Rockin Records, 1998 Edition

Rockin Records, 1998 Edition PDF Author: Jerry Osborne
Publisher:
ISBN: 9780930625818
Category : Popular music
Languages : en
Pages : 1008

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Book Description

Rockin Records, 1998 Edition

Rockin Records, 1998 Edition PDF Author: Jerry Osborne
Publisher:
ISBN: 9780930625818
Category : Popular music
Languages : en
Pages : 1008

Get Book Here

Book Description


Jerry Osborne's Rockin' Records

Jerry Osborne's Rockin' Records PDF Author:
Publisher:
ISBN:
Category : Popular music
Languages : en
Pages : 954

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Book Description


Rockin' Records Buyers-Sellers Reference Book and Price Guide 2010 Edition

Rockin' Records Buyers-Sellers Reference Book and Price Guide 2010 Edition PDF Author: Jerry Osborne
Publisher: Jerry Osborne Enterprises
ISBN: 0932117589
Category : Antiques & Collectibles
Languages : en
Pages : 22

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Book Description


Jerry Osborne's Rockin' Records

Jerry Osborne's Rockin' Records PDF Author: Jerry Osborne
Publisher:
ISBN: 9780932117038
Category : Popular music
Languages : en
Pages : 614

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Book Description


The Rockin' 60s: The People Who Made the Music

The Rockin' 60s: The People Who Made the Music PDF Author: Brock Helander
Publisher: Schirmer Trade Books
ISBN: 0857128116
Category : Music
Languages : en
Pages : 854

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Book Description
The Rockin' '60s is a comprehensive guide through the decade that produced the greatest music of all time: The Beatles, The Rolling Stones, Bob Dylan, Jimi Hendrix, Led Zeppelin, Phil Spector, The Beach Boys, Aretha Frankin and hundreds more emerged from this era. Delve into a narrative history of each group and examine the people behind the music, along with an analysis of key recordings, discography, and archival photos throughout.

What was the First Rock 'n' Roll Record?

What was the First Rock 'n' Roll Record? PDF Author: Jim Dawson
Publisher:
ISBN: 9780571129393
Category : Music
Languages : en
Pages : 201

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Book Description
Using the essentially rhetorical (some might say theological) question: "What was the first rock 'n' roll record?" as its starting point, this unique book nominates 50 records for the honor, beginning with an early live recording, "Blues, Part 2" (1944) and ending with Elvis Presley's "Heartbreak Hotel" (1956). Forewords by Billy Vera and Dave Marsh.

A&R Pioneers

A&R Pioneers PDF Author: Brian Ward
Publisher: Vanderbilt University Press
ISBN: 0826521770
Category : Music
Languages : en
Pages : 481

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Book Description
Association for Recorded Sound Collections Certificate of Merit for the Best Historical Research in Recorded Roots or World Music, 2019 A&R Pioneers offers the first comprehensive account of the diverse group of men and women who pioneered artists-and-repertoire (A&R) work in the early US recording industry. In the process, they helped create much of what we now think of as American roots music. Resourceful, innovative, and, at times, shockingly unscrupulous, they scouted and signed many of the singers and musicians who came to define American roots music between the two world wars. They also shaped the repertoires and musical styles of their discoveries, supervised recording sessions, and then devised marketing campaigns to sell the resulting records. By World War II, they had helped redefine the canons of American popular music and established the basic structure and practices of the modern recording industry. Moreover, though their musical interests, talents, and sensibilities varied enormously, these A&R pioneers created the template for the job that would subsequently become known as "record producer." Without Ralph Peer, Art Satherley, Frank Walker, Polk C. Brockman, Eli Oberstein, Don Law, Lester Melrose, J. Mayo Williams, John Hammond, Helen Oakley Dance, and a whole army of lesser known but often hugely influential A&R representatives, the music of Bessie Smith and Bob Wills, of the Carter Family and Count Basie, of Robert Johnson and Jimmie Rodgers may never have found its way onto commercial records and into the heart of America's musical heritage. This is their story.

Sound of the Crowd: a Discography of the '80s (Fourth Edition)

Sound of the Crowd: a Discography of the '80s (Fourth Edition) PDF Author: Steve Binnie
Publisher: Lulu.com
ISBN: 0244129657
Category : Performing Arts
Languages : en
Pages : 286

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Book Description
SOUND OF THE CROWD: A DISCOGRAPHY OF THE '80s is the ultimate record collector's guide to the 1980s. In the era of multi-formatting, picture discs, coloured vinyl, multiple remixes, funny shaped records and tiny CDs you could lose down the back of the sofa, this book lists every format of every single, EP and album released in the UK in the 1980s by over 140 of the decade's biggest acts, from ABBA to Paul Young. This fourth edition has been fully revised and expanded to include even more acts than ever before, with additional sections to cover Band Aid-style charity congregations and compilation albums from the early '80s K-Tel efforts through to the Now That's What I Call Music series and its competitors. Compiled by Steve Binnie, editor of the '80s music website Sound of the Crowd and writer, producer and co-host of the unconventional '80s chart show Off The Chart, broadcast weekly on Mad Wasp Radio.

All Shook Up

All Shook Up PDF Author: Glenn C. Altschuler
Publisher: Oxford University Press
ISBN: 0199839573
Category : History
Languages : en
Pages : 241

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Book Description
The birth of rock 'n roll ignited a firestorm of controversy--one critic called it "musical riots put to a switchblade beat"--but if it generated much sound and fury, what, if anything, did it signify? As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's "switchblade beat" opened up wide fissures in American society along the fault-lines of family, sexuality, and race. For instance, the birth of rock coincided with the Civil Rights movement and brought "race music" into many white homes for the first time. Elvis freely credited blacks with originating the music he sang and some of the great early rockers were African American, most notably, Little Richard and Chuck Berry. In addition, rock celebrated romance and sex, rattled the reticent by pushing sexuality into the public arena, and mocked deferred gratification and the obsession with work of men in gray flannel suits. And it delighted in the separate world of the teenager and deepened the divide between the generations, helping teenagers differentiate themselves from others. Altschuler includes vivid biographical sketches of the great rock 'n rollers, including Elvis Presley, Fats Domino, Chuck Berry, Little Richard, Jerry Lee Lewis, and Buddy Holly--plus their white-bread doppelgangers such as Pat Boone. Rock 'n roll seemed to be everywhere during the decade, exhilarating, influential, and an outrage to those Americans intent on wishing away all forms of dissent and conflict. As vibrant as the music itself, All Shook Up reveals how rock 'n roll challenged and changed American culture and laid the foundation for the social upheaval of the sixties.

Please Allow Me to Introduce Myself: Essays on Debut Albums

Please Allow Me to Introduce Myself: Essays on Debut Albums PDF Author: George Plasketes
Publisher: Routledge
ISBN: 1317079744
Category : Business & Economics
Languages : en
Pages : 274

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Book Description
Debut albums are among the cultural artefacts that capture the popular imagination especially well. As a first impression, the debut album may take on a mythical status, whether the artist or group achieves enduring success or in rare cases when an initial record turns out to be an apogee for an artist. Whatever the subsequent career trajectory, the debut album is a meaningful text that can be scrutinized for its revelatory signs and the expectations that follow. Please Allow Me to Introduce Myself: Essays on Debut Albums tells the stories of 23 debut albums over a nearly fifty year span, ranging from Buddy Holly and the Crickets in 1957 to The Go! Team in 2004. In addition to biographical background and a wealth of historical information about the genesis of the album, each essay looks back at the album and places it within multiple contexts, particularly the artist’s career development. In this way, the book will be of as much interest to sociologists and historians as to culture critics and musicologists.