Author: Nicole Castroman
Publisher: Simon and Schuster
ISBN: 1481432699
Category : Fiction
Languages : en
Pages : 384
Book Description
"A reimagining of the origin story of Blackbeard the pirate and his forbidden love affair with a maid in his father's house"--
Blackhearts
Author: Nicole Castroman
Publisher: Simon and Schuster
ISBN: 1481432699
Category : Fiction
Languages : en
Pages : 384
Book Description
"A reimagining of the origin story of Blackbeard the pirate and his forbidden love affair with a maid in his father's house"--
Publisher: Simon and Schuster
ISBN: 1481432699
Category : Fiction
Languages : en
Pages : 384
Book Description
"A reimagining of the origin story of Blackbeard the pirate and his forbidden love affair with a maid in his father's house"--
Rebel Spring
Author: Morgan Rhodes
Publisher: Penguin
ISBN: 1595145931
Category : Young Adult Fiction
Languages : en
Pages : 412
Book Description
War brought them together. Love will tear them apart. Auranos has been conquered and the three kingdoms—Auranos, Limeros, and Paelsia—are now unwillingly united as one country called Mytica. But alluring, dangerous magic still beckons, and with it the chance to rule not just Mytica, but the world. . . . CLEO is now a prisoner in her own palace, forced to be an ambassador for Mytica as the evil King Gaius lies to her people MAGNUS stands to eventually inherit the new kingdom but is still obsessed with his feelings for his adopted sister, Lucia LUCIA is haunted by the deadly outcome of her breathtaking display of magic that allowed her father to capture the kingdoms JONAS watches at the palace gates, a troop of rebels behind him, waiting for him to tell them how he plans to overtake King Gaius When Gaius announces that a road is to be built into the Forbidden Mountains, formally linking all of Mytica together, he sets off a chain of cataclysmic events that will forever change the face of this land. Praise for Falling Kingdoms “From an opening dripping with blood, magic, and betrayal through complex interweaving plots detailing treachery, deceit, and forbidden love, this novel . . . will immediately engage readers and keep them intrigued.”—Booklist “[It] will gut you emotionally . . . make you ache, cry, and beg for the sequel as you turn the last page. I absolutely loved it.”—Julie Kagawa, New York Times bestselling author of The Iron Queen “This triple-layered tale of bloodshed, heartbreak, and tangled court intrigue kept me turning pages very late into the night.”—Lesley Livingston, author of Wondrous Strange and Starling Richelle Mead, bestselling author of the Vampire Academy and Bloodlines series, sits down with Morgan Rhodes to talk about Rebel Spring, the much-anticipated second book in her bestselling Falling Kingdoms series. Richelle Mead: Morgan Rhodes (aka Michelle Rowen) has been my friend for a number of years. We've hung out together at conferences and swooned over each other's books. When she was able to work on Vampire Academy: The Ultimate Guide, I couldn't believe how lucky I was to have someone who was already a fan of the VA world and whose writing I personally loved. I'm just as excited about her Falling Kingdoms series and couldn't resist this chance to ask her some questions about Rebel Spring, the next book in the series! Morgan Rhodes: I was thrilled for the chance to write the VA Ultimate Guide! I remember Richelle telling me there were plans for the book and I piped up with: “I totally want to write that!” And what fun it was to delve back into a series that I loved (and am still in love with thanks to the wonderful Bloodlines spinoff). I’m counting down the days for the VA movie! Richelle is not only a friend, but one of my very favorite authors, so it’s a real honor to be interviewed by her about Rebel Spring. RM: So without further ado, let’s start talking about the new book. The world of Falling Kingdoms is so vivid and detail-rich. When it comes to world-building for these novels, where do you get your inspiration? MR: I get my inspiration from pretty much everywhere, although I’m visually inspired by some of my favorite TV shows and movies, which run the gamut from Lord of the Rings to The Princess Bride to Game of Thrones, to name just a few. RM: At the end of Falling Kingdoms, things are looking pretty bleak in Mytica. Is it fair to say that Rebel Spring will be quite a bit darker than book 1? MR: The stakes have been raised and sharpened, for sure. Blood will spill and lives will be lost. But I don’t think I would ever want to write a book that was unrelentingly bleak from beginning to end. I can