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Author: Stephen Lovell
Publisher: Oxford University Press, USA
ISBN: 0198725264
Category : Business & Economics
Languages : en
Pages : 250
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Book Description
The first history in English of Soviet radio from its earliest days to the advent of television, showing the role played by broadcasting in establishing control of the Soviet State up to the 1970s: including the Cultural Revolution, Stalinist 1930s, World War II, the Cold War, and de-Stalinization.
Author: Stephen Lovell
Publisher: Oxford University Press, USA
ISBN: 0198725264
Category : Business & Economics
Languages : en
Pages : 250
Get Book Here
Book Description
The first history in English of Soviet radio from its earliest days to the advent of television, showing the role played by broadcasting in establishing control of the Soviet State up to the 1970s: including the Cultural Revolution, Stalinist 1930s, World War II, the Cold War, and de-Stalinization.
Author: Stephen Lovell
Publisher: OUP Oxford
ISBN: 0191038385
Category : History
Languages : en
Pages : 250
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Book Description
The story of radio begins alongside that of the Soviet state: Russia's first long-range transmission of the human voice occurred in 1919, during the civil war. Sound broadcasting was a medium of exceptional promise for this revolutionary regime. It could bring the Bolsheviks' message to the furthest corners of their enormous country. It had unprecedented impact: the voice of Moscow could now be wired into the very workplaces and living spaces of a population that was still only weakly literate. The liveness and immediacy of broadcasting also created vivid new ways of communicating 'Sovietness' - whether through May Day parades and elections, the exploits of aviators and explorers, or show trials and public criticism. Yet, in the USSR as elsewhere, broadcasting was a medium in flux: technology, the broadcasting profession, and the listening audience were never static. Soviet radio was quickly earmarked as the mouthpiece of Soviet power, yet its history is also full of unintended consequences. The supreme irony of Soviet 'radiofication' was that its greatest triumph - the expansion of the wireless-listening public in the Cold War era - made possible its greatest failure, by turning a part of the Soviet audience into devotees of Western broadcasting. Based on substantial original research in Moscow, St Petersburg, and Nizhnii Novgorod, Russia in the Microphone Age is the first full history of Soviet radio in English. In addition to the institutional and technological dimensions of the subject, it explores the development of programme content and broadcasting genres. It also goes in search of the mysterious figure of the Soviet listener. The result is a pioneering treatment of broadcasting as an integral part of Soviet culture from its early days in the 1920s until the dawn of the television age.
Author: Maria Rikitianskaia
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111203018
Category :
Languages : en
Pages : 235
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Book Description
Author: Claire L. Shaw
Publisher: Cornell University Press
ISBN: 1501713787
Category : History
Languages : en
Pages : 356
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Book Description
In Deaf in the USSR, Claire L. Shaw asks what it meant to be deaf in a culture that was founded on a radically utopian, socialist view of human perfectibility. Shaw reveals how fundamental contradictions inherent in the Soviet revolutionary project were negotiated—both individually and collectively— by a vibrant and independent community of deaf people who engaged in complex ways with Soviet ideology. Deaf in the USSR engages with a wide range of sources from both deaf and hearing perspectives—archival sources, films and literature, personal memoirs, and journalism—to build a multilayered history of deafness. This book will appeal to scholars of Soviet history and disability studies as well as those in the international deaf community who are interested in their collective heritage. Deaf in the USSR will also enjoy a broad readership among those who are interested in deafness and disability as a key to more inclusive understandings of being human and of language, society, politics, and power.
Author: Samuel Goff
Publisher: Bloomsbury Publishing
ISBN: 1350411183
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
What distinguished the Soviet 'look'? How did Soviet thinkers and artists reimagine the relationship between observer and observed? Soviet Spectatorship answers these questions through an in depth exploration of Soviet physical culture and its on screen representations from the end of the Civil War to the eve of the Second World War. Samuel Goff identifies the three fundamental 'structures of looking' - surveillance, aesthetics, and spectatorship - that shaped representations of the embodied Soviet subject. Close readings of understudied films such as Happy Finish (1934), The Laurels of Miss Ellen Gray (1935) and A Strict Young Man (1936), are contextualised through a theoretical analysis of the relationship between subjectivity and the body. In doing so, Goff traces the evolution of a specific Soviet 'look', examining perspectives on Soviet aesthetics and theories of body and mind, uncovering continuities within Soviet visual cultures in a period usually understood in terms of discontinuity and rupture.
Author: Carolyn Birdsall
Publisher: Bloomsbury Publishing USA
ISBN: 1501374990
Category : Music
Languages : en
Pages : 297
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Book Description
A century ago, the emergence of radio, along with organized systems of broadcasting, sparked a global fascination with the 'wonder' of sound transmission and reception. The thrilling experience of tuning in to the live sounds of this new medium prompted strong affective responses in its listeners. This book introduces a new concept of radiophilia, defined as the attachment to, or even a love of radio. Treating radiophilia as a dynamic cultural phenomenon, it unpacks the various pleasures associated with radio and its sounds, the desire to discover and learn new things via radio, and efforts to record, re-experience, and share radio. Surveying 100 years of radio from early wireless through to digital audio formats like podcasting, the book engages in debates about fandom, audience participation, listening experience, material culture, and how media relate to affect and emotions.
