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Author: Charles Baudelaire
Publisher: David Zwirner Books
ISBN: 9781644230534
Category : Art
Languages : en
Pages : 112
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Book Description
In his introduction to Charles Baudelaire’s Salon of 1846, the renowned art historian Michael Fried presents a new take on the French poet and critic’s ideas on art, criticism, romanticism, and the paintings of Delacroix. Charles Baudelaire, considered a father of modern poetry, wrote some of the most daring and influential prose of the nineteenth century. Prior to publishing international bestseller Les Fleurs du mal (1857), he was already notable as a forthright and witty critic of art and literature. Captivated by the Salons in Paris, Baudelaire took to writing to express his theories on modern art and art philosophy. The Salon of 1846 expands upon the tenets of Romanticism as Baudelaire methodically takes his reader through paintings by Delecroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that time. Baudelaire’s text proves to be a useful lens for understanding art criticism in mid-nineteenth-century France, as well as the changing opinions regarding the essential nature of Romanticism and the artist as creative genius. Acclaimed art historian and art critic Michael Fried’s introduction offers a new reading of Baudelaire’s seminal text and highlights the importance of his writing and its relevance to today’s audience.
Author: Charles Baudelaire
Publisher: David Zwirner Books
ISBN: 9781644230534
Category : Art
Languages : en
Pages : 112
Get Book Here
Book Description
In his introduction to Charles Baudelaire’s Salon of 1846, the renowned art historian Michael Fried presents a new take on the French poet and critic’s ideas on art, criticism, romanticism, and the paintings of Delacroix. Charles Baudelaire, considered a father of modern poetry, wrote some of the most daring and influential prose of the nineteenth century. Prior to publishing international bestseller Les Fleurs du mal (1857), he was already notable as a forthright and witty critic of art and literature. Captivated by the Salons in Paris, Baudelaire took to writing to express his theories on modern art and art philosophy. The Salon of 1846 expands upon the tenets of Romanticism as Baudelaire methodically takes his reader through paintings by Delecroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that time. Baudelaire’s text proves to be a useful lens for understanding art criticism in mid-nineteenth-century France, as well as the changing opinions regarding the essential nature of Romanticism and the artist as creative genius. Acclaimed art historian and art critic Michael Fried’s introduction offers a new reading of Baudelaire’s seminal text and highlights the importance of his writing and its relevance to today’s audience.
Author: Ulrich Finke
Publisher: Manchester University Press
ISBN: 9780719004131
Category : Art and literature
Languages : en
Pages : 420
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Book Description
Author: Charles Baudelaire
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Jean Seznec
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: Emily Salines
Publisher: Rodopi
ISBN: 9789042019317
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
Alchemy and Amalgam explores a relatively un-researched area of the Baudelairean corpus (his translations from English) and relates them to the rest of his works. It seeks to establish a link between translational and creative writing, arguing for a reassessment of the place of translation in Baudelaire's writing method. Rather than a sideline in Baudelaire's creative activities, translation is thus shown to be a central form of dual writing at the core of his works. Baudelaire's translations from English, his constant rewriting of pre-existing material (including his own), the doublets, the transpositions d'art, and the art criticism are all based on an approach to writing which is essentially derivative but also transformative. Thus the Baudelairean experiment illustrates the limits of romantic notions of originality, creativity and genius, reminding us that all writing is intrinsically intertextual. It also shows the complexity of translation as a form of creation at the core of modern writing. The book is one of the first of its kind to link the study the translational activity of a major writer to his 'creative' writings. It is also one of the first to provide an integrated presentation of French 19th-century translation approaches and to link them to questions of copyright and authorship in the context of the rise of capitalism and romantic views of creation and genius. It offers, therefore, a new perspective both on translation history and on literary history. Alchemy and Amalgam will be of interest to students of translation, comparative literature and French studies.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 278
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Book Description
Author: David Carrier
Publisher: Penn State Press
ISBN: 9780271042718
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
The great poet Charles Baudelaire (1821&–1867) was also an extremely influential art critic. High Art relates the philosophical issues posed by Baudelaire's art writing to the theory and practice of modernist and postmodernist painting. Baudelaire wrote in an age of transition, David Carrier argues, an era divided by the Revolution of 1848, the historical break that played for him a role now taken within modernism by the political revolts of 1968. Moving from the grand tradition of Delacroix to the images of modern life made by Constantin Guys, this movement from &"high&" to &"low,&" from the unified world of correspondences to the fragmented images of contemporary city life, motivates Baudelaire's equivalent to the post-1968 turn away from formalist art criticism. Viewed from the perspective of the 1990s, Carrier argues, the issues raised by Baudelaire's criticism and creative writing provide a way of understanding the situation of art writing in our own time.
Author: H. W. Janson
Publisher: Dissertations-G
ISBN: 9780824018566
Category :
Languages : en
Pages :
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Author: Catriona MacLeod
Publisher: Rodopi
ISBN: 9042026189
Category : Art
Languages : en
Pages : 422
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Book Description
This volume presents the impressive range of scholarly affinities, approaches, and subjects that characterize today's word and image studies. The essays were first presented in 2005 at an international conference.
Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category : Painting
Languages : en
Pages : 256
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Book Description