promise that Rebel Spring contains plenty of comic relief and romance to counterbalance the darker bits. RM: The Falling Kingdoms books are written from multiple POVs, and each of your narrators has such a unique voice and perspective. How does your experience vary from POV to POV? Are there some characters that are more difficult than others? Do you have a favorite? MR: It’s been a wonderful and exciting challenge to write in multiple points of view from my diverse cast. I will admit, some POVs are always a joy to write and others prove to be a challenge. I try to put myself in the head of that character and see the world from their eyes, no matter who they are or what their goals are. I get into the heads of a couple different characters in Rebel Spring, including a villain who definitely sees things from a darker angle than anything I’ve written before – which was fun. The characters whose scenes I most look forward to writing since they are very specific personalities and basically take over and make things easier for me are Cleo and Magnus. They tend to surprise me while the other characters usually stick to the outline! RM: Let’s talk body count. You’re very good at making me fall in love with your characters, but you’re also very good at killing them off when I least expect it. How do you decide the who, how, when, and why when it comes to killing off your characters? MR: I never knew how much I enjoyed killing characters until I started writing this series. *evil grin* However! I like to think those who get the ax (sometimes, um, literally) are necessary deaths. It’s all for a purpose, to change another character in the face of their shock and grief, to lead them down a path they never would have taken before, and to spark a desire for revolution and vengeance in the hearts of those who might previously have been passive and peaceful. Plus, I always think when things seem a bit too ideal and characters are getting too comfortable, it’s a good time to get a few heads rolling to keep things interesting for readers – and for me as the writer! RM: What’s going on with Magnus? He seems like kind of a jerk in Falling Kingdoms, but I get the sense he’s got a soft spot. MR: With a father like King Gaius, whose nickname is the “King of Blood,” it would be pretty hard for a prince to grow up as a nice dude with a sunny disposition! Magnus really came alive on the page for me, more so than any other character in the cast. Initially, he was supposed to be a jerk through and through, but he’s really more of a lost soul whose entire life has been devoted to attempting to gain his cruel and driven father’s love and respect. However, Magnus has begun to learn that he might have a different set of morals than the king, even though he knows following in Daddy’s footsteps would make life easier for him. This isn’t to say that Magnus hasn’t made (and will make) some rather dreadful decisions that will certainly cast a shadow over his future relationships and experiences. RM: Jonas has a lot of axes to grind by the end of book 1. What can we expect from him in Rebel Spring? MR: I think the main thing with Jonas is that beneath his thirst for vengeance (focused on both the murderer of his brother Aron and King Gaius) is that he really does mean well. He cares about the people of downtrodden Paelsia, and he’s someone, unlike his fellow countrymen, who doesn’t believe his future is ruled by uncontrollable fate. In Rebel Spring, Jonas has been thrust into the position of rebel leader, which will be a challenge for him on many levels. RM: Okay, ultimate personality test: Are you a Cleo or a Lucia? MR: Both are princesses from vastly different kingdoms and upbringings – Cleo is a girl who has favored parties and frivolity in the past, while Lucia prefers learning and solitude. Cleo is stubborn and sometimes reckless, and Lucia is more measured and controlled, but may be considered naïve in many ways. I wouldn’t say I’m much like either princess, really, although I am blond like Cleo and I love books like Lucia. :) RM: Lastly, can you talk a little bit about your writing process? MR: It would be next to impossible to undertake a large tapestry of a series like Falling Kingdoms if I didn’t plan a lot of it ahead of time. I work from a detailed outline and map out character goals and conflicts and relationship arcs, but I’m still surprised by some of the things my characters say and do that can take me in a direction different from what was meticulously planned. So far, it’s been a lot of fun to explore these unexpected paths to see where they lead.
