and Romantic modes of writing from 1760 to 1832 provides us with a new understanding of the historical development of Romanticism as a literary movement. Romantic poetry is conventionally seen as inward-turning, sentimental, sublime, and transcendent, whereas satire, with its public, profane, and topical rhetoric, is commonly cast in the role of generic other as the un-Romantic mode. This book argues instead that the two modes mutually defined each other and were subtly interwoven during the Romantic period. By rearranging reputations, changing aesthetic assumptions, and re-distributing cultural capital, the interaction of satiric and Romantic modes helped make possible the Victorian and modern construction of 'English Romanticism'.
Author: Angela Wright
Publisher: Edinburgh University Press
ISBN: 074869675X
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
"Traces the Gothic impulses in proto-Romantic and Romantic British, American and European culture, 1740-1830"--Quatrième de couverture.
Author: Rolf P. Lessenich
Publisher: V&R unipress GmbH
ISBN: 3899719867
Category : History
Languages : en
Pages : 440
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Book Description
Romanticism was not only heterogeneous and disunited. It also had to face the hostile counter-movement of the Enlightenment and Augustan Neoclassicism, still going strong at the time of and in the decades following the French Revolution due to support from the ruling Establishment (the ancien regime of the Crown and Church of England). Neoclassicists regarded Romanticism as a heteretical amalgam of dissenting new schools, which threatened the monopoly of the Classical Tradition. The acrimonious debates in aesthetics and politics were conducted with the traditional strategies of the classical ars disputandi on both sides. Under the duress of the heaviest satirical attacks, Romanticism began gradually to see itself as one movement, giving rise to the problematic opposition of Classical and Romantic. The construction of this rough divide, however, was indispensable for the clarification of different positions in the hubbub of conflicting voices, and has also proved critical in literary and cultural studies which cannot do without such subsumptions. The Classical Tradition, encompassing Christianity, emerges as an ongoing event from Greek and Latin antiquity running through to our time.
Author: William S. Anderson
Publisher: Princeton University Press
ISBN: 140085315X
Category : Foreign Language Study
Languages : en
Pages : 513
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Book Description
The fifteen essays collected here argue that Roman verse satire should be viewed primarily as an art form, rather than as a social document or a direct expression of social protest. Originally published between 1956 and 1974, they constitute an impressive attempt to free Roman satire from misinterpretations that arose during the romantic era and that continue to plague scholars in the field. The author rejects the proposition that Juvenal and other satirists expressed spontaneous, unadorned anger and that the critic’s best approach is the study of the historical, social, economic and personal circumstances that led to their statement of that anger. This work develops his thesis that Roman satire was designed as a literary form and that the proper stance of the critic is to elucidate its art. Focusing on the dramatic character of the first-person speaker in the satires of Horace, Persius, and Juvenal, the author shows both how the speaker’s role was shaped to suit the purposes of the individual poems and how that role changed over successive collections of satires. Several essays also discuss the ways in which the satirists employed metaphors and similes and used contemporary ethical and rhetorical themes. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Stephen C. Behrendt
Publisher: Wayne State University Press
ISBN: 9780814325681
Category : History
Languages : en
Pages : 230
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Book Description
Although literature has traditionally been conceived in terms of a real or implied association with a cultural elite, a body of work exists that does not deliberately try to associate itself with that audience - that may in fact purposely oppose or resist that audience - but which nevertheless exerts a strong influence on what comes to be regarded as literature. This work specifically examines the relations that developed among British authors of the Romantic period and the Radical culture whose oppositional discourse - both in written text, and in extra-literary material - is one of the most striking aspects of the political and social life of the period. The volume broadens the field of materials to include other aspects of writing culture, including reviews, trial transcripts, philological studies, propaganda, and verbal and visual satire and parody.
Author: Aaron Matz
Publisher: Cambridge University Press
ISBN: 1139488317
Category : Literary Criticism
Languages : en
Pages :
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Book Description
As nineteenth-century realism became more and more intrepid in its pursuit of describing and depicting everyday life, it blurred irrevocably into the caustic and severe mode of literature better named satire. Realism's task of portraying the human became indistinguishable from satire's directive to castigate the human. Introducing an entirely new way of thinking about realism and the Victorian novel, Aaron Matz refers to the fusion of realism and satire as 'satirical realism': it is a mode in which our shared folly and error are so entrenched in everyday life, and so unchanging, that they need no embellishment when rendered in fiction. Focusing on the novels of Eliot, Hardy, Gissing, and Conrad, and the theater of Ibsen, Matz argues that it was the transformation of Victorian realism into satire that granted it immense moral authority, but that led ultimately to its demise.
Author: Joel Faflak
Publisher: John Wiley & Sons
ISBN: 1119129613
Category : Literary Criticism
Languages : en
Pages : 440
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Book Description
The Handbook to Romanticism Studies is an accessible and indispensible resource providing students and scholars with a rich array of historical and up-to-date critical and theoretical contexts for the study of Romanticism. Focuses on British Romanticism while also addressing continental and transatlantic Romanticism and earlier periods Utilizes keywords such as imagination, sublime, poetics, philosophy, race, historiography, and visual culture as points of access to the study of Romanticism and the theoretical concerns and the culture of the period Explores topics central to Romanticism studies and the critical trends of the last thirty years
Author: William Allan
Publisher: Oxford University Press
ISBN: 0199665451
Category : History
Languages : en
Pages : 161
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Book Description
William Allan's Very Short Introduction provides a concise and lively guide to the major authors, genres, and periods of classical literature. Drawing upon a wealth of material, he reveals just what makes the 'classics' such masterpieces and why they continue to influence and fascinate today.
Author: John R. Strachan
Publisher:
ISBN: 9780511390623
Category :
Languages : en
Pages :
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Book Description
Author: Anthony Close
Publisher: Cambridge University Press
ISBN: 9780521142588
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Don Quixote has been widely read and discussed outside Spain. Interpreted before 1800 as a burlesque of chivalric romances, and implicitly described as such by Cervantes himself, it was given a sentimentalised and seriously philosophical interpretation by the German Romantics. Dr Close is essentially concerned with the question why this unhistorical and subjective reading of the novel prevailed, first in Europe, then in Spain. He examines the stages by which, from 1860, it progressively supplanted in Spain the hitherto dominant neo-classical interpretation, and shows how this process kept pace with increasing identification with movements of intellectual history, aesthetics, literary criticism and scholarship in Europe. He clarifies the complex reasons which have led Spaniards to see Don Quixote as a symbol of their cultural history and identity, and reveals how preoccupation with Spain's decadence has coloured the interpretation of the national classic by leading Spanish critics, scholars and philosophers.
