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Author: June McDaniel
Publisher: MDPI
ISBN: 3039210505
Category : Social Science
Languages : en
Pages : 198
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Book Description
This book is a printed edition of the Special Issue Religious Experience in the Hindu Tradition that was published in Religions
Author: June McDaniel
Publisher: MDPI
ISBN: 3039210505
Category : Social Science
Languages : en
Pages : 198
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Book Description
This book is a printed edition of the Special Issue Religious Experience in the Hindu Tradition that was published in Religions
Author: Emmie te Nijenhuis
Publisher:
ISBN:
Category : Hindustani music
Languages : en
Pages : 316
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Book Description
Author: Emmie te Nijenhuis
Publisher: BRILL
ISBN: 9004391886
Category : Music
Languages : en
Pages : 312
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Book Description
At the beginning of the nineteenth century South Indian composers were still influenced by traditional religious concepts such as: temple rituals, pilgrimage and personal devotion. Tyāgarāja, Muttusvāmi Dīkṣitar and Śyāma Śāstri, the three prominent composers from the Tanjore district, used the kīrtana, a congregational song in praise of a deity, as a standard musical form. The compositions selected from the works of these composers show the various aspects of Hindu devotionalism. The detailed Western music notation of the editor, based on actual performances, will help the music student to understand the characteristic ornate South Indian melodic style. The introductory chapters contain general cultural information, biographical details as well as the original song texts with an English translation. With a unique MP3-CD containing all the kīrtana compositions.
Author: Stephen A. Marini
Publisher: University of Illinois Press
ISBN: 9780252028007
Category : History
Languages : en
Pages : 418
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Book Description
In Sacred Song in America, Stephen A. Marini explores the full range of American sacred music and demonstrates how an understanding of the meanings and functions of this musical expression can contribute to a greater understanding of religious culture.Marini examines the role of sacred song across the United States, from the musical traditions of Native Americans and the Hispanic peoples of the Southwest, to the Sacred Harp singers of the rural South and the Jewish music revival to the music of the Mormon, Catholic, and Black churches. Including chapters on New Age and Neo-Pagan music, gospel music, and hymnals as well as interviews with iconic composers of religious music, Sacred Song in America pursues a historical, musicological, and theoretical inquiry into the complex roles of ritual music in the public religious culture of contemporary America.
Author: John Stratton Hawley
Publisher: Harvard University Press
ISBN: 0674425286
Category : History
Languages : en
Pages : 457
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Book Description
India celebrates itself as a nation of unity in diversity, but where does that sense of unity come from? One important source is a widely-accepted narrative called the “bhakti movement.” Bhakti is the religion of the heart, of song, of common participation, of inner peace, of anguished protest. The idea known as the bhakti movement asserts that between 600 and 1600 CE, poet-saints sang bhakti from India’s southernmost tip to its northern Himalayan heights, laying the religious bedrock upon which the modern state of India would be built. Challenging this canonical narrative, John Stratton Hawley clarifies the historical and political contingencies that gave birth to the concept of the bhakti movement. Starting with the Mughals and their Kachvaha allies, North Indian groups looked to the Hindu South as a resource that would give religious and linguistic depth to their own collective history. Only in the early twentieth century did the idea of a bhakti “movement” crystallize—in the intellectual circle surrounding Rabindranath Tagore in Bengal. Interactions between Hindus and Muslims, between the sexes, between proud regional cultures, and between upper castes and Dalits are crucially embedded in the narrative, making it a powerful political resource. A Storm of Songs ponders the destiny of the idea of the bhakti movement in a globalizing India. If bhakti is the beating heart of India, this is the story of how it was implanted there—and whether it can survive.
Author: Philip V. Bohlman
Publisher: Cambridge University Press
ISBN: 1316025667
Category : Music
Languages : en
Pages : 943
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Book Description
Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
Author: Peter Lamarche Manuel
Publisher: Temple University Press
ISBN: 9781439905708
Category : Music
Languages : en
Pages : 282
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Book Description
Trinidadian sitarist, composer, and music authority, Mangal Patasar once remarked about tãn-singing, "You take a capsule from India, leave it here for a hundred years, and this is what you get." Patasar was referring to what may be the most sophisticated and distinctive art form cultivated among the one and a half million East Indians whose ancestors migrated as indentured laborers from colonial India to the West Indies between 1845 and 1917. Known in Trinidad and Guyana as "tãn-singing" or "local-classical music" and in Suriname as "baithak gãna" ("sitting music"), tãn-singing has evolved into a unique idiom, embodying the rich poetic and musical heritage brought from India as modified by a diaspora group largely cut off from its ancestral homeland. In recent decades, however, tãn-singing has been declining, regarded as quaint and crude by younger generations raised on MTV, Hindi film music, and disco. At the same time, Indo-Caribbeans have been participating in their countries' economic, political, and cultural lives to a far greater extent than previously. Accompanying this participation has been a lively cultural revival, encompassing both an enhanced assertion of Indianness and a spirit of innovative syncretism. One of the most well-known products of this process is chutney, a dynamic music and dance phenomenon that is simultaneously a folk revival and a pop hybrid. In Trinidad, it has also been the vehicle for a controversial form of female empowerment and an agent of a new, more inclusive, conception of national identity. Thus, East Indian Music in the West Indies is a portrait of a diaspora community in motion. It documents the social and cultural development of a people "without history," a people who have sometimes been dismissed as foreigners who merely perpetuate the culture of the homeland rather than becoming "truly" Caribbean. Professor Manuel shows how inaccurate this characterization is. On the one hand, in the form of tãn-singing, it examines the distinctiveness of traditional Indo-Caribbean musical culture. On the other, in the form of chutney, it examines the new assertiveness and syncretism of Indo-Caribbean popular music. Students of Indo-Caribbean music and curious world-music fans alike will be fascinated by Professor Manuel's guided tour through the complex and exciting world of Indo-Caribbean musical culture. Author note: Peter Manuel, an authority on the music of both North India and the Caribbean, is Associate Professor in the Department of Art, Music, and Philosophy at John Jay College. He is the author of several books, including Popular Musics of the Non-Western World (Oxford University Press), Cassette Culture: Popular Music and Technology in North India, and Caribbean Currents: Caribbean Music from Rumba to Reggae (Temple University Press).
Author: Sir John Francis Twisden
Publisher:
ISBN:
Category : Mechanics
Languages : en
Pages : 384
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Book Description
Author: Catholic Students' Mission Crusade, U. S. A. Capuchin Mission Unit
Publisher:
ISBN:
Category : Missions
Languages : en
Pages : 398
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Book Description
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700
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Book Description
