Salvatore Scarpitta. Catalogue raisonné. Ediz. italiana e inglese PDF Download
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Author: Salvatore Scarpitta
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 468
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Book Description
Author: Salvatore Scarpitta
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 468
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Book Description
Author: Salvatore Scarpitta
Publisher:
ISBN: 9788836625031
Category :
Languages : en
Pages : 311
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Book Description
Author: Luigi Sansone
Publisher:
ISBN: 9788820213251
Category : Art
Languages : it
Pages : 158
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Book Description
Author: Germano Celant
Publisher:
ISBN:
Category : Transportation
Languages : un
Pages : 152
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Book Description
Author: Achille Bonito Oliva
Publisher: Mondadori Electa
ISBN:
Category : Art
Languages : it
Pages : 324
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Book Description
Author: Laura Cherubini
Publisher: Silvana Editoriale
ISBN:
Category : Art
Languages : en
Pages : 142
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Book Description
Author: Luigi Ballerini
Publisher: University of Toronto Press
ISBN: 1442625155
Category : Literary Criticism
Languages : en
Pages : 2025
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Book Description
Those Who from Afar Look Like Flies is an anthology of poems and essays that aims to provide an organic profile of the evolution of Italian poetry after World War II. Beginning with the birth of Officina and Il Verri, and culminating with the crisis of the mid-seventies, this tome features works by such poets as Pasolini, Pagliarani, Rosselli, Sanguineti and Zanzotto, as well as such forerunners as Villa and Cacciatore. Each section of this anthology, organized chronologically, is preceded by an introductory note and documents every stylistic or substantial change in the poetics of a group or individual. For each poet, critic, and translator a short biography and bibliography is also provided.
Author: Emilio Villa
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 38
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Book Description
Author: Alison Perchuk
Publisher:
ISBN: 9782503589435
Category :
Languages : en
Pages : 432
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Book Description
Blending innovative art historical analysis with archaeology, epigraphy, history, liturgy, theology, and landscape and memory studies, The Medieval Monastery of Saint Elijah: A History in Paint and Stone is the first comprehensive interdisciplinary study of a deeply intelligent yet understudied male Benedictine convent near Rome. The only monastery known to have been dedicated to the prophet Elijah in the Latin West, it was rebuilt c.1122-26 with papal patronage. Today, the monastery is represented by its church of Sant'Elia, a stone basilica endowed with its original Cosmati marble pavement and liturgical furnishings, early and high medieval sculptures and inscriptions, and vibrant wall paintings that include unique depictions of the prophet Elijah and the twelve tribes of Israel as warriors, an apse program with a distinctly elite Roman origin, and an important narrative cycle of the Apocalypse. An outlying chapel marks the site of a theophany that sanctified the landscape and gave the monastery its raison d'etre. The Medieval Monastery of Saint Elijah makes significant contributions to current art historical debates concerning communal identity and the construction of social memory, artistic creativity and processes, the multisensory and exegetical capacities of works of visual art, intersections of topography and sanctity, and the effects of medievalism on our understanding of the Middle Ages.
Author: Joanne Parker
Publisher: Oxford University Press
ISBN: 0191648264
Category : Literary Criticism
Languages : en
Pages : 672
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Book Description
In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.