Publisher: Penguin
ISBN: 1595145931
Category : Young Adult Fiction
Languages : en
Pages : 412
Book Description
War brought them together. Love will tear them apart. Auranos has been conquered and the three kingdoms—Auranos, Limeros, and Paelsia—are now unwillingly united as one country called Mytica. But alluring, dangerous magic still beckons, and with it the chance to rule not just Mytica, but the world. . . . CLEO is now a prisoner in her own palace, forced to be an ambassador for Mytica as the evil King Gaius lies to her people MAGNUS stands to eventually inherit the new kingdom but is still obsessed with his feelings for his adopted sister, Lucia LUCIA is haunted by the deadly outcome of her breathtaking display of magic that allowed her father to capture the kingdoms JONAS watches at the palace gates, a troop of rebels behind him, waiting for him to tell them how he plans to overtake King Gaius When Gaius announces that a road is to be built into the Forbidden Mountains, formally linking all of Mytica together, he sets off a chain of cataclysmic events that will forever change the face of this land. Praise for Falling Kingdoms “From an opening dripping with blood, magic, and betrayal through complex interweaving plots detailing treachery, deceit, and forbidden love, this novel . . . will immediately engage readers and keep them intrigued.”—Booklist “[It] will gut you emotionally . . . make you ache, cry, and beg for the sequel as you turn the last page. I absolutely loved it.”—Julie Kagawa, New York Times bestselling author of The Iron Queen “This triple-layered tale of bloodshed, heartbreak, and tangled court intrigue kept me turning pages very late into the night.”—Lesley Livingston, author of Wondrous Strange and Starling Richelle Mead, bestselling author of the Vampire Academy and Bloodlines series, sits down with Morgan Rhodes to talk about Rebel Spring, the much-anticipated second book in her bestselling Falling Kingdoms series. Richelle Mead: Morgan Rhodes (aka Michelle Rowen) has been my friend for a number of years. We've hung out together at conferences and swooned over each other's books. When she was able to work on Vampire Academy: The Ultimate Guide, I couldn't believe how lucky I was to have someone who was already a fan of the VA world and whose writing I personally loved. I'm just as excited about her Falling Kingdoms series and couldn't resist this chance to ask her some questions about Rebel Spring, the next book in the series! Morgan Rhodes: I was thrilled for the chance to write the VA Ultimate Guide! I remember Richelle telling me there were plans for the book and I piped up with: “I totally want to write that!” And what fun it was to delve back into a series that I loved (and am still in love with thanks to the wonderful Bloodlines spinoff). I’m counting down the days for the VA movie! Richelle is not only a friend, but one of my very favorite authors, so it’s a real honor to be interviewed by her about Rebel Spring. RM: So without further ado, let’s start talking about the new book. The world of Falling Kingdoms is so vivid and detail-rich. When it comes to world-building for these novels, where do you get your inspiration? MR: I get my inspiration from pretty much everywhere, although I’m visually inspired by some of my favorite TV shows and movies, which run the gamut from Lord of the Rings to The Princess Bride to Game of Thrones, to name just a few. RM: At the end of Falling Kingdoms, things are looking pretty bleak in Mytica. Is it fair to say that Rebel Spring will be quite a bit darker than book 1? MR: The stakes have been raised and sharpened, for sure. Blood will spill and lives will be lost. But I don’t think I would ever want to write a book that was unrelentingly bleak from beginning to end. I can promise that Rebel Spring contains plenty of comic relief and romance to counterbalance the darker bits. RM: The Falling Kingdoms books are written from multiple POVs, and each of your narrators has such a unique voice and perspective. How does your experience vary from POV to POV? Are there some characters that are more difficult than others? Do you have a favorite? MR: It’s been a wonderful and exciting challenge to write in multiple points of view from my diverse cast. I will admit, some POVs are always a joy to write and others prove to be a challenge. I try to put myself in the head of that character and see the world from their eyes, no matter who they are or what their goals are. I get into the heads of a couple different characters in Rebel Spring, including a villain who definitely sees things from a darker angle than anything I’ve written before – which was fun. The characters whose scenes I most look forward to writing since they are very specific personalities and basically take over and make things easier for me are Cleo and Magnus. They tend to surprise me while the other characters usually stick to the outline! RM: Let’s talk body count. You’re very good at making me fall