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Author: William M. Sale (Jr.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 389
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Book Description
Author: William M. Sale (Jr.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 389
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Book Description
Author: William Merritt Sale
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
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Book Description
Author: John A. Dussinger
Publisher: Anthem Press
ISBN: 1785273558
Category : Literary Criticism
Languages : en
Pages : 135
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Book Description
During the first two decades of his career, Richardson’s role as printer was hardly limited to setting the type for the periodicals that issued from his shop. Perhaps the most glaring evidence of his intervention in producing text is the fact that both The True Briton (1723-24) and The Weekly Miscellany (1732-41) just happen to have letters supposedly from women who protest the legal restraints against their participation in the public sphere. Neither the Duke of Wharton, the owner of The True Briton, nor William Webster, the desperately impecunious producer of The Weekly Miscellany, launched their journals with the objective of advancing radical views about political equality for women. But almost inadvertently this middle-aged, rotund printer at Salisbury Court was quietly feminizing journalism. After his first experiments in Wharton’s anti-Walpole journal he developed his satiric powers in the Miscellany by creating not only his own feisty counterpart to Pope’s coquette Belinda but even partnering with Sarah Chapone’s subversive Delia. As an outlier in what was perceived to be a corrupt, predatory political world, Richardson readily assumed a female voice to express his resistance.
Author: Ira Konigsberg
Publisher: University Press of Kentucky
ISBN: 0813163722
Category : Literary Criticism
Languages : en
Pages : 152
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Book Description
Samuel Richardson, the founder of the modern English novel, gave shape to a previously unformed literary genre. Instrumental in the development of this new art form, Ira Konigsberg contends, is the influence of the drama. Although scholars have long suspected the influence of drama on Richardson's writing, this is the first study to examine it in detail. In such matters as material, technique, and structure, Konigsberg seeks to show that Richardson found his precedents in Restoration and early eighteenth-century drama and that it was his integration of these dramatic elements with fiction which caused the mutation in genre that is responsible for the subsequent course of the English novel.
Author: Michael McKeon
Publisher: JHU Press
ISBN: 9780801869594
Category : Literary Criticism
Languages : en
Pages : 564
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Book Description
The novel emerged, McKeon contends, as a cultural instrument designed to engage the epistemological and social crises of the age.
Author: Samuel Richardson
Publisher: Publio Kiadó Kft.
ISBN: 9633818214
Category : Fiction
Languages : en
Pages : 33
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Book Description
Since most publishers of Pamela have preferred to print Richardson’s table of contents from the sixth edition, his complete introduction (his preface, together with letters to the editor and comments) is missing even from some of our best collections. Occasionally one finds the preface and the first two letters, but only four publishers since Richardson have attempted to reprint the full introduction. Harrison (London, 1785) -- who omits the first letter -- and Cooke (London, 1802-3) both follow Richardson’s eighth edition; Ballantyne (Edinburgh, 1824) uses the fourth; the Shakespeare Head (Oxford, 1929), the third. And even these printings leave one dissatisfied. The Shakespeare Head gives the fullest text, but naturally omits Richardson’s revisions; Cooke gives the introduction in its final form, but one misses the full text which accompanied the book in its heyday; and rarely are both Cooke and Shakespeare Head to be found in the same library.
Author: Donald L. Ball
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111342476
Category : Language Arts & Disciplines
Languages : en
Pages : 324
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Book Description
No detailed description available for "Samuel Richardson's theory of fiction".
Author: Rita Goldberg
Publisher: Cambridge University Press
ISBN: 0521260698
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Dr Goldberg argues that Samuel Richardson had expressed a powerful and hitherto unperceived sexual mythology in Clarissa, making it the popular masterpiece it quickly became. There had never before been a work of literature in which the rape of a woman became the moral indictment of an age. Clarissa was a book which changed minds. It is not surprising that Diderot, the French philosophe, drew on Richardson as the inspiration for his own novel, La Religieuse. Richardson's novels had achieved Diderot's declared aim as editor of the great Encyclopédie: to change the way people think. For both writers it had become clear that the boudoir had replaced the Puritan closet and the Catholic confessional as the location for tests of virtue. Dr Goldberg offers an original, comparative reading of the works of these French and English innovators. She leaves us in little doubt that our understanding of what it means to be a woman in our culture owes much to the turbulent world of Richardson and Diderot.
Author: David Blewett
Publisher: University of Toronto Press
ISBN: 9780802035035
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
Richardson's novels reveal the conflict of human passion in all its aspects - love, lust, and suffering. This conflict is considered and critically analysed in fourteen essays, all originally published in Eighteenth-Century Fiction.
Author: Cynthia Wall
Publisher: University of Chicago Press
ISBN: 022646797X
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
In Grammars of Approach, Cynthia Wall offers a close look at changes in perspective in spatial design, language, and narrative across the late eighteenth and early nineteenth centuries that involve, literally and psychologically, the concept of “approach.” In architecture, the term “approach” changed in that period from a verb to a noun, coming to denote the drive from the lodge at the entrance of an estate “through the most interesting part of the grounds,” as landscape designer Humphrey Repton put it. The shift from the long straight avenue to the winding approach, Wall shows, swung the perceptual balance away from the great house onto the personal experience of the visitor. At the same time, the grammatical and typographical landscape was shifting in tandem, away from objects and Things (and capitalized common Nouns) to the spaces in between, like punctuation and the “lesser parts of speech”. The implications for narrative included new patterns of syntactical architecture and the phenomenon of free indirect discourse. Wall examines the work of landscape theorists such as Repton, John Claudius Loudon, and Thomas Whately alongside travel narratives, topographical views, printers’ manuals, dictionaries, encyclopedias, grammars, and the novels of Defoe, Richardson, Burney, Radcliffe, and Austen to reveal a new landscaping across disciplines—new grammars of approach in ways of perceiving and representing the world in both word and image.
