Author: Matthew McLennan Young
Publisher:
ISBN: 9781584563099
Category : Printers' international specimen exchange
Languages : en
Pages : 0
Book Description
"An in-depth study of the Printers' International Specimen Exchange, a subscription publication started in England in 1880 that ran for 16 volumes and included the work of over 1,000 printing establishments from 28 different nations. Includes 82 selected full-page reproductions of specimens and an index of contributors"--Provided by publisher.
The Rise and Fall of the Printers' International Specimen Exchange
Author: Matthew McLennan Young
Publisher:
ISBN: 9781584563099
Category : Printers' international specimen exchange
Languages : en
Pages : 0
Book Description
"An in-depth study of the Printers' International Specimen Exchange, a subscription publication started in England in 1880 that ran for 16 volumes and included the work of over 1,000 printing establishments from 28 different nations. Includes 82 selected full-page reproductions of specimens and an index of contributors"--Provided by publisher.
Publisher:
ISBN: 9781584563099
Category : Printers' international specimen exchange
Languages : en
Pages : 0
Book Description
"An in-depth study of the Printers' International Specimen Exchange, a subscription publication started in England in 1880 that ran for 16 volumes and included the work of over 1,000 printing establishments from 28 different nations. Includes 82 selected full-page reproductions of specimens and an index of contributors"--Provided by publisher.
Licensing Loyalty
Author: Jane McLeod
Publisher: Penn State Press
ISBN: 0271037687
Category : Language Arts & Disciplines
Languages : en
Pages : 314
Book Description
"Explores the evolution of the idea that the rise of print culture was a threat to the royal government of eighteenth-century France. Argues that French printers did much to foster this view as they negotiated a place in the expanding bureaucratic apparatus of the state"--Provided by publisher.
Publisher: Penn State Press
ISBN: 0271037687
Category : Language Arts & Disciplines
Languages : en
Pages : 314
Book Description
"Explores the evolution of the idea that the rise of print culture was a threat to the royal government of eighteenth-century France. Argues that French printers did much to foster this view as they negotiated a place in the expanding bureaucratic apparatus of the state"--Provided by publisher.
¡Printing the Revolution!
Author: E. Carmen Ramos
Publisher: Princeton University Press
ISBN: 0691210802
Category : Art
Languages : en
Pages : 326
Book Description
Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.
Publisher: Princeton University Press
ISBN: 0691210802
Category : Art
Languages : en
Pages : 326
Book Description
Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.
The Printing Press as an Agent of Change
Author: Elizabeth L. Eisenstein
Publisher: Cambridge University Press
ISBN: 9780521299558
Category : Design
Languages : en
Pages : 814
Book Description
A full-scale historical treatment of the advent of printing and its importance as an agent of change, first published in 1980.
Publisher: Cambridge University Press
ISBN: 9780521299558
Category : Design
Languages : en
Pages : 814
Book Description
A full-scale historical treatment of the advent of printing and its importance as an agent of change, first published in 1980.
Architecture in the Age of Printing
Author: Mario Carpo
Publisher: MIT Press
ISBN: 0262534096
Category : Architecture
Languages : en
Pages : 255
Book Description
A history of the influence of communication technologies on Western architectural theory. The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this book Mario Carpo discusses the communications media used by Western architects, from classical antiquity to modern classicism, showing how each medium related to specific forms of architectural thinking. Carpo highlights the significance of the invention of movable type and mechanically reproduced images. He argues that Renaissance architectural theory, particularly the system of the five architectural orders, was consciously developed in response to the formats and potential of the new printed media. Carpo contrasts architecture in the age of printing with what preceded it: Vitruvian theory and the manuscript format, oral transmission in the Middle Ages, and the fifteenth-century transition from script to print. He also suggests that the basic principles of "typographic" architecture thrived in the Western world as long as print remained our main information technology. The shift from printed to digital representations, he points out, will again alter the course of architecture.