in love with your characters, but you’re also very good at killing them off when I least expect it. How do you decide the who, how, when, and why when it comes to killing off your characters? MR: I never knew how much I enjoyed killing characters until I started writing this series. *evil grin* However! I like to think those who get the ax (sometimes, um, literally) are necessary deaths. It’s all for a purpose, to change another character in the face of their shock and grief, to lead them down a path they never would have taken before, and to spark a desire for revolution and vengeance in the hearts of those who might previously have been passive and peaceful. Plus, I always think when things seem a bit too ideal and characters are getting too comfortable, it’s a good time to get a few heads rolling to keep things interesting for readers – and for me as the writer! RM: What’s going on with Magnus? He seems like kind of a jerk in Falling Kingdoms, but I get the sense he’s got a soft spot. MR: With a father like King Gaius, whose nickname is the “King of Blood,” it would be pretty hard for a prince to grow up as a nice dude with a sunny disposition! Magnus really came alive on the page for me, more so than any other character in the cast. Initially, he was supposed to be a jerk through and through, but he’s really more of a lost soul whose entire life has been devoted to attempting to gain his cruel and driven father’s love and respect. However, Magnus has begun to learn that he might have a different set of morals than the king, even though he knows following in Daddy’s footsteps would make life easier for him. This isn’t to say that Magnus hasn’t made (and will make) some rather dreadful decisions that will certainly cast a shadow over his future relationships and experiences. RM: Jonas has a lot of axes to grind by the end of book 1. What can we expect from him in Rebel Spring? MR: I think the main thing with Jonas is that beneath his thirst for vengeance (focused on both the murderer of his brother Aron and King Gaius) is that he really does mean well. He cares about the people of downtrodden Paelsia, and he’s someone, unlike his fellow countrymen, who doesn’t believe his future is ruled by uncontrollable fate. In Rebel Spring, Jonas has been thrust into the position of rebel leader, which will be a challenge for him on many levels. RM: Okay, ultimate personality test: Are you a Cleo or a Lucia? MR: Both are princesses from vastly different kingdoms and upbringings – Cleo is a girl who has favored parties and frivolity in the past, while Lucia prefers learning and solitude. Cleo is stubborn and sometimes reckless, and Lucia is more measured and controlled, but may be considered naïve in many ways. I wouldn’t say I’m much like either princess, really, although I am blond like Cleo and I love books like Lucia. :) RM: Lastly, can you talk a little bit about your writing process? MR: It would be next to impossible to undertake a large tapestry of a series like Falling Kingdoms if I didn’t plan a lot of it ahead of time. I work from a detailed outline and map out character goals and conflicts and relationship arcs, but I’m still surprised by some of the things my characters say and do that can take me in a direction different from what was meticulously planned. So far, it’s been a lot of fun to explore these unexpected paths to see where they lead.
Dictionary of the British English Spelling System
Author: Greg Brooks
Publisher: Open Book Publishers
ISBN: 1783741074
Category : Language Arts & Disciplines
Languages : en
Pages : 524
Book Description
This book will tell all you need to know about British English spelling. It's a reference work intended for anyone interested in the English language, especially those who teach it, whatever the age or mother tongue of their students. It will be particularly useful to those wishing to produce well-designed materials for teaching initial literacy via phonics, for teaching English as a foreign or second language, and for teacher training. English spelling is notoriously complicated and difficult to learn; it is correctly described as much less regular and predictable than any other alphabetic orthography. However, there is more regularity in the English spelling system than is generally appreciated. This book provides, for the first time, a thorough account of the whole complex system. It does so by describing how phonemes relate to graphemes and vice versa. It enables searches for particular words, so that one can easily find, not the meanings or pronunciations of words, but the other words with which those with unusual phoneme-grapheme/grapheme-phoneme correspondences keep company. Other unique features of this book include teacher-friendly lists of correspondences and various regularities not described by previous authorities, for example the strong tendency for the letter-name vowel phonemes (the names of the letters ) to be spelt with those single letters in non-final syllables.
