Rhetorical Subversion in Early English Drama PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Rhetorical Subversion in Early English Drama PDF full book. Access full book title Rhetorical Subversion in Early English Drama by Douglas W. Hayes. Download full books in PDF and EPUB format.
Author: Douglas W. Hayes
Publisher: Peter Lang
ISBN: 9780820463018
Category : Drama
Languages : en
Pages : 172
Get Book Here
Book Description
This book centers on the uses and abuses of language in early English drama. It examines a number of plays alongside classical and sixteenth-century rhetorical treatises and focuses on the appearances of one stock character, the Vice figure, to determine how he uses language to dupe, implicate, and control others in the plays. The Vice figure is usually very skilled in the use of rhetoric and, in many cases, seems to be so persuasive and entertaining that the moral aims of the drama appear to be jeopardized. Douglas W. Hayes investigates the moral and rhetorical ambivalence of the Vice figure not only in Medieval morality plays and Tudor interludes, but also in the language of later characters related to the Vice such as Marlowe's Mephastophilis and Shakespeare's Falstaff and Iago.
Author: Douglas W. Hayes
Publisher: Peter Lang
ISBN: 9780820463018
Category : Drama
Languages : en
Pages : 172
Get Book Here
Book Description
This book centers on the uses and abuses of language in early English drama. It examines a number of plays alongside classical and sixteenth-century rhetorical treatises and focuses on the appearances of one stock character, the Vice figure, to determine how he uses language to dupe, implicate, and control others in the plays. The Vice figure is usually very skilled in the use of rhetoric and, in many cases, seems to be so persuasive and entertaining that the moral aims of the drama appear to be jeopardized. Douglas W. Hayes investigates the moral and rhetorical ambivalence of the Vice figure not only in Medieval morality plays and Tudor interludes, but also in the language of later characters related to the Vice such as Marlowe's Mephastophilis and Shakespeare's Falstaff and Iago.
Author: Noreen Giffney
Publisher: Routledge
ISBN: 1317041887
Category : Social Science
Languages : en
Pages : 648
Get Book Here
Book Description
This interdisciplinary volume of thirty original essays engages with four key concerns of queer theoretical work - identity, discourse, normativity and relationality. The terms ’queer’ and ’theory’ are put under interrogation by a combination of distinguished and emerging scholars from a wide range of international locations, in an effort to map the relations and disjunctions between them. These contributors are especially attendant to the many theoretical discourses intersecting with queer theory, including feminist theory, LGBT studies, postcolonial theory, psychoanalysis, disability studies, Marxism, poststructuralism, critical race studies and posthumanism, to name a few. This Companion provides an up to the minute snapshot of queer scholarship from the past two decades and identifies many current directions queer theorizing is taking, while also signposting several fruitful avenues for future research. This book is both an invaluable and authoritative resource for scholars and an indispensable teaching tool for use in the classroom.
Author: Luke Seaber
Publisher: BRILL
ISBN: 9004399348
Category : Social Science
Languages : en
Pages : 142
Get Book Here
Book Description
What constitutes a villain? How does villainy differ from evil? Do villains created for children's fiction differ from those created for adults? The villains considered in this volume come from an eclectic range of sources - from comic books to film and from novels to television serials - and a broad selection of times and places. Villains continue to raise troubling questions about the role of narrative in both fiction and real life.
Author: Stephen Longstaffe
Publisher: A&C Black
ISBN: 1441117679
Category : Literary Criticism
Languages : en
Pages : 231
Get Book Here
Book Description
An introduction to Shakespeare's I Henry IV - introducing its critical and performance history, current critical landscape and new directions in research on the play.
Author: Maik Goth
Publisher: Peter Lang
ISBN: 9783631564653
Category : Literary Criticism
Languages : en
Pages : 156
Get Book Here
Book Description
In The Western Canon: The Books and School of the Ages the American critic Harold Bloom claims that Shakespeare drew on Chaucer's Pardoner when creating the villain Iago for his Othello. This book turns Bloom's observation of influences within the canon of Western literature into a more complex intermedial analysis of dramatic and literary traditions at the waning of the Middle Ages and the dawn of the Renaissance. The discussion of verbal and non-verbal codes in Chaucer's presentation of the Pardoner and Shakespeare's depiction of Iago sheds light on the various strands of the Vice's development, and shows that Chaucer's pilgrim, who descends obliquely from the stage Vices, stands at the very beginning of the Vice tradition, while Iago is a late development of him, who adapts his role to new dramatic challenges.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 746
Get Book Here
Book Description
Author: Michele Marrapodi
Publisher: Routledge
ISBN: 1317056582
Category : Literary Criticism
Languages : en
Pages : 368
Get Book Here
Book Description
Throwing fresh light on a much discussed but still controversial field, this collection of essays places the presence of Italian literary theories against and alongside the background of English dramatic traditions, to assess this influence in the emergence of Elizabethan theatrical convention and the innovative dramatic practices under the early Stuarts. Contributors respond anew to the process of cultural exchange, cultural transaction, and generic intertextuality involved in the debate on dramatic theory and literary kinds in the Renaissance, exploring, with special emphasis on Shakespeare's works, the level of cultural appropriation, contamination, revision, and subversion characterizing early modern English drama. Shakespeare and Renaissance Literary Theories offers a wide range of approaches and critical viewpoints of leading international scholars concerning questions which are still open to debate and which may pave the way to further groundbreaking analyses on Shakespeare's art of dramatic construction and that of his contemporaries.
Author: Chloe Preedy
Publisher: Bloomsbury Publishing
ISBN: 1408181290
Category : Literary Criticism
Languages : en
Pages : 257
Get Book Here
Book Description
Winner of the Roma Gill Prize 2015, Marlowe's Literary Scepticism re-evaluates the representation of religion in Christopher Marlowe's plays and poems, demonstrating the extent to which his literary engagement with questions of belief was shaped by the virulent polemical debates that raged in post-Reformation Europe. Offering new readings of under-studied works such as the poetic translations and a fresh perspective on well-known plays such as Doctor Faustus, this book focuses on Marlowe's depiction of the religious frauds denounced by his contemporaries. It identifies Marlowe as one of the earliest writers to acknowledge the practical value of religious hypocrisy, and a pivotal figure in the history of scepticism.
Author:
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 888
Get Book Here
Book Description
Author: James M. Bromley
Publisher: Oxford University Press
ISBN: 0198867824
Category : Literary Criticism
Languages : en
Pages : 233
Get Book Here
Book Description
This book examines early modern drama's depiction of non-standard forms of masculinity grounded in superficiality, inauthenticity, affectation, and the display of the extravagantly clothed body. Practices of extravagant dress destabilized distinctions between able-bodied and disabled, human and non-human, and the past and present, distinctions that structure normative ways of thinking about sexuality. In city comedies by Ben Jonson, George Chapman, Thomas Middleton, and Thomas Dekker, extravagantly dressed male characters imagine alternatives to the prevailing modes of subjectivity, sociability, and eroticism in early modern London. While these characters are situated in hostile narrative and historical contexts, this book draws on recent work on disability, materiality, and queer temporality to rethink their relationship to those contexts in order to access the world-making possibilities of early modern queer style. In their rich representations of life in London around the turn of the seventeenth century, these plays not only were, but also remain, uniquely sensitive to the intersection of sexuality, urbanization, and material culture. The attachments and pleasures of early modern sartorial extravagance they depict can estrange us from the epistemologies that narrow current thinking about sexuality's relationship to authenticity, pedagogy, interiority, and privacy.
