Russian Futurist Theatre

Russian Futurist Theatre PDF Author: Robert Leach
Publisher: Edinburgh University Press
ISBN: 1474402453
Category : Literary Criticism
Languages : en
Pages : 265

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Book Description
Russian Futurist Theatre explores is the first book to comprehensively uncover the Russian futurist theatre in all its virtuosity and diversity.

Russian Futurist Theatre

Russian Futurist Theatre PDF Author: Robert Leach
Publisher: Edinburgh University Press
ISBN: 1474436706
Category : Literary Criticism
Languages : en
Pages : 281

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Book Description
A collection of original essays establishing how wide the intellectual boundaries of narrative theory have become

Victory Over the Sun

Victory Over the Sun PDF Author: Rosamund Bartlett
Publisher:
ISBN: 9780859898393
Category : Avant-garde (Music)
Languages : en
Pages : 0

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Book Description
The Futurist opera Victory over the Sun was a key event of the Russian avant-garde. This volume brings together the first fully annotated translation of the libretto and other important primary source materials.

Theories of the Theatre

Theories of the Theatre PDF Author: Marvin A. Carlson
Publisher: Cornell University Press
ISBN: 1501726889
Category : Performing Arts
Languages : en
Pages : 554

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Book Description
Beginning with Aristotle and the Greeks and ending with semiotics and post-structuralism, Theories of the Theatre is the first comprehensive survey of Western dramatic theory. In this expanded edition the author has updated the book and added a new concluding chapter that focuses on theoretical developments since 1980, emphasizing the impact of feminist theory.

The Russian Futurist Legacy

The Russian Futurist Legacy PDF Author: Ryan Tvedt
Publisher:
ISBN:
Category :
Languages : en
Pages : 190

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Book Description


International Futurism in Arts and Literature

International Futurism in Arts and Literature PDF Author: Günter Berghaus
Publisher: Walter de Gruyter
ISBN: 3110804220
Category : Literary Criticism
Languages : en
Pages : 660

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Book Description
This publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.

Words in Revolution

Words in Revolution PDF Author: Anna M. Lawton
Publisher: New Academia Publishing, LLC
ISBN: 9780974493473
Category : Literary Criticism
Languages : en
Pages : 376

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Book Description
In her extensive Introduction, Lawton has highlighted the historical development of the movement and has related futurism both to the Russian national scene and to avant-garde movements worldwide.

Explodity

Explodity PDF Author: Nancy Perloff
Publisher: Getty Publications
ISBN: 1606065084
Category : Art
Languages : en
Pages : 210

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Book Description
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.

A Slap in the Face!

A Slap in the Face! PDF Author: John Milner
Publisher: Philip Wilson Publishers, Limited
ISBN:
Category : Art
Languages : en
Pages : 120

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Book Description
"Futurism, the avant-garde movement which celebrated speed, technology and the dynamism of modernity, was founded in Italy in 1909, but within a few years Moscow and St. Petersburg had become hotbeds of futurist activity. However, while many Russian artists admired the revolutionary zeal of F.T. Marinetti, mercurial founder of the Italian movement, others resented his ambitions to bring Russian futurism under his leadership and wanted to defend their artistic autonomy." "John Milner's text is an examination of the complex relationship between Russian and Italian futurism, and provides a survey of the Russian futurist movement as manifested in art, design, literature, theatre, film and music. The book is illustrated with paintings, prints, drawings and book illustrations drawn from international collections."--Jacket.

Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre

Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre PDF Author: Mladen Ovadija
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773588671
Category : Drama
Languages : en
Pages : 261

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Book Description
Sound is born and dies with action. In this surprising, resourceful study, Mladen Ovadija makes a case for the centrality of sound as an integral element of contemporary theatre. He argues that sound in theatre inevitably "betrays" the dramatic text, and that sound is performance. Until recently, theatrical sound has largely been regarded as supplemental to the dramatic plot. Now, however, sound is the subject of renewed interest in theatrical discourse. Dramaturgy of sound, Ovadija argues, reads and writes a theatrical idiom based on two inseparable, intertwined strands - the gestural, corporeal power of the performer’s voice and the structural value of stage sound. His extensive research in experimental performance and his examination of the pioneering work by Futurists, Dadaists, and Expressionists enable Ovadija to create a powerful study of autonomous sound as an essential element in the creation of synesthetic theatre. Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre presents a cogent argument about a continuous tradition in experimental theatre running from early modernist to contemporary works.