Publisher: MIT Press
ISBN: 0262534096
Category : Architecture
Languages : en
Pages : 255
Book Description
A history of the influence of communication technologies on Western architectural theory. The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this book Mario Carpo discusses the communications media used by Western architects, from classical antiquity to modern classicism, showing how each medium related to specific forms of architectural thinking. Carpo highlights the significance of the invention of movable type and mechanically reproduced images. He argues that Renaissance architectural theory, particularly the system of the five architectural orders, was consciously developed in response to the formats and potential of the new printed media. Carpo contrasts architecture in the age of printing with what preceded it: Vitruvian theory and the manuscript format, oral transmission in the Middle Ages, and the fifteenth-century transition from script to print. He also suggests that the basic principles of "typographic" architecture thrived in the Western world as long as print remained our main information technology. The shift from printed to digital representations, he points out, will again alter the course of architecture.
The Coming of the Book
Author: Lucien Febvre
Publisher: Verso
ISBN: 9781859841082
Category : Art
Languages : en
Pages : 388
Book Description
Books, and the printed word more generally, are aspects of modern life that are all too often taken for granted. Yet the emergence of the book was a process of immense historical importance and heralded the dawning of the epoch of modernity. In this much praised history of that process, Lucien Febvre and Henri-Jean Martin mesh together economic and technological history, sociology and anthropology, as well as the study of modes of consciousness, to root the development of the printed word in the changing social relations and ideological struggles of Western Europe.
Publisher: Verso
ISBN: 9781859841082
Category : Art
Languages : en
Pages : 388
Book Description
Books, and the printed word more generally, are aspects of modern life that are all too often taken for granted. Yet the emergence of the book was a process of immense historical importance and heralded the dawning of the epoch of modernity. In this much praised history of that process, Lucien Febvre and Henri-Jean Martin mesh together economic and technological history, sociology and anthropology, as well as the study of modes of consciousness, to root the development of the printed word in the changing social relations and ideological struggles of Western Europe.
The Printing Revolution in Early Modern Europe
Author: Elizabeth L. Eisenstein
Publisher: Cambridge University Press
ISBN: 9780521845434
Category : Business & Economics
Languages : en
Pages : 412
Book Description
New illustrated and abridged edition surveys the communications revolution of the fifteenth century.
Publisher: Cambridge University Press
ISBN: 9780521845434
Category : Business & Economics
Languages : en
Pages : 412
Book Description
New illustrated and abridged edition surveys the communications revolution of the fifteenth century.
The Nature of the Book
Author: Adrian Johns
Publisher: University of Chicago Press
ISBN: 0226401235
Category : Literary Criticism
Languages : en
Pages : 779
Book Description
In The Nature of the Book, a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas—commercial, intellectual, political, and individual. "A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lies in the splendid detail he has collected to describe the world of books in the first two centuries after the printing press arrived in England."—Alberto Manguel, Washington Times "[A] mammoth and stimulating account of the place of print in the history of knowledge. . . . Johns has written a tremendously learned primer."—D. Graham Burnett, New Republic "A detailed, engrossing, and genuinely eye-opening account of the formative stages of the print culture. . . . This is scholarship at its best."—Merle Rubin, Christian Science Monitor "The most lucid and persuasive account of the new kind of knowledge produced by print. . . . A work to rank alongside McLuhan."—John Sutherland, The Independent "Entertainingly written. . . . The most comprehensive account available . . . well documented and engaging."—Ian Maclean, Times Literary Supplement
Publisher: University of Chicago Press
ISBN: 0226401235
Category : Literary Criticism
Languages : en
Pages : 779
Book Description
In The Nature of the Book, a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas—commercial, intellectual, political, and individual. "A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lies in the splendid detail he has collected to describe the world of books in the first two centuries after the printing press arrived in England."—Alberto Manguel, Washington Times "[A] mammoth and stimulating account of the place of print in the history of knowledge. . . . Johns has written a tremendously learned primer."—D. Graham Burnett, New Republic "A detailed, engrossing, and genuinely eye-opening account of the formative stages of the print culture. . . . This is scholarship at its best."—Merle Rubin, Christian Science Monitor "The most lucid and persuasive account of the new kind of knowledge produced by print. . . . A work to rank alongside McLuhan."—John Sutherland, The Independent "Entertainingly written. . . . The most comprehensive account available . . . well documented and engaging."—Ian Maclean, Times Literary Supplement