Author: Claire Shaw
Publisher: Bloomsbury Publishing
ISBN: 1350271276
Category : History
Languages : en
Pages : 265
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Book Description
The project to create a 'New Man' and 'New Woman' initiated in the Soviet Union and the Eastern Bloc constituted one of the most extensive efforts to remake human psychophysiology in modern history. Playing on the different meanings of the word 'technology' - as practice, knowledge and artefact - this edited volume brings together scholarship from across a range of fields to shed light on the ways in which socialist regimes in the Soviet bloc and Eastern Europe sought to transform and revolutionise human capacities. From external, state-driven techniques of social control and bodily management, through institutional practices of transformation, to strategies of self-fashioning, Technologies of Mind and Body in the Soviet Union and the Eastern Bloc probes how individuals and collectives engaged with - or resisted - the transformative imperatives of the Soviet experiment. The volume's broad scope covers topics including the theory and practice of revolutionary embodiment; the practice of expert knowledge and disciplinary power in psychotherapy and criminology; the representation and transformation of ideal bodies through mass media and culture; and the place of disabled bodies in the context of socialist transformational experiments. The book brings the history of human 're-making' and the history of Soviet and Eastern Bloc socialism into conversation in a way that will have broad and lasting resonance.
Author: Helena Goscilo
Publisher: Academic Studies PRess
ISBN:
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
A beneficiary of the pioneering incorporation of sound and synchronicity into cinema, the Hollywood musical became the most popular film genre in America’s thirties and forties. Its eastward migration resulted in a barrage of Polish screen musicals that relied on the country’s famous cabaret stars, while in the Soviet Union it inspired the audience-pleasing kolkhoz musicals of Ivan Pyr’ev and their urban counterpart, directed by Grigorii Aleksandrov. Like Stalin, Slavic moviegoers delectated tuneful melodies, mobile bodies in choreographed dance numbers, colorful costumes, and the notion that “all’s well that ends well.” Yet Slavic versions of the musical elaborated scenarios that differed from the Hollywood model. This volume examines the vagaries of this genre in both countries, from its early instantiations to its contemporary variations almost a century after its dramatic birth.
Author: Simon J. Potter
Publisher: Oxford University Press
ISBN: 019286498X
Category :
Languages : en
Pages : 308
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Book Description
The Wireless World sets out a new research agenda for the history of international broadcasting, and for radio history more generally. It examines global and transnational histories of long-distance wireless broadcasting, combining perspectives from international history, media and cultural history, the history of technology, and sound studies. It is a co-written book, the result of more than five years of collaboration. Bringing together their knowledge of a wide range of different countries, languages, and archives, the co-authors show how broadcasters and states deployed international broadcasting as a tool of international communication and persuasion. They also demonstrate that by paying more attention to audiences, programmes, and soundscapes, historians of international broadcasting can make important contributions to wider debates in social and cultural history. Exploring the idea of a 'wireless world', a globe connected, both in imagination and reality, by radio, The Wireless World sheds new light on the transnational connections created by international broadcasting. Bringing together all periods of international broadcasting within a single analytical frame, including the pioneering days of wireless, the Second World War, the Cold War, and the decades since the fall of the Berlin Wall, the study reveals key continuities and transformations. It looks at how wireless was shaped by internationalist ideas about the use of broadcasting to promote world peace and understanding, at how empires used broadcasting to perpetuate colonialism, and at how anti-colonial movements harnessed radio as a weapon of decolonization.
Author: Gordon Johnston
Publisher: Springer Nature
ISBN: 1137318554
Category : History
Languages : en
Pages : 344
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Book Description
This book is the first full-length history of the BBC World Service: from its interwar launch as short-wave radio broadcasts for the British Empire, to its twenty-first-century incarnation as the multi-media global platform of the British Broadcasting Corporation. The book provides insights into the BBC’s working relationship with the Foreign Office, the early years of the Empire Service, and the role of the BBC during the Second World War. In following the voice of the BBC through the Cold War and the contraction of the British empire, the book argues that debates about the work and purposes of the World Service have always involved deliberations about the future of the UK and its place in the world. In current times, these debates have been shaped by the British government’s commitment to leave the European Union and the centrifugal currents in British politics which in the longer term threaten the integrity of the United Kingdom. Through a detailed exploration of its past, the book poses questions about the World Service’s possible future and argues that, for the BBC, the question is not only what it means to be a global broadcaster as we enter the third decade of the twenty-first century, but what it means to be a national broadcaster in a divided kingdom.