Publisher: Open Book Publishers
ISBN: 1783741074
Category : Language Arts & Disciplines
Languages : en
Pages : 524
Book Description
This book will tell all you need to know about British English spelling. It's a reference work intended for anyone interested in the English language, especially those who teach it, whatever the age or mother tongue of their students. It will be particularly useful to those wishing to produce well-designed materials for teaching initial literacy via phonics, for teaching English as a foreign or second language, and for teacher training. English spelling is notoriously complicated and difficult to learn; it is correctly described as much less regular and predictable than any other alphabetic orthography. However, there is more regularity in the English spelling system than is generally appreciated. This book provides, for the first time, a thorough account of the whole complex system. It does so by describing how phonemes relate to graphemes and vice versa. It enables searches for particular words, so that one can easily find, not the meanings or pronunciations of words, but the other words with which those with unusual phoneme-grapheme/grapheme-phoneme correspondences keep company. Other unique features of this book include teacher-friendly lists of correspondences and various regularities not described by previous authorities, for example the strong tendency for the letter-name vowel phonemes (the names of the letters ) to be spelt with those single letters in non-final syllables.
The Routledge History of Literature in English
Author: Ronald Carter
Publisher: Psychology Press
ISBN: 9780415243179
Category : English language
Languages : en
Pages : 598
Book Description
This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.
Publisher: Psychology Press
ISBN: 9780415243179
Category : English language
Languages : en
Pages : 598
Book Description
This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.
Sarah Sparrow the Scullery Maid
Author: Jani Tully Chaplin
Publisher: Exhibit A
ISBN: 9780956544315
Category :
Languages : en
Pages : 68
Book Description
Publisher: Exhibit A
ISBN: 9780956544315
Category :
Languages : en
Pages : 68
Book Description
Rory Redshank the Footman
Author: Jani Tully Chaplin
Publisher:
ISBN: 9781527236608
Category :
Languages : en
Pages : 68
Book Description
Publisher:
ISBN: 9781527236608
Category :
Languages : en
Pages : 68
Book Description
Life After Life
Author: Kate Atkinson
Publisher: Random House
ISBN: 0552779687
Category : Fiction
Languages : en
Pages : 628
Book Description
WINNER OF THE COSTA NOVEL AWARD What if you had the chance to live your life again and again, until you finally got it right? During a snowstorm in England in 1910, a baby is born and dies before she can take her first breath. During a snowstorm in England in 1910, the same baby is born and lives to tell the tale. What if there were second chances? And third chances? In fact an infinite number of chances to live your life? Would you eventually be able to save the world from its own inevitable destiny? And would you even want to? Life After Life follows Ursula Todd as she lives through the turbulent events of the last century again and again. With wit and compassion, Kate Atkinson finds warmth even in lifeâe(tm)s bleakest moments, and shows an extraordinary ability to evoke the past. Here she is at her most profound and inventive, in a novel that celebrates the best and worst of ourselves.
Publisher: Random House
ISBN: 0552779687
Category : Fiction
Languages : en
Pages : 628
Book Description
WINNER OF THE COSTA NOVEL AWARD What if you had the chance to live your life again and again, until you finally got it right? During a snowstorm in England in 1910, a baby is born and dies before she can take her first breath. During a snowstorm in England in 1910, the same baby is born and lives to tell the tale. What if there were second chances? And third chances? In fact an infinite number of chances to live your life? Would you eventually be able to save the world from its own inevitable destiny? And would you even want to? Life After Life follows Ursula Todd as she lives through the turbulent events of the last century again and again. With wit and compassion, Kate Atkinson finds warmth even in lifeâe(tm)s bleakest moments, and shows an extraordinary ability to evoke the past. Here she is at her most profound and inventive, in a novel that celebrates the best and worst of ourselves.