The Typographic Imagination
Author: Nathan Shockey
Publisher: Columbia University Press
ISBN: 023155074X
Category : Literary Criticism
Languages : en
Pages : 349
Book Description
In the early twentieth century, Japan was awash with typographic text and mass-produced print. Over the short span of a few decades, affordable books and magazines became a part of everyday life, and a new generation of writers and thinkers considered how their world could be reconstructed through the circulation of printed language as a mass-market commodity. The Typographic Imagination explores how this commercial print revolution transformed Japan’s media ecology and traces the possibilities and pitfalls of type as a force for radical social change. Nathan Shockey examines the emergence of new forms of reading, writing, and thinking in Japan from the last years of the nineteenth century through the first decades of the twentieth. Charting the relationships among prose, politics, and print capitalism, he considers the meanings and functions of print as a staple commodity and as a ubiquitous and material medium for discourse and thought. Drawing on extensive archival research, The Typographic Imagination brings into conversation a wide array of materials, including bookseller trade circulars, language reform debates, works of experimental fiction, photo gazetteers, socialist periodicals, Esperanto primers, declassified censorship documents, and printing press strike bulletins. Combining the rigorous close analysis of Japanese literary studies with transdisciplinary methodologies from media studies, book history, and intellectual history, The Typographic Imagination presents a multivalent vision of the rise of mass print media and the transformations of modern Japanese literature, language, and culture.
Publisher: Columbia University Press
ISBN: 023155074X
Category : Literary Criticism
Languages : en
Pages : 349
Book Description
In the early twentieth century, Japan was awash with typographic text and mass-produced print. Over the short span of a few decades, affordable books and magazines became a part of everyday life, and a new generation of writers and thinkers considered how their world could be reconstructed through the circulation of printed language as a mass-market commodity. The Typographic Imagination explores how this commercial print revolution transformed Japan’s media ecology and traces the possibilities and pitfalls of type as a force for radical social change. Nathan Shockey examines the emergence of new forms of reading, writing, and thinking in Japan from the last years of the nineteenth century through the first decades of the twentieth. Charting the relationships among prose, politics, and print capitalism, he considers the meanings and functions of print as a staple commodity and as a ubiquitous and material medium for discourse and thought. Drawing on extensive archival research, The Typographic Imagination brings into conversation a wide array of materials, including bookseller trade circulars, language reform debates, works of experimental fiction, photo gazetteers, socialist periodicals, Esperanto primers, declassified censorship documents, and printing press strike bulletins. Combining the rigorous close analysis of Japanese literary studies with transdisciplinary methodologies from media studies, book history, and intellectual history, The Typographic Imagination presents a multivalent vision of the rise of mass print media and the transformations of modern Japanese literature, language, and culture.
Printing a Mediterranean World
Author: Sean Roberts
Publisher: Harvard University Press
ISBN: 0674068076
Category : History
Languages : en
Pages : 336
Book Description
In 1482 Francesco Berlinghieri produced the Geographia, a book of over 100 folio leaves describing the world in Italian verse interleaved with lavishly engraved maps. Roberts demonstrates that the Geographia represents the moment of transition between printing and manuscript culture, while forming a critical base for the rise of modern cartography.
Publisher: Harvard University Press
ISBN: 0674068076
Category : History
Languages : en
Pages : 336
Book Description
In 1482 Francesco Berlinghieri produced the Geographia, a book of over 100 folio leaves describing the world in Italian verse interleaved with lavishly engraved maps. Roberts demonstrates that the Geographia represents the moment of transition between printing and manuscript culture, while forming a critical base for the rise of modern cartography.