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Author: Robert Laneham
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 308
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Book Description
Author: Robert Laneham
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 308
Get Book Here
Book Description
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 154
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Book Description
Author: R. B. Morgan
Publisher: Cambridge University Press
ISBN: 1107655560
Category : History
Languages : en
Pages : 685
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Book Description
Originally published in 1923, this book aims 'to give a true picture of Britain and its inhabitants throughout the centuries' from pre-Roman days to 1837 through a series of extracts from literature and histories relating to Britain. The texts included are from a variety of sources, including Bede, Beowulf, state papers and the diary of Samuel Pepys. This book will be of value to anyone with an interest in English history.
Author: Jane Whitaker
Publisher: Bloomsbury Publishing
ISBN: 1786736101
Category : History
Languages : en
Pages : 369
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Book Description
The formal gardens of Elizabethan England were among the glories of their age. Complementing the great houses of the day, they reflected the aspirations of their owners, whose greatest desire was to achieve success at Court and to delight the Queen. No leading courtier would be without his great house, no great house was complete without its garden. In this richly illustrated work, Jane Whitaker explores these gems of Elizabethan England, focusing on the gardens of the Queen and her leading courtiers. Drawing on the cultural and horticultural sources of the day, as well as evidence surviving on the ground, she recreates these lost gardens, revealing both the rich and Renaissance culture that underlay them and the sumptuous world of the Elizabethan aristocracy. The result is an evocation of one of the most opulent reigns in English history and an entertaining and informative study of one of the most interesting periods of garden history.
Author: Frederick Joseph Harvey Darton
Publisher: Cambridge University Press
ISBN: 1108033814
Category : Literary Criticism
Languages : en
Pages : 395
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Book Description
Published in 1932, this classic study analyses the evolution of children's literature, and remains an invaluable resource today.
Author: Susan Frye
Publisher: Oxford University Press
ISBN: 0199923620
Category : Literary Criticism
Languages : en
Pages : 405
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Book Description
Elizabeth I is perhaps the most visible woman in early modern Europe, yet little attention has been paid to what she said about the difficulties of constructing her power in a patriarchal society. This revisionist study examines her struggle for authority through the representation of her female body. Based on a variety of extant historical and literary materials, Frye's interpretation focuses on three representational crises spaced fifteen years apart: the London coronation of 1559, the Kenilworth entertainments of 1575, and the publication of The Faerie Queene in 1590. In ways which varied with social class and historical circumstance, the London merchants, the members of the Protestant faction, courtly artists, and artful courtiers all sought to stabilize their own gendered identities by constructing the queen within the "natural" definitions of the feminine as passive and weak. Elizabeth fought back, acting as a discursive agent by crossing, and thus disrupting, these definitions. She and those closely identified with her interests evolved a number of strategies through which to express her political control in terms of the ownership of her body, including her elaborate iconography and a mythic biography upon which most accounts of Elizabeth's life have been based. The more authoritative her image became, the more vigorously it was contested in a process which this study examines and consciously perpetuates.
Author: Penny McCarthy
Publisher: Routledge
ISBN: 1351907964
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
An investigation into modes of early modern English literary 'indirection,' this study could also be considered a detective work on a pseudonym attached to some late sixteenth-century works. In the course of unmasking 'R.L.', McCarthy scrutinizes devices employed by writers in the Sidney coterie: punning, often across languages; repetitio-insistence on a sound, or hiding two persons 'under one hood'; disingenuous juxtaposition; evocation of original context; differential spelling (intended and significant). Among McCarthy's stunning-but solidly underpinned-conclusions are: Shakespeare used the pseudonym 'R.L.' among other pseudonyms; one, 'William Smith', was also his 'alias' in life; Shakespeare was at the heart of the Sidney circle, whose literary programme was hostile to Elizabeth I; and his work, composed mainly from the late 1570s to the early 90s, occasionally 'embedded' in the work of others, was covertly alluded to more often than has been recognized.
Author: Gina Bloom
Publisher: University of Pennsylvania Press
ISBN: 0812201310
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Voice in Motion explores the human voice as a literary, historical, and performative motif in early modern English drama and culture, where the voice was frequently represented as struggling, even failing, to work. In a compelling and original argument, Gina Bloom demonstrates that early modern ideas about the efficacy of spoken communication spring from an understanding of the voice's materiality. Voices can be cracked by the bodies that produce them, scattered by winds when transmitted as breath through their acoustic environment, stopped by clogged ears meant to receive them, and displaced by echoic resonances. The early modern theater underscored the voice's volatility through the use of pubescent boy actors, whose vocal organs were especially vulnerable to malfunction. Reading plays by Shakespeare, Marston, and their contemporaries alongside a wide range of late sixteenth- and early seventeenth-century texts—including anatomy books, acoustic science treatises, Protestant sermons, music manuals, and even translations of Ovid—Bloom maintains that cultural representations and theatrical enactments of the voice as "unruly matter" undermined early modern hierarchies of gender. The uncontrollable physical voice creates anxiety for men, whose masculinity is contingent on their capacity to discipline their voices and the voices of their subordinates. By contrast, for women the voice is most effective not when it is owned and mastered but when it is relinquished to the environment beyond. There, the voice's fragile material form assumes its full destabilizing potential and becomes a surprising source of female power. Indeed, Bloom goes further to query the boundary between the production and reception of vocal sound, suggesting provocatively that it is through active listening, not just speaking, that women on and off the stage reshape their world. Bringing together performance theory, theater history, theories of embodiment, and sound studies, this book makes a significant contribution to gender studies and feminist theory by challenging traditional conceptions of the links among voice, body, and self.
Author: Margaret P. Hannay
Publisher: Oxford University Press, USA
ISBN: 0195057791
Category : Authors and patrons
Languages : en
Pages : 344
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Book Description
A biography of Mary Sidney (1561-1621), Countess of Pembroke, sister of Sir Philip Sidney, based on primary sources such as account books, legal documents, letters, and diaries.
Author: Urszula Kizelbach
Publisher: Rodopi
ISBN: 9401211663
Category : Language Arts & Disciplines
Languages : en
Pages : 291
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Book Description
Early modern kings adopted a new style of government, Realpolitik, as spelled out in Machiavelli’s writings. Tudor monarchs, well aware of their questionable right to the throne, posed as great dissimulators, similarly to the modern prince who “must learn from the fox and the lion”. This book paints a portrait of a successful politician according to early modern standards. Kingship is no longer understood as a divinely ordained institution, but is defined as goal-oriented policy-making, relying on conscious acting and the theatrical display of power. The volume offers an intriguing discussion on kingship in pragmatic terms, as the strategic face-saving behaviour of Shakespeare’s kings. It also demonstrates how an efficient or inefficient management of the king’s political face could decide his success or failure as a monarch, and how the Renaissance world of Shakespeare’s history plays is combined with modern theories of communication, politeness and face. “Many studies in historical pragmatics or historical stylistics purport to expose language use in social context, but they fall short when measured against this study. The author approaches Shakespeare with concepts from literary studies and linguistic pragmatics, and weaves them together seamlessly with social history. The result is a treasure trove of insights.” – Jonathan Culpeper, Lancaster University “Exploring Machiavellian politics from the perspective of linguistic pragmatics and sociological role theory, Urszula Kizelbach’s study sheds interesting new light on Shakespeare’s stage kings. Her discussion of the strategic uses of polite speech is a particularly welcome addition to our thinking about Shakespeare’s English history plays. A promising new voice in European Shakespeare studies!” – Andreas Höfele, Munich University