Gleanings from Joshua
Author: Arthur W. Pink
Publisher:
ISBN: 9781612033402
Category : Religion
Languages : en
Pages : 380
Book Description
"In approaching the study of one of the books of Scripture it must be of considerable help to the student if he can ascertain what is its main design and what is its outstanding topic. As pointed out in the pages in our Introduction to Exodus each book in the Bible has a prominent and dominant theme which, as such, is peculiar to itself, around which everything is made to center and of which all the details are but the amplification. What that leading subject may be, we should make it our business to prayerfully and diligently ascertain. This can best be discovered by reading and re-reading the book under review, noting carefully any particular feature or expression which occurs frequently in it-such as "under the sun" in Ecclesiastes or "the righteousness of God" in Romans. "The book of Joshua records one of the most interesting and important portions of Israel's history. It treats of the period of their estatement as a nation, of which Genesis was prophetic and the rest of the Pentateuch immediately preparatory. The books of Moses would be imperfect without this one: as it is the capstone of them, so it is the foundation of those which follow. Omit Joshua and there is a gap left in the sacred history which nothing could supply. Without it what proceeds would be incomprehensible and what follows unexplained. The sacred writer was directed to fill that gap by narrating the conquest and apportionment of the Promised Land. Thus this book may be contemplated from two distinct but closely related standpoints: first as the end of Israel's trials and wanderings in the wilderness, and second as the beginning of their new life in the land. It is that twofold viewpoint which supplies the clue to its spiritual interpretation, as it alone solves the problem which so many have found puzzling in this book." Arthur Walkington Pink was an English Christian evangelist and Biblical scholar known for his staunchly Calvinist and Puritan-like teachings. Though born to Christian parents, prior to conversion he migrated into a Theosophical society (an occult gnostic group popular in England during that time), and quickly rose in prominence within their ranks. His conversion came from his father's patient admonitions from Scripture. It was the verse, Proverbs 14:12, 'there is a way which seemeth right unto a man, but the end thereof are the ways of death, ' which particularly struck his heart and compelled him to renounce Theosophy and follow Jesus.
Publisher:
ISBN: 9781612033402
Category : Religion
Languages : en
Pages : 380
Book Description
"In approaching the study of one of the books of Scripture it must be of considerable help to the student if he can ascertain what is its main design and what is its outstanding topic. As pointed out in the pages in our Introduction to Exodus each book in the Bible has a prominent and dominant theme which, as such, is peculiar to itself, around which everything is made to center and of which all the details are but the amplification. What that leading subject may be, we should make it our business to prayerfully and diligently ascertain. This can best be discovered by reading and re-reading the book under review, noting carefully any particular feature or expression which occurs frequently in it-such as "under the sun" in Ecclesiastes or "the righteousness of God" in Romans. "The book of Joshua records one of the most interesting and important portions of Israel's history. It treats of the period of their estatement as a nation, of which Genesis was prophetic and the rest of the Pentateuch immediately preparatory. The books of Moses would be imperfect without this one: as it is the capstone of them, so it is the foundation of those which follow. Omit Joshua and there is a gap left in the sacred history which nothing could supply. Without it what proceeds would be incomprehensible and what follows unexplained. The sacred writer was directed to fill that gap by narrating the conquest and apportionment of the Promised Land. Thus this book may be contemplated from two distinct but closely related standpoints: first as the end of Israel's trials and wanderings in the wilderness, and second as the beginning of their new life in the land. It is that twofold viewpoint which supplies the clue to its spiritual interpretation, as it alone solves the problem which so many have found puzzling in this book." Arthur Walkington Pink was an English Christian evangelist and Biblical scholar known for his staunchly Calvinist and Puritan-like teachings. Though born to Christian parents, prior to conversion he migrated into a Theosophical society (an occult gnostic group popular in England during that time), and quickly rose in prominence within their ranks. His conversion came from his father's patient admonitions from Scripture. It was the verse, Proverbs 14:12, 'there is a way which seemeth right unto a man, but the end thereof are the ways of death, ' which particularly struck his heart and compelled him to renounce Theosophy and follow Jesus.
