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Author: Viśvanātha Kavirāja
Publisher:
ISBN:
Category : Poetics
Languages : en
Pages : 268
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Book Description
Author: Viśvanātha Kavirāja
Publisher:
ISBN:
Category : Poetics
Languages : en
Pages : 268
Get Book Here
Book Description
Author: Viśvanātha Kavirāja
Publisher:
ISBN:
Category : Poetics
Languages : en
Pages : 432
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Book Description
Author: Viśvanātha Kavirāja
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120811454
Category : Literature
Languages : en
Pages : 474
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Book Description
The Sahitya Darpana or` Mirror of Composition` is a renowned Sanskrit work on poetics by Visvanatha of early fourteenth century. It is divided into ten sections. The first section deals with the nature and definition of poetry. The second treats of various powers of a word. The third treats of sentiments. The fourth treats of the divisions of poetry. The present work is an english translation of the sanskrit original first published in 1875 by J.r. Ballantyne who commenced the translation but could go only as far as one quarter of the work and Paramada Dasa Mitra, completed the rest of it.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 414
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Author: Bhāmaha
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120808638
Category : Poetics
Languages : en
Pages : 160
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Book Description
The aim of Bhamaha was to bring into existence a theoretical treatise on rhetoric as to facilitate a critical study of the subject with a view to serve as a practical handbook in the art and poetical composition. This work is not only to the advantage of the reader but also constitutes a legitimate act of homage to the first great rhetorician Bhamaha. It also includes a translation and notes of the original text.
Author: Asiatic Society (Kolkata, India)
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 630
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Author: Harṣavardhana (King of Thānesar and Kanauj)
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 128
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Author: Mandakranta Bose
Publisher: Springer Science & Business Media
ISBN: 9401135940
Category : Philosophy
Languages : en
Pages : 343
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Book Description
The most comprehensive view of the evolution of dancing in India is one that is derived from Sanskrit textual sources. These texts are the basic material that students of the dance in India must examine in order to uncover its past. Since the rebirth of informed interest in dancing in early twentieth century, its antiquity has been acknowledged but precisely what the art was in antiquity remains unclear. Discovering the oldest forms of dancing in India requires, as do other historical quests, a reconstruction of the past and, again as in other historical investigations, the primary sources of knowledge are records from the past. In this case the records are treatises and manuals in Sanskrit that discuss and describe dancing. These are the sources that the present work sets out to mine. These texts taken collectively are more than records of a particular state of the art. They testify to the growth of the theory and practice of the art and thus establish it as an evolving rather than a fixed art form that changed as much in response to its own expanding aesthetic boundaries as to parallel or complementary forms of dance, drama and music that impinged upon it as India's social and political situation changed. When we place the Sanskrit treatises in chronological sequence it becomes clear that the understanding of the art has changed through time, in its infancy as well as in maturer periods.
Author: Ananda K. Coomaraswamy
Publisher: Princeton University Press
ISBN: 0691219338
Category : Art
Languages : en
Pages : 295
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Book Description
Ananda K. Coomaraswamy (1877-1947) was a pioneer in Indian art history and in the cultural confrontation of East and West. A scholar in the tradition of the great Indian grammarians and philosophers, an art historian convinced that the ultimate value of art transcends history, and a social thinker influenced by William Morris, Coomaraswamy was a unique figure whose works provide virtually a complete education in themselves. Finding a universal tradition in past cultures ranging from the Hellenic and Christian to the Indian, Islamic, and Chinese, he collated his ideas and symbols of ancient wisdom into the sometimes complex, always rewarding pattern of essays. The Door in the Sky is a collection of the author's writings on myth drawn from his Metaphysics and Traditional Art and Symbolism, both originally published in Bollingen Series. These essays were written while Coomaraswamy was curator in the department of Asiatic Art of the Boston Museum of Fine Arts, where he built the first large collection of Indian art in the United States.
Author:
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ISBN:
Category :
Languages : en
Pages : 532
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