A Haunted House and Other Short Stories (The Original Unabridged Posthumous Edition of 18 Short Stories)
Author: Virginia Woolf
Publisher: e-artnow
ISBN: 8074844986
Category : Fiction
Languages : en
Pages : 127
Book Description
This carefully crafted ebook: "A Haunted House and Other Short Stories (The Original Unabridged Posthumous Edition of 18 Short Stories)" is formatted for your eReader with a functional and detailed table of contents. A Haunted House is a 1944 collection of 18 short stories by Virginia Woolf. It was produced by her husband Leonard Woolf after her death. The first six stories appeared in her only previous collection Monday or Tuesday in 1921: "A Haunted House" "Monday or Tuesday" "An Unwritten Novel" "The String Quartet" "Kew Gardens" "The Mark on the Wall" The next six appeared in magazines between 1922 and 1941 : "The New Dress" "The Shooting Party" "Lappin and Lappinova" "Solid Objects" "The Lady in the Looking-Glass" "The Duchess and the Jeweller" The final six were unpublished, although only "Moments of Being" and "The Searchlight" were finally revised by Virginia Woolf herself : "Moments of Being" "The Man who Loved his Kind" "The Searchlight" "The Legacy" "Together and Apart" "A Summing Up"
Publisher: e-artnow
ISBN: 8074844986
Category : Fiction
Languages : en
Pages : 127
Book Description
This carefully crafted ebook: "A Haunted House and Other Short Stories (The Original Unabridged Posthumous Edition of 18 Short Stories)" is formatted for your eReader with a functional and detailed table of contents. A Haunted House is a 1944 collection of 18 short stories by Virginia Woolf. It was produced by her husband Leonard Woolf after her death. The first six stories appeared in her only previous collection Monday or Tuesday in 1921: "A Haunted House" "Monday or Tuesday" "An Unwritten Novel" "The String Quartet" "Kew Gardens" "The Mark on the Wall" The next six appeared in magazines between 1922 and 1941 : "The New Dress" "The Shooting Party" "Lappin and Lappinova" "Solid Objects" "The Lady in the Looking-Glass" "The Duchess and the Jeweller" The final six were unpublished, although only "Moments of Being" and "The Searchlight" were finally revised by Virginia Woolf herself : "Moments of Being" "The Man who Loved his Kind" "The Searchlight" "The Legacy" "Together and Apart" "A Summing Up"
Greek Island Nature Diary
Author:
Publisher: Unicorn
ISBN: 9781913491741
Category :
Languages : en
Pages : 112
Book Description
Greek Island Nature Diary is a lavish journal of highly detailed watercolours and accompanying pencil drawings of flora, fauna and natural objects observed and collected during the author's years living in Corfu and sailing the Ionian on her family's oceangoing catamaran. This evocative diary is based on the author's notes and sketches made in remote coves, in the thickets of the littoral and in the thyme scented mountains of the interior. Alongside these studies the book includes many fascinating, informative and often practical descriptions of the medicinal, olfactory and culinary uses of the wild plants found in this naturalist's paradise. As well as her own personal observations, the text reveals surprising links between Ancient Greek civilisation and modern medicine; references to related Greek mythology and folklore intermingle with quotations from poetry and prose associated with the plants.
Publisher: Unicorn
ISBN: 9781913491741
Category :
Languages : en
Pages : 112
Book Description
Greek Island Nature Diary is a lavish journal of highly detailed watercolours and accompanying pencil drawings of flora, fauna and natural objects observed and collected during the author's years living in Corfu and sailing the Ionian on her family's oceangoing catamaran. This evocative diary is based on the author's notes and sketches made in remote coves, in the thickets of the littoral and in the thyme scented mountains of the interior. Alongside these studies the book includes many fascinating, informative and often practical descriptions of the medicinal, olfactory and culinary uses of the wild plants found in this naturalist's paradise. As well as her own personal observations, the text reveals surprising links between Ancient Greek civilisation and modern medicine; references to related Greek mythology and folklore intermingle with quotations from poetry and prose associated with the plants.